The Musical Basis of Verse: A Scientific Study of the Principles of Poetic CompositionLongmans, Green, and Company, 1901 - 269 páginas |
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Página 20
... ( about the middle of the third century ) is usually named as the first specimen of accentual verse . Whatever may be the date of the earliest exist- ing specimen , there can be no doubt that the 20 THE MUSICAL BASIS OF VERSE.
... ( about the middle of the third century ) is usually named as the first specimen of accentual verse . Whatever may be the date of the earliest exist- ing specimen , there can be no doubt that the 20 THE MUSICAL BASIS OF VERSE.
Página 28
... third : thus ↓↓↓ . In a piece of music em- bracing a series of measures , the rule is that all meas- ures have ( 1 ) the same number of time - units of equal length ; and ( 2 ) a uniform alternation of accent and non- accent ; i.e. ...
... third : thus ↓↓↓ . In a piece of music em- bracing a series of measures , the rule is that all meas- ures have ( 1 ) the same number of time - units of equal length ; and ( 2 ) a uniform alternation of accent and non- accent ; i.e. ...
Página 32
... third syllable as well as upon the first , as this third syllable becomes naturally the thesis of the next measure . Thus : PIÊ PIŤ PIÊ PIŤ PIÈ " How pitiful the cry of those be - reaved . " On the other hand , if the word pitiful be ...
... third syllable as well as upon the first , as this third syllable becomes naturally the thesis of the next measure . Thus : PIÊ PIŤ PIÊ PIŤ PIÈ " How pitiful the cry of those be - reaved . " On the other hand , if the word pitiful be ...
Página 49
... third lines , of the double , 1 or feminine rhyme ; e.g. , numbers , slumbers . But the rhythm has not been altered thereby ; the last measure is filled out , that is all , instead of ending , as in the first two examples , upon the ...
... third lines , of the double , 1 or feminine rhyme ; e.g. , numbers , slumbers . But the rhythm has not been altered thereby ; the last measure is filled out , that is all , instead of ending , as in the first two examples , upon the ...
Página 50
... third line , and does not distinctly take possession of the ear until the fifth line . This has always seemed to me an artistic defect . The rhythmic key - note should be clearly struck at the begin- ning , so that the ear become imbued ...
... third line , and does not distinctly take possession of the ear until the fifth line . This has always seemed to me an artistic defect . The rhythmic key - note should be clearly struck at the begin- ning , so that the ear become imbued ...
Otras ediciones - Ver todo
The Musical Basis of Verse: A Scientific Study of the Principles of Poetic ... Julia Parker Dabney Vista de fragmentos - 1968 |
The Musical Basis of Verse: A Scienctific Study of the Principles of Poetic ... Julia Parker Dabney Vista de fragmentos - 1970 |
Términos y frases comunes
3-beat rhythm accent alliteration anacrusis artist ballad beat beauty blank verse Browning Browning's Byron cadence cæsura called century chap Chaucer chord classic consonant dactylic dactylic hexameter Dante direct attack drama effects end-stopped English Verse enjambement epic EXAMPLE OF 2-BEAT expression eyes feminine ending five-foot iambic genius give Greek hand harmonious heart imitated imperfect cadence instinct language Lanier lines literature lyric measure medium melody ment metre metrists Milton modern monosyllables motion movement music and verse nature never night o'er Oriana ottava rima Paradise Lost pause perfect PIP PIP play poem poetic poetry poets prose quatrain rhymed couplet rhythmic says seems sestet Shakespeare Shelley sing song sonnet soul sound Spenser Spenserian stanza spirit style sweet syllables Tennyson tercets thee thou thought time-value tion tonal tone triple rhythm true vibration voice vowel wind words Wordsworth ام م م مام रा
Pasajes populares
Página 165 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
Página 89 - I sprang to the stirrup, and Joris, and he; I galloped, Dirck galloped, we galloped all three; " Good speed ! " cried the watch, as the gate-bolts undrew ;
Página 124 - With purple grapes, green figs, and mulberries ; The honey bags steal from the humble-bees, And, for night-tapers, crop their waxen thighs, And light them at the fiery glowworm's eyes...
Página 127 - And the Raven, never flitting, still is sitting, still is sitting On the pallid bust of Pallas just above my chamber door; And his eyes have all the seeming of a demon's that is dreaming, And the lamp-light o'er him streaming throws his shadow on the floor: And my soul from out that shadow that lies floating on the floor Shall be lifted—nevermore!
Página 147 - With throats unslaked, with black lips baked, We could nor laugh nor wail; Through utter drought all dumb we stood! I bit my arm, I sucked the blood, And cried, A sail ! a sail...
Página 161 - Peace, peace ! he is not dead, he doth not sleep — He hath awakened from the dream of life — 'Tis we, who, lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance strike with our spirit's knife Invulnerable nothings.
Página 88 - For a breeze of morning moves, And the planet of Love is on high, Beginning to faint in the light that she loves On a bed of daffodil sky, To faint in the light of the sun she loves, To faint in his light, and to die.
Página 149 - Ho! maidens of Vienna; Ho! matrons of Lucerne; Weep, weep, and rend your hair for those who never shall return. Ho ! Philip, send, for charity, thy Mexican pistoles, That Antwerp monks may sing a mass for thy poor spearmen's souls.
Página 252 - As when far off at sea a fleet descried Hangs in the clouds, by equinoctial winds Close sailing from Bengala, or the isles Of Ternate and Tidore, whence merchants- bring Their spicy drugs ; they, on the trading flood, Through the wide Ethiopian to the Cape, Ply stemming nightly toward the pole : so seemed Far off the flying Fiend.
Página 126 - The splendor falls on castle walls And snowy summits old in story : The long light shakes across the lakes, And the wild cataract leaps in glory. Blow, bugle, blow, set the wild echoes flying, Blow, bugle ; answer, echoes, dying, dying, dying.