On RefugePsychology Press, 1997 - 117 páginas A 'refuge' provides a place of safety, a place which constitutes the necessary conditions for making work. But what are the conditions of making work for the displaced, exiled or the migrant artist when the 'place' and conditions for work have (perhaps) been erased? On Refuge looks at how such altered conditions affect the work of performance and considers how performance constructs its own production and survival. The contributors address issues of territory and asylum, home and exile, locality and migration - as they affect both artists themselves and the forms evident in contemporary performance. |
Índice
Sección 1 | 17 |
Sección 2 | 22 |
Sección 3 | 35 |
Sección 4 | 37 |
Sección 5 | 71 |
Sección 6 | 73 |
Sección 7 | 80 |
Sección 8 | 91 |
Sección 9 | 99 |
Sección 10 | 112 |
Sección 11 | 114 |
Términos y frases comunes
Actaeon action actor Afrikaner Alien Staff ance archive Arnold Dreyblatt artists audience become Blumberg body Byrd Hoffman Carmelo Bene Centre Certeau Clytemnestra collection concept contemporary context critical cultural desperate optimists discourse Emigré Emma Emma's everyday experience feminism feminist field film formance Gallery Gary Hill Gaston Bachelard gender Iain Sinclair ideas images installation issue Jan Linders Katy's Krzysztof Wodiczko language Lili Fischer live performance London material metaphor Michel de Certeau movement Museum myth objects ontology Oresteia Patrick Keiller Performance Research 2(3 Photo photographs play political postmodern present Press production protest question reading refuge relation Robert Wilson Rotherhithe Routledge 1997 sense Sinclair social Societas Raffaello Sanzio space spatial story stranger Stuart television theatre theatrical things tion University Victorian viewer visual walking As long women writing York Zuzana Licko