Sonate a Violino e Violone o Cembalo, di Gasparo Visconti. Sonate a Violino Solo col Basso Continuo, da Carlo Marini. Op. In one volume, oblong folio. 868. Concertos for Three Violins, an Alto Viola, and a Through Bass for the Harpsicord or Bass Violin, compos'd by Giuseppe Matteo Alberti. Opera Prima. In separate parts. Six books. Folio. London [1713?]. 869. Sonate, a Violino e Basso, di Giuseppe Fedeli detto Saggione. Opera Prima. Folio Paris, 1715. 870. Sinfonie da Camera a Tre Istromenti, composte dal Nicola Porpora. Opera II. In separate parts. Folio London, 1736. 871. Trattenimenti a Violino e Basso, da Carlo Tessarini. Op. Quarta. Oblong folio Urbino (?), 1742. 872. VI Sonate per Violino o Flauto Traversiere e Cembalo, da Carlo Tessarini. Opera XIV. Folio London (?). 873. Concerti a V. con Violino Obbligato, da Carlo Tessarini. In separate parts. Four books. Folio. Urbino. 874. No. 8. Symphonie Periodique, as performed at Hanover Square Concerts, &c., composed by Giuseppe Haydn. In separate parts. Folio London. 875. Six Sonates a Violon e Basse, composées par Jean Oliver Astorga. Oeuvre I. Folio London. 876. Sonate, a Violino Solo e Basso, di Giuseppe Agus. Folio. London (?). 877. Six Solos for a Violin and Bass, composed by Lewis Borghi. Opera Prima. Folio London. 878. Six Solos for the Violoncello and a Bass, composed by James Cervetto, Jun. Opera Terza. Folio London. 879. Overtures pour le grand Orchestre des Opéras de W. A. Mozart. Berlin. In score. Octavo Le Nozze di Figaro. Il Don Giovanni. La Clemenza di Tito. Cosi fau tutte. Idomeneo. Il Seraglio. 880. Ouverture, en Ut, à Grand Orchestre, composée par Louis V. Beeth oven. Oeuvre 124. In score. Folio Mayence. 881. Quartetten für 2 Violinen, Bratsche und Bass, von Felix Mendelssohn Bartholdy. No. VI. In score. Octavo Leipsic. 882. Andante, Scherzo, Capriccio und Fuge für 2 Violinen, Bratsche und Violoncell, componirt von Felix Mendelssohn Bartholdy. Op. 81. In score. Octavo Leipsic. 883. Quatuors pour Deux Violons, Alto et Violoncello. Op. 61, 122, et 124 [Three in each]. Composés par J. L. Ellerton. In score. Octavo Presented to the Society by the Composer. London. 884. Toccate d'Intavolatura di Cimbalo et Organo, partite di diverse Arie e Corrente, Balletti, Ciaccone, Passaghali, di Girolamo Frescobaldi. Libro Primo; and Il Secondo Libro di Toccate, Canzone versi d' Hinni Magnificat, Gag- This Work is printed from copper plates. 885. Concertos for the Organ or Harpsichord, with Instrumental Parts, composed by Mr. William Felton. Two Sets, of six each, arranged for a Keyed Instrument. Folio London. Presented to the Society by Miss Dowling. 886. A Collection of the Newest Minuets, Rigadoons, and French Dances perform'd att Court and Publick Entertainments. The Tunes proper for the Violin, Hoboy, or Flute. Printed on single leaves, oblong octavo London, 1716. 887. Six Sonatas for the Harpsicord or Pianoforte, with an accompaniment for a Violin or German Flute. Compos'd by Sigr Luigi Boccherini. Op. 3. (The Harpsichord part only.) Imperfect. The Air, "Fal lal la," adapted with Variations for the Pianoforte or Six Sonatas for the Pianoforte or Harpsichord, with a Violin Accom- Com Six Sonatas and the Medley Overture for the Pianoforte; the subjects Martini's Favourite Minuet. In score. Six Sonatas for the Pianoforte or Harpsichord, with an accompany- 888. Three Sonatas for the Pianoforte, with an accompaniment for a Violin, composed by J. C. Bach. In score. Folio. London. 889. Six Sonatas for the Pianoforte or Harpsichord, composed by Elizabeth Weichsel in the eleventh year of her age. Opera 2nda. Folio. London. The Composer afterwards became celebrated as Mrs. Billington, the Vocalist. 890. Six Divertimentos pour le Clavecin, avec l'accompagnement d'un Violon. Composés par J. A. Just. Oeuvre I. In separate parts. Two books, folio. 891. VIII Sonate per Cembalo, da Giuseppe Jozzi. Oblong folio. London. Amsterdam. 892. Mozart's Requiem, arranged for Organ or Pianoforte Solo by Josiah Pittman. Folio. Presented to the Society by Mr. Pittman. London [1854]. 893. A Set of Progressive Lessons for the Harpsichord or Pianoforte, expressly calculated for the use of Beginners; composed by Samuel Arnold, Mus. Doc. Book II. Oblong folio London. 