John KeatsHarold Bloom Chelsea House, 2007 - 272 páginas Romantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare. Keats' more recognizable poems include Ode on a Grecian Urn, Ode to a Nightingale, and Ode on Melancholy. Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 47
... sweet peas on tip - toe for a flight ' . The world created by wishing fancy cannot be looked at so sharply . Hence the sweets which Keats assures us are there are presented as little more than a catalogue : ' flower ' , ' boughs ...
... sweet peas on tip - toe for a flight ' . The world created by wishing fancy cannot be looked at so sharply . Hence the sweets which Keats assures us are there are presented as little more than a catalogue : ' flower ' , ' boughs ...
Página 112
... sweet melody ... ' Keats's association to Milton's ' penseroso ' state , and specifically , the ' sad - sweet ' coupling with its resonance to ' pleasant pain ' and other familiar Keatsian oxymorons , accents the working perverseness of ...
... sweet melody ... ' Keats's association to Milton's ' penseroso ' state , and specifically , the ' sad - sweet ' coupling with its resonance to ' pleasant pain ' and other familiar Keatsian oxymorons , accents the working perverseness of ...
Página 159
... Sweet Nymph ! as late I trac'd with curious eye Thy auburn flowing locks and snowy breast ; My bosom heav'd the sympathetic sigh , And what my tongue conceal'd the sigh confess'd . What though to one unknown , yet still the smiles That ...
... Sweet Nymph ! as late I trac'd with curious eye Thy auburn flowing locks and snowy breast ; My bosom heav'd the sympathetic sigh , And what my tongue conceal'd the sigh confess'd . What though to one unknown , yet still the smiles That ...
Índice
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Página de créditos | |
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Términos y frases comunes
aesthetic allegorical Apollo ballad beauty becomes belle dame Book bower Cockney School consciousness critics Cupid Dame sans Merci death diction dream early draft ekphrasis Elgin Marbles Endymion erotic essay Eve of St eyes faery Fall of Hyperion Fancy Fanny Brawne fetish gaze genre Grecian Urn happy honey human Hunt's imagination implied Indicator version Indolence John Keats Keats's Keats's poem Keatsian knight Lamia language Leigh Hunt letter lines literary look Madeline meaning Melancholy Milton Moneta myth narrative narrator natural Nightingale object Ode on Melancholy Ode to Psyche Petrarchan Petrarchan sonnet phrase poem's Poesy poet poet's poetic figures political Porphyro readers represents rhyme Romantic seems sense sestet sexual Shakespearean Shelley Shelley's song sonnet soul speaker Spenser Spenserian St Agnes stanza twenty-four sublime suggests sweet symbol tradition truth Univ University Press urn's verse vision visual voice wild words Wordsworth writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa restringida - 1993 |