The Cambridge Companion to Alexander PopePat Rogers Cambridge University Press, 6 dic 2007 Alexander Pope was the greatest poet of his age and the dominant influence on eighteenth-century British poetry. His large oeuvre, written over a thirty-year period, encompasses satires, odes and political verse and reflects the sexual, moral and cultural issues of the world around him, often in brilliant lines and phrases which have become part of our language today. This is the first overview to analyse the full range of Pope's work and to set it in its historical and cultural context. Specially commissioned essays by leading scholars explore all of Pope's major works, including the sexual politics of The Rape of the Lock, the philosophical enquiries of An Essay on Man and the Moral Essays, and the mock-heroic of The Dunciad in its various forms. This volume will be indispensable not only for students and scholars of Pope's work, but also for all those interested in the Augustan age. |
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Página 18
... lines 110–12).Branded for life,Pope makes acareer out ofthe indelibilityof insult. WhatDidierEribonhasrecentlyarguedaboutinsultandthe formationofgay identity might equally apply to Pope's life-long effort to rewrite marginality as ...
... lines 110–12).Branded for life,Pope makes acareer out ofthe indelibilityof insult. WhatDidierEribonhasrecentlyarguedaboutinsultandthe formationofgay identity might equally apply to Pope's life-long effort to rewrite marginality as ...
Página 20
... line in full reads “He will give the appearance of playing and turn, as one who now dances the Satyr, now the boorish ... lines with a self-conscious quotation from his Essay on Criticism, (362–3): “But Ease in writing flows 20 helen deutsch.
... line in full reads “He will give the appearance of playing and turn, as one who now dances the Satyr, now the boorish ... lines with a self-conscious quotation from his Essay on Criticism, (362–3): “But Ease in writing flows 20 helen deutsch.
Página 21
... lines seem to respond not just to the “you” of the previous line in the poem, who is tricked into thinking good poetry only “Nature and a knack to please,” but also to Horace and the younger self for whom emulating the ancients was all ...
... lines seem to respond not just to the “you” of the previous line in the poem, who is tricked into thinking good poetry only “Nature and a knack to please,” but also to Horace and the younger self for whom emulating the ancients was all ...
Página 22
... that “render[s] graphically the mobility of mind as it operates at full tilt,” Vendler goes on to read the lines as Pope's ultimate self-portrait. Detached from all reference to his own biography, Pope is 22 helen deutsch.
... that “render[s] graphically the mobility of mind as it operates at full tilt,” Vendler goes on to read the lines as Pope's ultimate self-portrait. Detached from all reference to his own biography, Pope is 22 helen deutsch.
Página 23
... lines are taken reads as follows: Here, as the head lay exposed on the alien sand, its moist hair dripping brine, a fierce snake attacked it. But at last Phoebus came, and prevented it, as it was about to bite, and turned the serpent's ...
... lines are taken reads as follows: Here, as the head lay exposed on the alien sand, its moist hair dripping brine, a fierce snake attacked it. But at last Phoebus came, and prevented it, as it was about to bite, and turned the serpent's ...
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Términos y frases comunes
Achilles Alexander Pope ancient Anecdotes Atterbury Augustan Augustus Bathurst Belinda body Bolingbroke Cambridge career Catholic century Cibber classical Colley Cibber contemporary Corr couplet culture Curll defined deformity deism Donne’s Dulness Dunce Dunciad Edmund Curll eighteenth eighteenth-century Elizabethan Eloisa to Abelard English epic Epistle to Arbuthnot Essay on Criticism Faerie Queene figure final financial find first flow Fortescue Francis Atterbury garden gender Gilliver Homer Horace Horace’s Horatian human Iliad imagination imitation influence Jacobite John John Caryll John Dryden John Gay Jonson’s Lady Mary landscape later letters lines Lintot literary Lock London Lord man’s masculine modern moral nature notes Odyssey Oxford passage pastoral pillory poem poet poet’s poetic political Pope’s Pope’s poetry profit published Queen Rape reflected religion Renaissance rhyme satire significance soul specifically Swift Timon’s Tonson translation Twickenham University Press verse versification Virgil vols Walpole Walpole’s Warburton Whig William Windsor-Forest women words writing wrote
Pasajes populares
Página 232 - Lo, the poor Indian ! whose untutor'd mind Sees God in clouds, or hears him in the wind; His soul, proud science never taught to stray Far as the solar walk, or milky way...
Página 161 - But though the ancients thus their rules invade (As kings dispense with laws themselves have made), Moderns, beware! or if you must offend Against the precept, ne'er transgress its end; Let it be seldom, and compell'd by need; And have, at least, their precedent to plead.
Página 32 - With too much weakness for the stoic's pride, He hangs between; in doubt to act, or rest; In doubt to deem himself a god, or beast...
Página 57 - See dying vegetables life sustain, See life dissolving vegetate again: All forms that perish other forms supply; (By turns we catch the vital breath, and die) Like bubbles on the sea of Matter borne, They rise, they break, and to that sea return.
Página 57 - Look round our world; behold the chain of love Combining all below and all above. See plastic Nature working to this end, The single atoms each to other tend, Attract, attracted to, the next in place Form'd and impell'd its neighbour to embrace. See Matter next, with various life endued, Press to one centre still, the general good.
Página 64 - Some to the sun their insect-wings unfold, Waft on the breeze, or sink in clouds of gold ; Transparent forms, too fine for mortal sight, Their fluid bodies half...
Página 89 - To one small sect, and all are damn'd beside. Meanly they seek the blessing to confine. And force that sun but on a part to shine, Which not alone the southern wit sublimes, But ripens spirits in cold northern climes...
Página 67 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Página 57 - Nothing is foreign ; parts relate to whole ; One all-extending, all-preserving Soul Connects each being, greatest with the least ; Made beast in aid of man, and man of beast ; All served, all serving : nothing stands alone ; The chain holds on, and where it ends unknown.