894. XII Sonate a Flauto Traversiere Solo, e Basso, di Pietro Locatelli. Opera Seconda. Amsterdam. Folio The Composer's autograph is on the title-page. 895. VI Sonatas for Two German Flutes, or Two Violins, with a Thorough Bass for the Harpsichord or Violoncello, composed by Sigr Pietro Locatelli. Opera Terza. In separate parts. Folio. London. 896. Six Trios for a German Flute, Violin, and Bass. By C. Weiss. Op. II. In separate parts. Folio. London. 897. Six Solos for a German Flute or Violin, with a Thorough Bass for the Harpsicord or Violoncello, compos'd by Sigr Carlo Wiseman. Folio. London. 898. Trois Sonates pour la Harpe, avec accompagnement de Violon ad libitum. Par J. B. Krumpholtz. Oeuvre XVI. In separate parts. Oblong folio Paris. 899. A Similar Set of Sonatas. Oeuvre XVII. In separate parts. Oblong folio Paris. E MANUSCRIPT MUSIC. 125. Deborah, an Oratorio, composed by George Frederic Handel; as condensed for performance by the Sacred Harmonic Society. With Additional Accompaniments, composed expressly for the Society, by Mr. Costa. In full score. The additions are distinguished from the original text by red ink. Large folio. 1855. Presented to the Society by Mr. Costa. 126. "Il Convito d' Alessandro, Musica del Signor Hendel." In full Oblong quarto. score. An adaptation of "Alexander's Feast" to Italian words. 127. "Rinaldo," an Opera, by Rossi; composed by G. F. Handel. In full score. Folio. This MS. (which is a transcript of J. C. Smith's copy of the original score) contains the recitatives and symphonies, as well as those portions of the instrumental score which are omitted in the printed copy. The solos for the harpsichord, in the symphonies to the song "Vo far guerra e vincer," which are contained in the second printed edition, are not given in this copy, the places where they occur being (as in the first printed edition) left blank, with the word "Cembalo" written over. It was, doubtless, Handel's practice to play these solos at the performance extemporaneously. Presented to the Society by the Rev. F. J. Stainforth. 128. "Il Pastor fido," an Opera, composed by G. F. Handel. In full score. Folio. This is also a transcript from Smith's copy of the original score, containing the recitatives, &c., but wanting the three airs "Torni pure," Accorrete, O voi pastori," and "Sciolga dunque," which are given in the printed copy of the favourite Songs in this Opera (see Addenda to Printed Music, No. 5), and which are also to be found in the volume of MS. Music described under No. 16. Presented to the Society by the Rev. F. J. Stainforth. 129. Three Cantatas for a Single Voice, by G. F. Handel, viz., "Usignuol che tra le frondi," "A voi torno," and "O Numi eterni,” (La Lucretia). Quarto. Transcribed from MSS. in the British Museum, and presented to the Society by Miss Steere. 130. A Collection of Anthems, mostly by Composers of the latter half of the Seventeenth Century. In separate vocal parts, viz., Treble, Countertenor, Tenor, and Bass. (The Treble part wanting the 131. A Volume containing the following Services and Anthems in Score, written in 1825, by William Gray, Chorister of St. George's 132. A Latin Antiphonary, beautifully written on vellum, with illuminated capitals and borders, and paintings of the Annunciation, the Nativity, Christ appearing to Mary in the Garden, the Ascension, the Descent of the Holy Ghost, the Elevation of the Host by Angels, Jacob's Dream, the Coronation of the Virgin, the Congregation of All Saints. Octavo. Presented to the Society by Mr. R. W. Haynes. 133. A Collection of Latin Hymns, Psalms, &c., for Three, Four, Five, and Six Voices (each part being written separately, but on the same folio). The only Composers' names given are those of Jacob Obrecht and Josquin des Pres, each of which is placed to one piece. The name "Mris A. Bolleyne" is written on one leaf. Towards the end of the volume two or three French Songs are inserted. Some of the initial letters are coloured. Small folio. Written about the 16th century. Presented to the Society by Mr. R. W. Haynes. 134. A Mass for Five Voices, (" Repleatur os meum laude,") composed by Giovanni Pier Luigi da Palestrina. In score. Small folio. 135. A Mass for Four Voices, and Motett, "Beatam me dicent," for Five Voices, with Instruments, composed by the Abbé Vogler. In full score. Folio. |