Britannia. Come, Canada-your people grow apace. (BRITANNIA resumes her seat upon the throne, and the FOUR DAUGHTER NATIONS and NEWFOUNDLAND all sit. The ORCHESTRA plays solemn chords of music. CHORUS looks at them silently, for a few moments, with deep surprise and admiration, but presently speaks to the audience.) Chorus. Oh, great soul-stirring sight! What see we there ? As dwellers in our older countries here? My youngest poet-son shall answer that, Now sound loud music, and in Britain's name Our common flag we'll joyfully acclaim. (The CHOIR sing "Hymn to the Flag," to be sung to the tune of "The Old Hundredth.") O Spirit of our Land, we greet, Our far-famed banner, floating free. In thee may Faith and Valour meet * If preferred, the recitation of "The Native-Born" can be omitted, and CHORUS continue, after her words "United they attack a common foe," Now sound loud music, and in Freedom's name Chorus. What emblem stands for Britain's might ? What sign have we of gain or loss? Turn to the Symbol hanging there, And in our flag the sign of prayer.* (BRITANNIA and the DAUGHTER NATIONS remain seated on the throne while the song is sung. At the end CHORUS steps forward and addresses them.) Mighty Britannia, throned beneath thy flag, I am Gibraltar's famous Rock. Ere Britain from the Frenchman won My stronghold as an offering. (At the end of their verses the Boys turn to salute BRITANNIA, and stand at attention, grasping their flags.) Britannia. Brave fortresses-I hail you for my own; For guerdon sit you now upon my throne. Note that verse 4 of old text is left out for obvious reason. Out of the East, from the land of the sunrise, Long have I suffered the yoke of the stranger, See how like phantoms they come and they go. Think they have won, and, in grasping the shadow, All that is Real they for ever forgo. Many have passed like the mists of the morning, Great Hindustan, we thank thee for thy praise, This our philosophy, our ruling plan, And, Chorus, I perceive the hour is late. Our great possessions we will symbolize : Chorus. 'Tis well. In groups they shall be summoned here: Voice. (During the roll-call of the Crown Colonies, &c., either the ORCHESTRA plays appropriate music or songs may be sung behind the scenes by the CHOIR.) (Flourish of Trumpets. The voice of the USHER behind the scenes calls as follows: [N.B.-The calls in the roll-call being very long, it will be better for them only to be called once.]) Voice. (This GROUP should be represented by a group of VERY LITTLE GIRLS, crowned with flowers, and bearing long garlands of flowers in their hands. They perform a dance instead of a march. [If too small to do anything else, to join hands and dance round would do very well.] The music for their entrance should not be so stately as that for the others. Besides the flower crowns, they might have pieces of coral round their necks.) (Flourish of trumpets.) Africa Rhodesia, Central Africa, Zanzibar, East Africa, Somaliland, Socotra, West Coast Settlement, Nigeria, Mauritius, and the Seychelles. (Enter this GROUP and perform march or dance.) (The FOUR GROUPS, at the end of this portion of the roll-call, are arranged in various parts of the stage, the music still continuing, but softly.) (Flourish of trumpets.) The coaling stations of the British Empire-Gibraltar, Malta, (On hearing their names called, GIBRALTAR and MALTA jump up and salute.) Aden, Colombo, Singapore, Hong-Kong, the Bermudas, Ascension, and St. Helena. (These SEVEN LITTLE BOYS run in, dressed in sailor suits, with sacks of coal on their back and carrying the White Ensign.) (They march round the stage at the double, and then sit down close to the footlights, leaving a large space, however, in the middle of the stage free. They place their coal-sacks at the side. A tableau is thus formed of the whole Empire, BRITANNIA and the DAUGHTER NATIONS remaining enthroned. CHORUS, who has watched these proceedings with deep interest, coming forward and addressing BRITANNIA :) Chorus. The roll is called. All are assembled now. Britannia. Nay, let not Providence be thus defied. (Rises.) (After speaking the first line, BRITANNIA rises, the DAUGHTER NATIONS rising at the same time. BRITANNIA comes down from her throne to the stage, the DAUGHTER NATIONS forming a group arranged on the lower step of the throne, as seems best. BRITANNIA, standing in the middle of the stage, recites THE RECESSIONAL. By RUDYARD KIPLING. (As she says the last line, BRITANNIA kneels, raising her hands and eyes. ALL THE OTHER PERSONAGES on the stage stand with eyes downcast and heads bent. The CHOIR, unaccompanied, sings Stainer's "Sevenfold Amen," and slowly and silently as they are singing it the curtain drops. After the fall of the curtain the CHORUS advances and speaks the Epilogue.) (If a suitable number of performers cannot be obtained, this alternative reading may be used, after BRITANNIA motions INDIA to take her stand close to the throne on the