The Beneventan Chant

CUP Archive, 29 sep. 1989 - 350 páginas
From the High Middle Ages the dominance of Gregorian chant has obscured the fact that musical practice in early medieval Europe was far richer than has hitherto been recognized. Despite its historical importance, the "Gregorian" is not the most consistent and probably not the oldest form of Christian chant. The recovery and study of regional musical dialects having a common ancestry in the Christian church and Western musical tradition are reshaping our view of the early history of Christian liturgical music. Thomas Kelly's major study of the Beneventan chant reinstates one of the oldest surviving bodies of Western music: the Latin church music of southern Italy as it existed before the spread of Gregorian chant. Dating from the seventh and eighth centuries it was largely forgotten after the Carolingian desire for political and liturgical uniformity imposed "Gregorian" chant throughout the realm. But a few later scribes, starting apparently in the tenth century, preserved a part of this regional heritage in writing. This book reassembles and describes the surviving repertory.

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Introduction i
The manuscript sources of Beneventan chant
The Beneventan liturgy
Beneventan musical style
Benevento and the music of other liturgies
The Beneventan repertory
Beneventan texts
Manuscript sources of Beneventan chant
Index of manuscripts
General index
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Página 335 - C. VOGEL, Les échanges liturgiques entre Rome et les pays francs jusqu'à l'époque de Charlemagne in: Le chiese nei regni dell'Europa occidentale ei loro rapport!

Sobre el autor (1989)

Thomas Forrest Kelly is professor of music at Harvard University.

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