299. LEONARDA (Isabella). Sacri Concerti, a una, due, tre et quatro voci. In separate parts. con quarto. Milan, 1670. 300. LEONARDA (Isabella). Messe, a quattro voci, concertata stromenti, et Motetti a una, due, e tre voci, pure con stromenti. In separate parts. quarto. Bologna, 1696. 301. LESLIE (Henry). "Let God arise," a Festival anthem. In vocal score. folio. London. Presented to the Society by the composer. 302. LE SUEUR (Jean François). Première Messe Solennelle. In Presented to the Society by Mr. F. Deffell. 303. LE SUEUR (J. F.). full score. Trois Te Deum, a grand orchestra. In folio. Paris, 1829. Presented to the Society by the Rev. F. J. Stainforth. 304. LE SUEUR (J. F.). Trois Oratorios pour le Couronnement des Princes Souverains de la Chrétienté, n'importe les Communions, executé au Sacre de l'Empéreur Napoléon 1er (Paroles Latines). In vocal score. octavo. Paris. Presented to the Society by Mr. Francis Deffell. The incidental Motets, &c., for Napoleon's coronation, were composed by Le Sueur: but the Grand Mass and Te Deum for the same occasion were composed (for two choirs and two orchestras) by Paesiello, then Maître de Chappelle to the Emperor. 305. Lock (Matthew). "Modern Church Music; Pre-Accus'd, Censur'd, and Obstructed in its Performance before His Majesty, April 1, 1666. Vindicated by the Author, Matt. Lock, Composer in Ordinary to His Majesty." folio. [London, 1666.] This publication, which occupies one large sheet of four pages, consists of a Kyrie and Credo (the former set in ten different ways), and an angry preface occasioned by some opposition manifested towards the composition on account of the deviation from the ordinary routine in the setting of the Kyrie. 306. LORENZANI (Paolo). Motets a I. II. III. IV. et V. parties, avec symphonies et basse continue. In separate parts, 10 books in a case. quarto. Paris, 1693. 307. Lowe (Edward). A Short Direction for the performance of Cathedrall Service. Published for the information of such Persons as are Ignorant of it, And shall be call'd to officiate in Cathedrall or Collegiate Churches where it hath formerly been in use. By E. L. oblong duodecimo. Oxford, 1661. 308. Lowe (Edward). A Review of some Short Directions for performance of Cathedral Service. Published for the informa tion of such as may be called to officiate in Cathedrall or Collegiate Churches, or religiously desire to bear a part in that service. The Second Edition. With many useful additions relating to the Common Prayer Book as it is now established. duodecimo. Oxford, 1664. 309. Lowe (Edward). The same. Edited by E. F. Rimbault, LL.D. small quarto. London, 1843. 310. LUTHER (Dr. Martin). Deutsche Geistliche Lieder, herausgegeben von C. V. Winterfield. quarto. Leipsic, 1840. Presented to the Society by the Rev. F. J. Stainforth. 311. LUTHER (Martin). Twelve Corales, composed and harmonized by Martin Luther, Schop, Eccard, Graun, Osiander, Homilius, and Sebastian Bach, arranged by Sir H. R. Bishop. 66 folio. London. 312. LYDDON (James). My God, my God, look upon me.” Anthem for a tenor-bass. In score. [Printed on one side only of the leaves]. folio. London (?). 313. MAGGIO (Francesco di). Sacri Armonia di Musicali Concenti, a due, tre, quattro e cinque voci, con una Messa a 5 concertata. In separate parts in one volume. quarto. Milan, 1670. 314. MAHERS (Rev. W. J.) Pastoral Mass for four voices, with an accompaniment for the organ. In score. folio. London. Presented to the Society by Mr. Richard Butler. 