Ashes Taken for Fire: Aesthetic Modernism And the Critique of Identity

absence actual aesthetic affective American appearance become body character Christmas communication complete concept Conrad constitute continually critical cultural dark death designation desire determination difference Ellison emerges experience expression face fact fiction figure finally finds force function gestures give hands Himes Himes's idea ideal identification identity ideological individual Invisible Jacob knowledge language light literary literature living logic look Marxism master material meaning Miss Lonelyhearts moment movement narrative narrator necessarily negative Negro never nigger notion novel object once opening organize perform play political position possibility practice present Press presumed pure question race racial radical reality recognition refusal representation sense silence singularity social sound space speaks speech structure suggests symbolic thing thinking thought tion Trans truth University University Press utterance voice void Wait Wait's Woolf writing York