When, lo! a giant form before me strode, Yes, 'twas Minerva's self; but, ah, how changed Since o'er the Dardan field in arms she ranged! And, ah, though still the brightest of the sky, Celestial tears bedimm'd her large blue eye; Round the rent casque her owlet circled slow, And mourn'd his mistress with a shriek of woe! "Mortal!"-'twas thus she spake—" that blush of shame Proclaims thee Briton, once a noble name: 'Scaped from the ravage of the Turk and Goth, Thy country sends a spoiler worse than both. Survey this vacant, violated fane; Recount the relics torn that yet remain : mourn'd. What more I owe, let gratitude attest- That all may learn from whence the plunderer came, The insulted wall sustains his hated name: The last poor brute securely gnaws the bone. Yet still the gods are just, and crimes are cross'd: See here what Elgin won, and what he lost! Another name with his pollutes my shrine: Behold where Dian's beams disdain to shine! Some retribution still might Pallas.claim, When Venus half avenged Minerva's shame." She ceased awhile, and thus I dared reply, To soothe the vengeance kindling in her eye: "Daughter of Jove! in Britain's injured name, A true-born Briton may the deed disclaim. Frown not on England; England owns him not: Athena, no! thy plunderer was a Scot. Ask'st thou the difference? From fair Phyle's towers Survey Boeotia ;-Caledonia's ours. And well I know within that bastard land* "Irish bastards," according to Sir Callaghan O'Bralaghan. Hath Wisdom's goddess never held command; In quest of lawless gain, they issue forth. Bear back my mandate to thy native shore. Though fallen, alas, this vengeance yet is mine, To turn my counsels far from lands like thine. Hear then in silence Pallas' stern behest ; Hear and believe, for Time will tell the rest. "First on the head of him who did this deed My curse shall light, on him and all his seed; Without one spark of intellectual fire, Be all the sons as senseless as the sire; If one with wit the parent brood disgrace, Believe him bastard of a brighter race: Still with his hireling artists let him prate, And Folly's praise repay for Wisdom's hate; Long of their patron's gusto let them tell, Whose noblest, native gusto is-to sell: To sell, and make-may shame record the day! The state receiver of his pilfer'd prey. Meantime, the flattering, feeble dotard, West, Europe's worst dauber, and poor Britain's best, With palsied hand shall turn each model o'er, And own himself an infant of fourscore. Be all the bruisers cull'd from all St Giles', That art and nature may compare their styles; While brawny brutes in stupid wonder stare, And marvel at his Lordship's 'stone shop' there. Round the throng'd gates shall sauntering cox combs creep, To lounge and lucubrate, to prate and peep; Draws sly comparisons of these and those, And envies Laïs all her Attic beaux. When shall a modern maid have swains like these? Alas, Sir Harry is no Hercules! And last of all amidst the gaping crew, Some calm spectator, as he takes his view, Shall vengeance follow far beyond the tomb, In many a branding page and burning line; "So let him stand through ages yet unborn, "Look to the east, where Ganges' swarthy race Shall shake your tyrant empire to its base; Lo! there Rebellion rears her ghastly head, And glares the Nemesis of native dead; Till Indus rolls a deep purpureal flood, And claims his long arrear of northern blood. So may ye perish!-Pallas, when she gave Your freeborn rights, forbade ye to enslave. "Look on your Spain !-she clasps the hand she hates, But boldly clasps, and thrusts you from her gates. Bear witness, bright Barossa! thou canst tell Whose were the sons that bravely fought and fell. But Lusitania, kind and dear ally, Can spare a few to fight, and sometimes fly. Oh, glorious field! by Famine fiercely won, The Gaul retires for once, and all is done! But when did Pallas teach, that one retreat Retrieved three long Olympiads of defeat! "Look last at home-you love not to look there, On the grim smile of comfortless despair: Your city saddens : loud though Revel howls, Here famine faints, and yonder rapine prowls. See all alike, of more or less bereft ; No misers tremble when there's nothing left. * Eratostratos, who, in order to make his name remembered, set fire to the Temple of Diana at Ephesus. Blest paper credit! last and best supply, Though he and Pallas never yet were friends. "Now fare ye well! enjoy your little hour; Go, grasp the shadow of your vanish'd Gloss o'er the failure of each fondest scheme; Your strength a name, your bloated wealth a dream. weight. Vain is each voice where tones could once command; E'en factions cease to charm a factious land: ""Tis done, tis past, since Pallas warns in vain; The Furies seize her abdicated reign: Wide o'er the realm they wave their kindling brands, And wring her vitals with their fiery hands. His deeper deeds as yet ye know by name ; The slaughter'd peasant and the ravish'd dame, *The Deal and Dover traffickers in specie. "L'univers est une espèce de livre, dont on n'a lu que la première page quand on n'a vu que son pays. J'en ai feuilleté un assez grand nombre, que j'ai trouvé également mauvaises. Cet examen ne m'a point été infructueux. Je haïssais ma patrie. Toutes les impertinences des peuples divers, parmi lesquels j'ai vécu, m'ont réconcilié avec elle. Quand je n'aurais tiré d'autre bénéfice de mes voyages que celui-là, je n'en regretterais ni les frais ni les fatigues."