315. MARCELLO (Benedetto). Parafrasi sopra li primi e secondi Venticinque Salmi. Poesia di Girolamo Ascanio Giustiniani. In full score. Plates. 8 vols. [The eighth volume in MS.]. folio. Venice, 1724-5-6. 316. MARCELLO (Benedetto). Salmi di Davide, parafrasati da Ascanio Giustiniani, con accompagnamento di Piano della composizione di Francesco Mirecki. [The pianoforte arrangement is in addition to the full score.] Portrait of the composer. 4 vols. folio. Paris. 317. MARCELLO (Benedetto). The same. Bound in 5 vols. Presented to the Society by the Rev. F. J. Stainforth. 318. MARCELLO (Benedetto). The First Fifty Psalms, adapted to the English Version by John Garth. In full score. 8 vols. folio. London, 1757. Presented to the Society by Mr. Henry Phillips. 319. MAZZINGHI (J.) Mass for three voices. In vocal score. folio. Presented to the Society by the Rev. F. J. Stainforth. London. 320. MENDELSSOHN BARTHOLDY (Felix). Te Deum laudamus. [The English version.] In score. folio. London. 320.* MENDELSSOHN BARTHOLDY (Felix). The 13th Psalm. (Rev. C. B. Broadley's version), "Why, O Lord, delay for ever." In vocal score. folio. London. 321. MENDELSSOHN BARTHOLDY (Felix). The 42nd Psalm, "As the hart pants." In vocal score. folio. London. 322. MENDELSSOHN BARTHOLDY (Felix). The 55th Psalm, "Hear my prayer, O God," for soprano solo and chorus. In vocal folio. London. 323. MENDELSSOHN BARTHOLDY (Felix). The 95th Psalm, "Come, let us sing." In vocal score. folio. London. 324. MENDELSSOHN BARTHOLDY (Felix). The 98th Psalm, for a double chorus and orchestra, written for and performed on New Year's Day, 1844, in the Cathedral at Berlin. score. score. In vocal folio. London. 325. MENDELSSOHN BARTHOLDY (Felix). The 114th Psalm, "When Israel out of Egypt came," for chorus (8 parts) and orchestra. In full score. German and English text. folio. London and Leipsic. 326. MENDELSSOHN BARTHOLDY (Felix). The same. In vocal score. folio. London. 327. MENDELSSOHN BARTHOLDY (Felix). The 115th Psalm, "Non nobis, Domine," for chorus and orchestra. In full score. Latin and German text. 328. MENDELSSOHN BARTHOLDY (Felix). The folio. Bonn. 130th Psalm, "In deep distress," with an English paraphrase by W. Bartholomew: the music for solo and chorus. In vocal score. folio. London. 329. MENDELSSOHN BARTHOLDY (Felix). Three Psalms for an eightpart chorus, without accompaniment, composed for the Cathedral at Berlin. In score. folio. London. Presented to the Society by Mr. Buxton. 330. MENDELSSOHN BARTHOLDY (Felix). Ave Maria, für achtstimmigen chor, mit begleitung del orgel. In score. folio. Bonn. 331. MENDELSSOHN BARTHOLDY (Felix). "Saviour of Sinners," an adaptation by W. Bartholomew to English words of the "Ave Maria" last described. In score. English and Latin London [1852]. text. octavo. Presented to the Society by Messrs. Ewer and Company. folio. London. 332. MENDELSSOHN BARTHOLDY (Felix). Da pacem, Domine (Grant us Thy peace), Motett for four voices. In vocal score. Latin and English text. 333. MENDELSSOHN BARTHOLDY (Felix). Six Motetts for an eightpart chorus, with Latin words adapted. In score. Ascendit Deus. Deus refugium. Miserere mei. Exultate Deo. folio. London. Adoramus te, Christe. Presented to the Society by Messrs. Ewer and Company. 334 MENDELSSOHN BARTHOLDY (Felix). Six Cathedral Anthems, Presented to the Society by Messrs. Ewer and Company. 