In Other Words: Literature by Latinas of the United States

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Arte Publico Press, 1 ene 1994 - 592 páginas
Roberta Fernàndez has gathered the best and most representative examples of fiction, poetry, drama and essay currently being written by Latina writers of the United States. The work is arranged by genre, and topics are as varied as the voices and styles of the writers: the challenge of living in two cultures; experiencing marginality as a result of class, ethnicity, and/or gender; Latina feminism; the celebration of oneÍs culture and its people. Most of the pieces are in English and some are presented bilingually in English and Spanish. A preface and an introduction by the editor and a foreword by the noted critic of Latin American literature, Jean Franco, serve to contextualize the writers and their work; a primary and secondary bibliography serves as an appendix.
 

Índice

Teresa Palomo Acosta
5
Marjorie Agosín
13
Rosemary Catacalos
27
Lucha Corpi
49
Verónica Cunningham
61
Angela de Hoyos
67
Rhina Espaillat
79
Sandra María Esteves
89
Alma Luz Villanueva
247
Marie Elise Wheatwind
253
Gloria Anzaldúa
265
Roberta Fernández
281
Cherrie Moraga
299
Judith Ortiz Cofer
307
Elena Castedo
319
Lucha Corpi
331

Lourdes
101
Carolina Hospital
107
Iraida Iturralde
115
Natashia López
121
Olga Elena Mattei
131
Pat Mora
141
Naomi Quiñónez
153
Nina Serrano
161
Carmen Tafolla
173
Luz María Umpierre
183
Gloria Vando
191
Anita Vélez Mitchell
203
Cecilia Vicuña
219
Evangelina VigilPiñón
233
Beatriz de la Garza
337
Margarita Engle
361
Paula María Espinosa
373
Roberta Fernández
383
Linda Feyder
397
Alicia Gaspar de Alba
403
Graciela Limón
439
Judith Ortiz Cofer
459
Estela Portillo Trambley
477
Bessy Reyna
487
Dolores Prida
507
Bibliography
533
Translators Artists and Critic
549
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Página xv - The new mestiza copes by developing a tolerance for contradictions, a tolerance for ambiguity. She learns to be an Indian in Mexican culture, to be Mexican from an Anglo point of view. She learns to juggle cultures. She has a plural personality, she operates in a pluralistic mode—nothing is thrust out, the good, the bad and the ugly, nothing rejected, nothing abandoned. Not only does she sustain contradictions, she turns the ambivalence into something else.

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