Cuba and Its Music: From the First Drums to the Mambo, Volumen 1
Chicago Review Press, 2004 - 672 páginas
This entertaining history of Cuba and its music begins with the collision of Spain and Africa and continues through the era of Miguelito Valdés, Arsenio Rodríguez, Benny Moré, and Pérez Prado. It offers a behind-the-scenes examination of music from a Cuban point of view, unearthing surprising, provocative connections and making a case for Cuba as fundamental to the evolution of music in the New World. Revealed are how the music of black slaves transformed 16th-century Europe, how the claves appeared, and how Cuban music influenced ragtime, jazz, and rhythm and blues. Music lovers will follow this journey from Andalucía, the Congo, the Calabar, Dahomey, and Yorubaland via Cuba to Mexico, Puerto Rico, Saint-Domingue, New Orleans, New York, and Miami. The music is placed in a historical context that considers the complexities of the slave trade; Cuba's relationship to the United States; its revolutionary political traditions; the music of Santería, Palo, Abakuá, Vodú, and much more.
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Cuba and its music: from the first drums to the mamboReseña de usuario - Not Available - Book Verdict
In this fascinating first volume of a two-part chronicle, Sublette, a musician, self-made scholar, radio show host, and record producer based in New York City, ranges across Africa, Spain, the ... Leer reseña completa
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Abakuá African Afro-Cuban American Arabic Arcaño arrived Arsenio Arsenio Rodríguez band Bantu bass batá Batista Bauzá became began Benny bolero bongó cabildos Cabrera called Carpentier Casino century Chano Chano Pozo charanga clave colony comparsas composed conga Congo Conjunto contradanza Cuba’s Cuban music Cugat culture dance danzón Díaz Ayala drums Europe Fernando guaguancó guitar Habanero Havana instrument Islam island jazz jazzband José known Latin López Lucumí Machado Machito mambo María Martí Matanzas Mexican Mexico Miguelito Miguelito Valdés Mil Diez Montaner movie musicians Muslim negros nganga numbers orchestra Oriente orishas Orleans Orquesta Ortiz percussion piano played players popular Prío Puerto Rican radio record religion rhythm rhythmic Rita Montaner Rodríguez rumba Saint-Domingue santería Santiago de Cuba Santo Sevilla Sexteto singer singing slave trade song Sonora Matancera sound Spain Spanish style sugar Taíno tango theater took tradition trumpet tune United Valdés word wrote York Yoruba