335. MENDELSSOhn Bartholdy (Felix). "Lord, bow down" ("Lass, Presented to the Society by Messrs. Ewer and Company. 336. MENDELSSOHN BARTHOLDY (Felix). Three Anthems from Mendelssohn's Three Motetts for Treble Voices: the words adapted from the Psalms by Thomas Attwood Walmisley. folio. London. In score. 337. MENDELSSOHN BARTHOLDY (Felix). Sanctus, adapted to a subject from Mendelssohn's Elijah, by Robert Glenn Wesley. In vocal score. folio. London. Presented to the Society by Messrs. Ewer and Company. 338. MERBECKE (John). The Book of Common Prayer, noted. Reprinted, in facsimile, from the original edition of 1550. small quarto. London, 1844. 339. MERULA (Claudio). Missarum quinque Vocum. Liber primus. In separate parts (the cantus, tenor, and bassus only). Tenor part. oblong quarto. Venice, 1573. 340. MERULA (Claudio). Il Terzo Libro di Motetti a sei voci. The quarto. Venice, 1605. 341. MESSA a otto voci, due violini, due oboi, due corni, violoncello, timpani, et organo. (The composer's name is not stated.) In separate parts (17 in number). 342. MEYERBEER (Giacomo). The 91st Psalm, in eight parts, for voices only, with English and Latin words. In score. folio. Paris. octavo. London [1854]. Presented to the Society by Mr. T. F. Beale. 343. MILANI (Francesco). Letanie et Motetti a doi chori da concerto, e da capella. In separate parts, bound in one volume. quarto. Venice, 1638. 344. MILLS (John Henry). Selection of Sacred Poetry for private and congregational use, set to music, composed and collected by. octavo. London, 1860. Presented to the Society by the composer. 345. MISSALE, Secundum usum Ecclesie Ratisponensis. Gothic letter. The Canon of the Mass printed on vellum. A wood-cut on the title-page bears the date 1512, but the colophon is dated as above. 346. MISSALE ad usum insignis Ecclesie Sarum. Black letter. Numerous woodcuts. small folio. [No place of publication.] Venundantur apud Franciscum Byrckman, 1527. A missing sheet in the Canon of the Mass has been supplied in facsimile, and a painting of the Crucifixion is inserted. 347. MISSALE. Canon Missæ, juxta formam editionis Romanæ, cum Prefationibus et aliis nonnullis quæ in ea fere communitur dicuntur, uti sunt Preparitis ad Missam et Orationes quæ ab Episcopis cum solemniter vel private celebrant; et ab aliis Sacerdotibus dici solent, nec non Gratiarum actiones Missæ Sacrificio peracto, recusus. Plates. folio. Salzburg, 1728. On the title-page is the following MS. Note:—“Ex Guardianatu Coloniensis attulit Fr. Angelicus Geisfeler, ultimus Guardianus FF. Min. Conventualium Conventus Coloniensis 1802 suppressi." 348. MISSALE. Forma Canendi in Missis Servanda secundum Ritum Sanctæ Romanæ Ecclesiæ Probatamque Toletana Cathedralis Hispaniarum Primatis Praxim. Prima Pars. 349. MISSALE. large folio. Madrid, 1807. Prima con Presented to the Society by Mr. J. A. Novello. Liber Missarum in duas partes divisus. tinent Kyries, Glorias, Credos, Sanctus, Benedictus et Agnus in Duplicibus, Semiduplicibus, Dominicis et Feriis totius anni secundum Ritum Ecclesiæ. Secunda vero alias continet Missas pro solemnioribus anni festivitatibus, scilicet, Angelorum, Sanctorum, prima et secunda classis, SS. Sacrimenti, et Beatissimæ Dei Genetricis Mariæ. large folio. Madrid, 1808. Presented to the Society by Mr. J. A. Novello. 350. MOLIQUE (Bernhard). Messe in F moll. In full score. folio. Vienna. |