Imágenes de página
PDF
ePub
[blocks in formation]
[blocks in formation]
[blocks in formation]

Sky, mountains, river, winds, lake, lightnings! ye,

With night, and clouds, and thunder, and a soul

To make these felt and feeling, well may be Things that have made me watchful; the far roll

Of your departing voices, is the knoll
Of what in me is sleepless,-if I rest.

But where of ye, O tempests! is the goal? Are ye like those within the human breast? Or do ye find at length, like eagles, some high nest?

XCVII.

Could I embody and unbosom now

That which is most within me,-could I wreak My thoughts upon expression, and thus throw Soul, heart, mind, passions, feelings, strong or weak,

All that I would have sought, and all I seek, Bear, know, feel, and yet breathe-into one word,

And that one word were Lightning, I would speak;

But as it is, I live and die unheard, With a most voiceless thought, sheathing it as a sword.

XCVIII.

The morn is up again, the dewy morn, With breath all incense, and with cheek all bloom,

Laughing the clouds away with playful scorn, And living as if earth contain'd no tomb,And glowing into day: we may resume The march of our existence: and thus I, Still on thy shores, fair Leman may find room And food for meditation, nor pass by Much, that may give us pause, if pondered fittingly.

XCIX.

Clarens! sweet Clarens! birthplace of deep Love!

Thine air is the young breath of passionate thought;

Thy trees take root in love; the snows above The very Glaciers have his colours caught, And sunset into rose-hues sees them wrought By rays which sleep there lovingly: the rocks, The permanent crags, tell here of Love, who sought

In them a refuge from the worldly shocks, Which stir and sting the soul with hope that woos, then mocks.

C.

Clarens! by heavenly feet thy paths are trod, --
Undying Love's, who here ascends a throne
To which the steps are mountains; where the
god

Is a pervading life and light,-so shown
Not on those summits solely, nor alone
In the still cave and forest; o'er the flower
His eye is sparkling, and his breath hatl.
blown,

His soft and summer breath, whose tender

power

Passes the strength of storms in their most desolate hour.

CI.

All things are here of him; from the black pines,

Which are his shade on high, and the loud roar Of torrents, where he listeneth, to the vines Which slope his green path downward to the shore,

Where the bow'd waters meet him, and adore, Kissing his feet with murmurs; and the wood, The covert of old trees, with trunks all hoar, But light leaves, young as joy, stands where it stood,

Offering to him, and his, a populous solitude.

CII.

A populous solitude of bees and birds,
And fairy-form'd and many colour'd things,
Who worship him with notes more sweet than
words,

And innocently open their glad wings,
Fearless and full of life: the gush of springs,
And fall of lofty fountains, and the bend

Of stirring branches, and the bud which brings The swiftest thought of beauty, here extend, Mingling, and made by Love, unto one mighty end.

CIII.

[blocks in formation]
[blocks in formation]
[blocks in formation]

VENICE, January 2, 1818. MY DEAR HOBHOUSE,-After an interval of eight years between the composition of the first and last cantos of Childe Harold, the conclusion of the poem is about to be submitted to the public. In parting with so old a friend, it is not extraordinary that I should recur to one still older and better,-to one who has beheld the birth and death of the other, and to whom I am far more indebted for the social advantages of an enlightened friendship, than-though not ungratefulI can, or could be, to Childe Harold, for any public favour reflected through the poem on the poet,-to one whom I have known long and accompanied far, whom I have found wakeful over my sickness and kind in my sorrow, glad in my prosperity and firm in my adversity, true in counsel and trusty in peril,—to a friend often tried and never found wanting;-to yourself.

I

In so doing, I recur from fiction to truth; and in dedicating to you, in its complete, or at least concluded state, a poetical work which is the longest, the most thoughtful and comprehensive of my compositions, I wish to do honour to myself by the record of many years' intimacy with a man of learning, of talent, of steadiness, and of honour. It is not for minds like ours to give or to receive flattery; yet the praises of sincerity have ever been permitted to the voice of friendship; and it is not for you, nor even for others, but to relieve a heart which has not elsewhere, or lately, been so much accustomed to the encounter of good-will as to withstand the shock firmly, that I thus attempt to commemorate your good qualities, or rather the advantages which I have derived from their exertion. Even the recurrence of the date of this letter, the anniversary of the most unfortunate day of my past existence, but which cannot poison my future while I retain the resource of your friendship, and of my own faculties, will henceforth have a more agreeable recollection for both, inasmuch as it will remind us of this my attempt to thank you for an indefatigable regard, such as few men have experienced, and no one could experience without thinking better of his species and of himself.

It has been our fortune to traverse together, at various periods, the countries of chivalry, history, and fable-Spain, Greece, Asia Minor, and Italy; and what Athens and Constantinople were to us a few years ago, Venice and Rome have been more recently. The poem also, or the pilgrim, or both, have accompanied me from first to last; and perhaps it may be a pardonable vanity which induces me to reflect with complacency on a composition which in some degree connects me with the spot where it was produced, and the objects it would fain describe; and however unworthy it may be deemed of those magical and memorable abodes, however short it may fall of our distant conceptions and immediate impressions, yet as a mark of respect for what is venerable, and of feeling for what is glorious, it has been to me a source of pleasure in the production, and I part with it with a kind of regret, which I hardly suspected that events could have left me for imaginary objects.

With regard to the conduct of the last canto, there will be found less of the pilgrim than in any of the preceding, and that little slightly, if at all, separated from the author speaking in his own person. The fact is, that I had become weary of drawing a line which every one seemed determined not to perceive; like the Chinese in Goldsmith's Citizen of the World, whom nobody would believe to be a Chinese, it was in vain that I asserted, and imagined that I had drawn, a distinction between the author and the pilgrim; and the very anxiety to preserve this difference, and disappointment at finding it unavailing, so far crushed my efforts in the composition, that I determined to abandon it altogether-and have done so. The opinions which have been, or may

* His marriage.

« AnteriorContinuar »