-LE COSMOPOLITE. PREFACE TO THE FIRST AND SECOND CANTOS. The following poem was written, for the most part, amidst the scenes which it attempts to describe. It was begun in Albania; and the parts relative to Spain and Portugal were composed from the author's observations in those countries. Thus much it may be necessary to state for the correctness of the descriptions. The scenes attempted to be sketched are in Spain, Portugal, Epirus, Acarnania, and Greece. There, for the present, the poem stops: its reception will determine whether the author may venture to conduct his readers to the capital of the East, through Ionia and Phrygia: these two Cantos are merely experimental. A fictitious character is introduced for the sake of giving some connection to the piece; which, however, makes no pretensions to regularity. It has been suggested to me by friends, on whose opinions I set a high value, that in this fictitious character, "Childe Harold," I may incur the suspicion of having intended some real personage: this I beg leave, once for all, to disclaim. Harold is a child of imagination, for the purpose I have stated. In some very trivial particulars, and those merely local, there might be grounds for such a notion; but in the main points, I should hope, none whatever. It is almost superfluous to mention that the appellation "Childe," as "Childe Waters," "Childe Childers," &c., is used as more consonant with the old structure of versification which I have adopted. The "Good Night," in the beginning of the first Canto, was suggested by "Lord Maxwell's Good Night," in the Border Minstrelsy, edited by Mr Scott. With the different poems which have been published on Spanish subjects, there may be found some slight coincidence in the first part which treats of the Peninsula; but it can only be casual, as, with the exception of a few concluding stanzas, the whole of this poem was written in the Levant. The stanza of Spenser, according to one of our most successful poets, admits of every variety. Dr Beattie makes the following observation:-"Not long ago, I began a poem in the style and stanza of Spenser, in which I propose to give full scope to my inclination, and be either droll or pathetic, descriptive or sentimental, tender or satirical, as the humour strikes me: for, if I mistake not, the measure which I have adopted admits equally of all these kinds of composition." Strengthened in my opinion by such authority, and by the example of some in the highest order of Italian poets, I shall make no apology for attempts at similar variations in the following composition; satisfied that, if they are unsuccessful, their failure must be in the execution rather than in the design, sanctioned by the practice of Ariosto, Thomson, and Beattie. LONDON, February 1812. I have now waited till almost all our periodical journals have distributed their usual portion of criticism. To the justice of the generality of their criticisms I have nothing to object: it would ill become me to quarrel with their very slight degree of censure, when, perhaps, if they had been less kind, they had been more candid. Returning, therefore, to all and each my best thanks for their liberality, on one point alone shall I venture an observation. Amongst the many objections justly urged to the very indifferent character of the "vagrant Childe" (whom, notwithstanding many hints to the contrary, I still maintain to be a fictitious personage), it has been stated that, besides the anachronism, he is very unknightly, as the times of the Knights were times of Love, Honour, and so forth. Now, it so happens that the good old times, when "l'amour du bon vieux tems, l'amour antique" flourished, were the most profligate of all possible centuries. Those who have any doubts on this subject may consult Sainte-Palaye, passim, and more particularly vol. ii. p. 69. The vows of chivalry were no better kept than any other vows whatsoever; and the songs of the Troubadours were not more decent, and certainly were much less refined than those of Ovid. The "Cours d'amour, parlemens d'amour, ou de courtésie et de gentilesse," had much more of love than of courtesy or gentleness. See Roland on the same subject with Saint-Palaye. Whatever other objection may be urged to that most unamiable personage, Childe Harold, he was so far perfectly knightly in his attributes—“No waiter but a knight templar." "'* By the by, I fear that Sir Tristrem and Sir Lancelot were no better than they should be, although very poetical personages and true knights sans peur,' though not "sans reproche." If the story of the institution of the "Garter" be not a fable, the knights of that order have for several centuries borne the badge of a Countess of Salisbury, of indifferent memory. So much for chivalry. Burke need not have regretted that its days are over, though Marie-Antoinette was quite as chaste as most of those in whose honour lances were shivered and knights unhorsed. Before the days of Bayard, and down to those of Sir Joseph Banks (the most chaste and celebrated of ancient and modern times), few exceptions will be found to this statement: and I fear a little investigation will teach us not to regret these monstrous mummeries of the middle ages. I now leave "Childe Harold" to live his day, such as he is. It had been more agreeable, and certainly more easy, to have drawn an amiable character. It had been easy to varnish over his faults, to make him do more and express less; but he never was intended as an example, further than to show that early perversion of mind and morals leads to satiety of past pleasures and disappointment in new ones, and that even the beauties of nature and the stimulus of travel (except ambition, the most powerful of all excitements) are lost on a soul so constituted, or rather misdirected. Had I proceeded with the poem, this character would have deepened as he drew to the close; for the outline which I once meant to fill up for him was, with some exceptions, the sketch of a modern Timon, perhaps a poetical Zeluco. LONDON, 1813. TO IANTHE.+ NOT in those climes where I have late been straying, Though Beauty long hath there been match- Not in those visions to the heart displaying To such as see thee not my words were weak; To those who gaze on thee, what language could they speak? Ah! may'st thou ever be what now thou art, pears. Young Peri of the West!-'tis well for me * The Rovers, or the Double Arrangement. Happier, that while all younger hearts shall Mine shall escape the doom thine eyes assign Oh! let that eye, which, wild as the gazelle's, Could I to thee be ever more than friend: why To one so young my strain I would commend, But bid me with my wreath one matchless lily blend. Such is thy name with this my verse entwined; Attract thy fairy fingers near the lyre Of him who hail'd thee, loveliest as thou wast, Such is the most my memory may desire; Though more than Hope can claim, could Friendship less require? + Lady Charlotte Harley, daughter of the Earl of Oxford, afterwards Lady C. Bacon, |