right.) ASIA-British New Guinea, Fiji Islands, and the scattered Islands of the Pacific. AFRICA Rhodesia, Central Africa, Zanzibar, East Africa, Somaliland, Socotra, West Coast Settlement, Nigeria, Mauritius, and the Seychelles. The coaling stations of the British Empire ---Gibraltar and Malta (on hearing their names called, GIBRALTAR and MALTA jump up and salute), Aden, Colombo, Singapore, Hong-Kong, the Bermudas, Ascension, and St. Helena (rolling up the parchment and turning to BRITANNIA). The roll is called. The list is ended now. Lands from all continents before thee bow. Nay, let not Providence be thus defied (rising), True Empire rests not on vain pomp, but prayer. Chorus. Amen! Amen! So may we Empire hold, The interests of the governed. Love, not fear, should be Now with uplifted voices let us sing (The curtain rises, and discovers the whole COMPANY grouped on the stage. BRITANNIA stands on the top step of her throne, her helmet on her head, her right hand resting on the top of the shield and her left hand grasping her trident. HER DAUGHTER NATIONS stand round her. To the accompaniment of the ORCHESTRA, ALL (except BRITANNIA) join in the National Anthem.) God Save the king. Principals wishing to have their J. & J. PATON, EDUCATIONAL 143 CANNON STREET, LONDON, E.C. 4. Telephone: Central 5053. MACMILLAN'S LIST The British Empire Exhibition, "An especially serviceable little geography by a versatile compiler, intended for children rather than teachers. A considerable amount of interesting matter is presented in an intimate readable fashion that cannot fail to make its appeal to, and leave its effect on, the youthful reader."-The Irish School Weekly. ENGLISH LITERATURE SERIES. NEW VOLS. A FIRST BOOK OF MODERN POETRY. Selected and arranged by H. A. TREBLE, M.A. Is. 6d. SECOND BOOK OF MODERN POETRY. Selected and arranged by H. A. TREBLE, M.A. IS. 6d. A Many acceptable poems for children, by Hardy, Masefield, Newbolt, Sir Rennell Rodd, and other writers, are collected in these two little anthologies."-Times Educational Supplement. ** Complete List post free on application. OUTLINE OF ENGLISH GRAMMAR. By J. C. NESfield, M.A. New Edition, 2s.; Key 3s.net. MANUAL OF ENGLISH GRAMMAR AND COMPOSITION. By J. C. NESFIELD, M.A. New Edition, 3s. 6d.; Key 38. net. The terminology adopted by the Joint Committee on Grammatical Terminology has been used throughout in these latest editions. AN ENGLISH GRAMMAR FOR 2s. 6d. GINNERS. By LLEWELLYN TIPPING, M.A. "The terminology adopted by the Joint Committee on Grammatical Terminology has been used throughout. It is quite a useful book, with a large number of exercises which helps the pupil to frame rules for himself and gives plenty of practice in applying them."-Teacher's Times. SET D READY MAY 5th. THE SINGLE COPY READERS consist at present of four sets, each of 20 different volumes. Set A is for children of ages 10 to 11 12 to 13 Detailed List of Books post free 13 and over on application. 13 and over B C D " HERE AND THERE IN THE BRITISH THE SCHOLAR'S READING RECORD EMPIRE. Here and There STORIES, No. 8. Paper 6d.; cloth, 8d. THE PUPILS' CLASS BOOK OF GEOGRAPHY. By ED. J. S. LAY, F.R.G.S. BRITISH DOMINIONS. Paper, Is.; cloth, Is. 3d. HISTORY THE PROGRESS TO HISTORY. THE By RICHARD WILSON, D.Litt. Stage V, CHILDREN OF THE SEVEN SEAS. 2s. 6d. This volume deals with the history of the British Empire. THE ENGLISH PEOPLE. By ED. J. S. LAY, F.R.G.S. 25. 3d. Part II of this volume deals with the Making of the British Empire. THE BRITISH EMPIRE. THEN AND NOW STORIES, No. 15. Paper, 8d.; cloth, iod. HISTORY IN PICTURES. By ED. J. S. LAY, provides, for each book in the set to which it refers, a set of questions which the child should be able to answer after he has read the book. 4d. ADVANCED FRENCH COMPOSITION. By H. E. BERTHON, M.A., Senior Taylorian Lectures in French in the University of Oxford, and C. T. ONIONS, Joint Editor of the Oxford English Dictionary. 4S. SIEPMANN'S CLASSICAL FRENCH TEXTS. NEW VOL. EXTRAITS de J.-J. ROUSSEAU. Edited by H. E. BERTHON, M.A., Senior Taylorian Lecturer in French in the University of Oxford. 3s. "Well selected extracts, with an introduction which deals adequately with Rousseau's life, ideas, and influence. There are good notes, passages for translation into French, and suggestions for free composition. A sound and scholarly piece of work."-Education. Complete List of Professor Siepmann's Works sent post free on application. VOL. II. JUST PUBLISHED. VIRGIL. The Aeneid of Virgil in English Verse. Vol. II. Books IV-VI. By ARTHUR S. WAY. D.Lit. 5s. net. Previously published. Vol. Books I-III. 5s. net. HOW TO ORGANIZE THE CURRICUF.R.G.S. Parts I and II. Paper, 25.; cloth, 2s. 6d. each. LUM. By Professor CHARLES A. MCMURRY. 8s. 6d.net. MACMILLAN & CO., LTD., ST. MARTIN'S STREET, LONDON, W.C. 2 Printed by THE CAMPFIELD PRESS, St. Albans; and Published for the Proprietors by Mr. WILLIAM RICE, Three Ludgate Broadway, London. E.C. 4 |