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Ethereal life, will ye explore? These darken'd clouds are not the only skies. [AZAZIEL and SAMIASA fly off, and disappear with ANAH and AHOLIBAMAH. They have disappear'd amidst the roar

Faph. They are gone!

Of the forsaken world; and never more,
Whether they live, or die with all earth's life,
Now near its last, can aught restore
Anah unto these eyes.

Chorus of MORTALS.

Oh, son of Noah! mercy on thy kind!
What, wilt thou leave us all-all-all behind?

While safe amidst the elemental strife,
Thou sitt'st within thy guarded ark?

A mother offering her infant to JAPHET]. Oh, let this child embark!

I brought him forth in woe,
But thought it joy

To see him to my bosom clinging so.
Why was he born?

What hath he done

My unwean'd son

To move Jehovah's wrath or scorn?

What is there in this milk of mine, that Death
Should stir all heaven and earth up to destroy
My boy,

And roll the waters o'er his placid breath?
Save him, thou seed of Seth!

Or cursed be-with Him who made

Thee and thy race, for which we are betray'd! Japh. Peace! 'tis no hour for curses, but for prayer!

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Before the implacable Omnipotent,

Since we must fall the same?

If He hath made earth, let it be His shame

To make a world for torture.-Lo! they come,

The loathsome waters, in their rage! And with their roar make wholesome Nature dumb!

The forest trees (coeval with the hour When Paradise upsprung,

Ere Eve gave Adam knowledge for her dower, Or Adam his first hymn of slavery sung),

So massy, vast, yet green in their old age, Are overtopp'd,

Their summer blossoms by the surges lopp'd, Which rise, and rise, and rise.

Vainly we look up to the lowering skies

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Time-space-eternity-life-death

The vast known and immeasurable unknown. And shall I, for a little gasp of breath, He made, and can unmake;

Blaspheme and groan?

No; let me die, as I have lived, in faith,

Nor quiver, though the universe may quake.
Chorus of MORTALS.
Where shall we fly?

Not to the mountains high;

For now their torrents rush, with double roar, To meet the ocean, which, advancing still, Already grasps each drowning hill,

Nor leaves an unsearch'd cave.

Enter a WOMAN.

Woman. Oh, save me, save! Our valley is no more:

My father and my father's tent,

My brethren and my brethren's herds,

The pleasant trees that o'er our noonday bent, And sent forth evening songs from sweetest

birds,

The little rivulet which freshen'd all

Our pastures green,

No more are to be seen.

When to the mountain cliff I climb'd this morn,

I turn'd to bless the spot,

And not a leaf appear'd about to fall;-
And now they are not!
Why was I born?
Faph.

To die! in youth to die!
And happier in that doom.
Than to behold the universal tomb
Which I

Am thus condemn'd to weep above in vain.
Why, when all perish, why must I remain?
[The waters rise; men fly in every direc
tion; many are overtaken by the waves.
The Chorus of Mortals disperses in search
of safety up the mountains; JAPHET re-
mains upon a rock, while the Ark floats
towards him in the distance.

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THE ILLUSTRIOUS GOETHE

A STRANGER PRESUMES TO OFFER THE HOMAGE OF A

LITERARY VASSAL TO HIS LIEGE LORD, THE FIRST OF EXISTING WRITERS,
WHO HAS CREATED THE LITERATURE OF HIS OWN COUNTRY,

AND ILLUSTRATED THAT OF EUROPE.

THE UNWORTHY PRODUCTION

WHICH THE AUTHOR VENTURES TO INSCRIBE TO HIM IS ENTITLED,

SARDANAPALUS.
PREFACE.

IN publishing the following Tragedies* I have only to repeat, that they were not composed with the most remote view to the stage. On the attempt made by the managers in a former instance, the public opinion has been already expressed. With regard to my own private feelings, as it seems that they are to stand for nothing, I shall say nothing.

For the historical foundation of the following compositions the reader is referred to the Notes. The Author has in one instance attempted to preserve, and in the other to approach, the "unities;" conceiving that with any very distant departure from them, there may be poetry, but can be no drama. He is aware of the unpopularity of this notion in present English literature; but it is not a system of his own, being merely an opinion, which, not very long ago, was the law of literature throughout the world, and is still so in the more civilized parts of it. But nous avons changé tout cela, and are reaping the advantages of the change. The writer is far from conceiving that anything he can adduce by personal precept or example can at all approach his regular, or even irregular, predecessors: he is merely giving a reason why he preferred the more regular formation of a structure, however feeble, to an entire abandonment of all rules whatsoever. Where he has failed, the failure is in the architect,-and not in the art.

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SCENE. A Hall in the Royal Palace of Nineveh.

In this tragedy it has been my intention to follow the account of Diodorus Siculus: reducing it, however, to such dramatic regularity as I best could, and trying to approach the unities. therefore suppose the rebellion to explode and succeed in one day by a sudden conspiracy, instead of the long war of the history.

