Eugene O'Neill: A Playwright's Theatre

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McFarland, 14 ene. 2004 - 268 páginas
Eugene O'Neill wrote his plays for a theatre in which the playwright would take a central position. He presented himself as a controlling personality both in the texts--in the form of ample stage directions--and in performances based on these texts. His plays address several audiences--reader, spectator, and production team--and scripts were often different from the published versions. This study examines O'Neill's multiple roles as a writer for many audiences. After a description of O'Neill's working conditions and the multiple audiences of the plays, this study examines the various formal aspects of the plays: titles, settings in time and place, names and addresses, language, and connections and allusions to other works. An examination of the plays follows, with particular emphasis on Bound East for Cardiff, Long Day's Journey Into Night, and A Touch of the Poet.
 

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Índice

Preface
1
PRELIMINARIES
7
The Playwright at Work
9
Page and Stage
26
AFFINITIES
37
Nietzsche
39
Ibsen
55
Strindberg
67
Language
128
Intertextuality
140
Audible Thinking
151
Bound East for Cardiff
167
Long Days Journey Into Night
176
A Touch of the Poet
197
and Long Days Journey Into Night
221
Configuration Charts
235

FORMALITIES
85
Play Titles
87
Time and Place
94
Personal Names and Words of Address
107
Notes
241
ONeills Plays
249
Index
259
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Sobre el autor (2004)

Egil Törnqvist, professor emeritus at the University of Amsterdam, is a leading Bergman scholar. He has also published books on Ibsen, Strindberg, and O’Neill and has lectured widely in Europe, the United States and China. He lives in Amsterdam, Holland.

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