ANGLO-SAXON, 6, 7, 8; verse, 78, BROWNING, Elizabeth Barrett, 108, BYRD, 9, 10 BALLAD, the, 10, 138, 141, 191; BYRON, 70, 71, 83, 151, 160, 171, metre, 139, 140 BALLADS, ancient, 142-146; modern, 146-150 BANIM, 261 176, 191; extracts from poems of, 65, 84, 85, 161, 177, 179 CADENCE correspondence, 104 BAYNE, Peter, 75 BEATTIE, 160 CADENCE, imperfect, 106; perfect BEAUMONT and FLETCHER, 13, 120, CÆSURA, 55, 56, 57, 210, 211 207 CAINE, Hall, 171 * All extracts from poems will be found under the names of their authors. CAMPBELL, 47, 83, 160 CAMPION, 13 CAREW, 13 CARLYLE, 240 CAXTON, 9 CHAPMAN, 56, 140, 141, 164, 203 CHAUCER, 8, 9, 10, 19, 117, 135, 152, COLERIDGE, vii, 48, 52, 66, 71, 99, COMMON chord, 102 COMPOSERS, old, 10 CORSON, Hiram, 23, 65, 75, 99, 100, 212 COWPER, 84 DANIEL, Samuel, 119, 164 DRUMMOND, William, 164, 167 ECKERMANN, 244 ELIOT, George, 14 104, 257 ENGLISH language, the, 6; litera- EPIC, the, 190-193, 194; pastoral, ERASMUS, IO EURIPIDES, 246 EVERETT, J. D., 16 FAIRFAX, Edward, 176, 177 139, 163, 187, 205, 238 FLETCHER, 202, 238 DANTE, 8, 20, 168, 178, 179, 193, FRANCK, César, 248 194, 204 DECADENCE, 13, 200, 262 DOWDEN, Edward, 240 FRA ANGELICO, 247 FRIDTHJOF SAGA, 194 GALILEO, 23 GASCOIGNE, George, 120, 210 GEORGIAN poets, 86, 160 GOETHE, 246 GOLDSMITH, 193 GOSSE, Edmund, 20, 77, 80, 82, 83 DRAMA, early Christian, 195; origin GRAY, 34, 106, 115, 209 of, 194; pastoral, 202 GREEK poets, quotations from, 2 DRAYTON, Michael, 79, 118, 151, GREGORIAN chaunt, 21 GREVILLE, Fulke, 77 JONSON, Ben, 13, 119, 175, 199, METRICAL romance, 191 LANIER, Sidney, viii, 8, 57, 58, 78, MÜLLER, Max, 110, 117, 121 music of, II RITTER, IO ROGERS, 198 ROMANCE poets, 134 RONSARD, 205 ROSSETTI, Dante Gabriel, 171, 174, SACKVILLE, 9, 200, 211 SAGAS, 192 SAINTSBURY, 20 SCALDS, 10 SCHLEGEL, 247 SCHUMANN, Robert, 244 SCIENCE of English verse, viii, 8 SCUDDER, Vida D., 136, 202 SHAKESPEARE, 9, 13, 201, 209, 237, SHELLEY, 19, 67, 95, 99, 106, 160, 161, 163 SHENSTONE, William, 83, 160 SHEPPARD, Miss, 258 RENAISSANCE, 21, 77, 134, 204; SHORT couplet, 70, 150 SHORT quatrain, 67 REPETITIONS and refrains, 101, 128, SIDNEY, 9, 77, 164 132 RHYME, IOI; end, 8; head, 8 SIMILE, 250 SKEAT, 66, 153 |