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Has not all quench'd, and latent energies, Repress'd by circumstance, but not destroy'dSteep'd, but not drown'd, in deep voluptuous

ness.

If born a peasant, he had been a man

To have reach'd an empire: to an empire born,
He will bequeath none; nothing but a name,
Which his sons will not prize in heritage:
Yet, not all lost, even yet he may redeem
His sloth and shame, by only being that
Which he should be, as easily as the thing
He should not be and is. Were it less toil
To sway his nations than consume his life?
To head an army than to rule a harem?
He sweats in palling pleasures, dulls his soul,
And saps his goodly strength, in toils which
yield not

Health like the chase, nor glory like the war-
He must be roused. Alas! there is no sound
[Sound of soft music heard from within.
To rouse him short of thunder. Hark! the

Jute,

The lyre, the timbrel; the lascivious tinklings
Of lulling instruments, the softening voices
Of women, and of beings less than women,
Must chime in to the echo of his revel,
While the great king of all we know of earth,
Lolls crown'd with roses, and his diadem
Lies negligently by to be caught up
By the first manly hand which dares to snatch it.
Lo, where they come! already I perceive
The reeking odours of the perfumed trains,
And see the bright gems of the glittering girls,
At once his chorus and his council, flash
Along the gallery, and amidst the damsels,
As femininely garb'd, and scarce less female,
The grandson of Semiramis, the man-queen.-
He comes! Shall I await him? yes, and front
him,

And tell him what all good men tell each other, Speaking of him and his. They come, the slaves

Led by the monarch subject to his slaves. SCENE II.-Enter SARDANAPALUS, effeminately dressed, his Head crowned with Flowers, and his Robe negligently flowing, attended by a Train of Women and young

Slaves.

Sar. Let the pavilion over the Euphrates [Speaking to some of his attendants. Be garlanded, and lit, and furnish'd forth For an especial banquet; at the hour Of midnight we will sup there: see nought wanting,

And bid the galley be prepared. There is
A cooling breeze which crisps the broad clear
river;

We will embark anon. Fair nymphs, who deign
To share the soft hours of Sardanapalus,
We'll meet again in that the sweetest hour,
When we shall gather like the stars above us,
And you will form a heaven as bright as theirs;
Till then, let each be mistress of her time,
And thou, my own Ionian Myrrha, choose*
Wilt thou along with them or me?

* "The Ionian name had been still more comprehensive, having included the Achaians and the Boeotians, who, together with those to whom it was afterwards confined, would make

My lord

255

Myr.
Sar. My lord, my life! why answerest thou

so coldly?

It is the curse of kings to be so answer'd.
Rule thy own hours, thou rulest mine-say,
wouldst thou

Accompany our guests, or charm away
The moments from me?

Myr.

The king's choice is mine. Sar. I pray thee say not so: my chiefest joy Is to contribute to thine every wish.

I do not dare to breathe my own desire, 'Lest it should clash with thine; for thou art still

Too prompt to sacrifice thy thoughts for others. Myr. I would remain: I have no happiness Save in beholding thine; yet

Sar. Yet! what YET? Thy own sweet will shall be the only barrier Which ever rises betwixt thee and me. Myr. I think the present is the wonted hour Of council; it were better I retire.

Sal. [comes forward and says] The Ionian slave says well: let her retire. Sar. Who answers? how now, brother? Sal. The queen's brother, And your most faithful vassal, royal lord. Sar. [addressing his train]. As I have said, let all dispose their hours Till midnight, when again we pray your pre[The court retiring. [To MYRRHA, who is going]. Myrrha! I thought thou wouldst remain.

sence.

Myr.

Thou didst not say so. Sar.

Great king,

But thou lookedst it:

I know each glance of those Ionic eyes,
Which said thou wouldst not leave me.
Myr.
Sire! your brother-
Sal. His consort's brother, minion of Ionia?.
How darest thou name me and not blush?
Sar.

Not blush!

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Thy gentle spirit, go; but recollect

That we must forthwith meet: I had rather lose
An empire than thy presence. [Exit MYRRHA.
Sal.
It may be

Thou wilt lose both, and both for ever!
Sar.

Brother!

I can at least command myself, who listen
To language such as this: yet urge me not
Beyond my easy nature.

Sal.

"Tis beyond

That easy, far too easy idle nature,

In mine a man who might be something still.
Sar. The railing drunkards! why, what would
they have?

Have they not peace and plenty?
Sal.
Of the first
More than is glorious; of the last, far less
Than the king recks of.
Sar.

Whose then is the crime,
But the false satraps, who provide no better?
Sal. And somewhat in the monarch who
ne'er looks

Which I would urge thee. O that I could Beyond his palace walls, or if he stirs

rouse thee!

Though 'twere against myself.

Sar.

Beyond them 'tis but to some mountain palace,
Till summer heats wear down. O glorious Baal!
By the god Baal! Who built up this vast empire, and wert made
A god, or at the least shinest like a god
Through the long centuries of thy renown,
This, thy presumed descendant, ne'er beheld
As king the kingdoms thou didst leave as hero,
Won with thy blood, and toil, and time, and
peril!

The man would make me tyrant.
Sal.
So thou art.
Think'st thou there is no tyranny but that
Of blood and chains? The despotism of vice,-
The weakness and the wickedness of luxury,-
The negligence-the apathy-the evils

Of sensual sloth-produce ten thousand tyrants,
Whose delegated cruelty surpasses
The worst acts of one energetic master,
However harsh and hard in his own bearing.
The false and fond examples of thy lusts
Corrupt no less than they oppress, and sap
In the same moment all thy pageant power
And those who should sustain it; so that whether
A foreign foe invade, or civil broil
Distract within, both will alike prove fatal:
The first thy subjects have no heart to conquer;
The last they rather would assist than vanquish.
Sar. Why, what makes thee the mouth-piece
of the people?

Sal. Forgiveness of the queen's, my sister's

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For what? to furnish imposts for a revel,
Or multiplied extortions for a minion.

Sar. I understand thee-thou wouldst have

me go

Forth as a conqueror. By all the stars
Which the Chaldeans read-the restless slaves
Deserve that I should curse them with their
wishes,

Wherefore not?

And lead them forth to glory.
Sal.
Semiramis-a woman only-led
These our Assyrians to the solar shores
Of Ganges.

Sar. 'Tis most true. And how return'd?
Sal. Why, like a man-a hero; baffled, but
Not vanquish'd. With but twenty guards, she
made

Good her retreat to Bactria.
Sar.
And how many
Left she behind in India to the vultures?
Sal. Our annals say not.

Sar.

Then I will say for themThat she had better woven within her palace Some twenty garments, than with twenty guards Have fled to Bactria, leaving to the ravens, And wolves, and men-the fiercer of the three, Her myriads of fond subjects. Is this glory? Then let me live in ignominy ever.

Sal. All warlike spirits have not the same fate.
Semiramis, the glorious parent of

A hundred kings, although she fail'd in India,
Brought Persia, Media, Bactria, to the realm
Which she once sway'd-and thou might'st

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The landmarks of the seas of gore he shed,
The realms he wasted, and the hearts he broke.
But here, here in this goblet is his title
To immortality-the immortal grape
From which he first express'd the soul, and gave
To gladden that of man, as some atonement
For the victorious mischiefs he had done.
Had it not been for this, he would have been
A mortal still in name as in his grave;
And, like my ancestor Semiramis,
A sort of semi-glorious human monster.
Here's that which deified him- let it now
Humanise thee; my surly, chiding brother,
Pledge me to the Greek god!
Sal.
For all thy realms
I would not so blaspheme our country's creed.
Sar. That is to say, thou thinkest him a hero,
That he shed blood by oceans; and no god,
Because he turn'da fruit to an enchantment,
Which cheers the sad, revives the old, inspires
The young, makes weariness forget his toil,
And fear her danger; opens a new world
When this, the present, palls. Well, then I
pledge thee

And him as a true man, who did his utmost
In good or evil to surprise mankind. [Drinks.
Sal. Wilt thou resume a revel at this hour?
Sar. And if I did, 'twere better than a trophy,
Being bought without a tear. But that is not
My present purpose: since thou wilt not pledge

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That thou shouldst rail, or they rise up against me?

Sal. Of what thou hast done to me, I speak not. Sar. But Thou think'st that I have wrong'd the queen : is't not so?

Sal. Think! Thou hast wrong'd her! Sar. Patience, prince, and hear me. She has all power and splendour of her station, Respect, the tutelage of Assyria's heirs, The homage and the appanage of sovereignty. I married her as monarchs wed-for state, And loved her as most husbands love their

wives.

If she or thou supposedst I could link me
Like a Chaldean peasant to his mate,

Ye knew nor me, nor monarchs, nor mankind. Sal. I pray thee, change the theme: my blood disdains

Complaint, and Salemenes' sister seeks not
Reluctant love, even from Assyria's lord!
Nor would she deign to accept divided passion
With foreign strumpets and Ionian slaves.
The queen is silent.

Sar.
And why not her brother?
Sal. I only echo thee the voice of empires,
Which he who long neglects not long will govern.
Sar. The ungrateful and ungracious slaves!

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To dry into the desert's dust by myriads,
Or whiten with their bones the banks of Ganges
Nor decimated them with savage laws,
Nor sweated them to build up pyramids,
Or Babylonian walls.

Sal.
Yet these are trophies
More worthy of a people and their prince
Than songs, and lutes, and feasts, and concu.
bines,

And lavish'd treasures, and contemn'd virtues.
Sar. Or for my trophies I have founded cities:
There's Tarsus and Anchialus, both built
In one day-what could that blood-loving bel-
dame,

My martial grandam, chaste Semiramis,
Do more, except destroy them?

Sal.

'Tis most true;

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