Kiss and Make-Up: A MemoirCrown, 11 dic 2001 - 288 páginas You wanted the truth, you got the truth—the hottest book in the world! Fueled by an explosive mix of makeup, costumes, and attitude, KISS burst onto the music scene thirty years ago and has become a rock institution. The band has sold more than eighty million records, has broken every concert attendance record set by Elvis Presley and the Beatles, stands behind the Beatles alone in number of gold records from any group in history, and has spawned more than 2,500 licenses. There would have been no KISS without Gene Simmons, the outrageous star whose superlong tongue, legendary sexual exploits, and demonic makeup have made him a rock icon. KISS and Make-Up is the wild, shocking, unbelievable story, from the man himself, about how an immigrant boy from Israel studied to be a rabbi, was saved by rock and roll, and became one of the most notorious rock stars the world has ever seen. Before Gene Simmons there was Chaim Witz, a boy from Haifa, Israel, who had no inkling of the life that lay ahead of him. In vivid detail Gene recounts his childhood growing up in Haifa under the watchful eye of his beloved, strong-willed mother, a concentration camp survivor; his adolescent years attending a Jewish theological center for rabbinical studies in Brooklyn; his love of all things American, including comic books, superheroes, and cowboys; and his early fascination with girls and sex, which prompted him to start a rock band in school after he saw the Beatles on The Ed Sullivan Show. KISS and Make-Up is not just the classic story of achieving the American dream through the eyes of an immigrant boy making good, but a juicy, rollicking rock and roll read that takes you along for the ride of your life with KISS, from the 1970s, when they were the biggest band in the world, through the ’80s, when they took off their world-famous war paint, and into the ’90s, when they came back bigger and badder than ever to become the number one touring band in the world. In his own irreverent, unapologetic voice, Gene talks about the girls (4,600 of them and counting); his tight bond with KISS cofounder Paul Stanley; the struggles he and Paul had with Ace Frehley and Peter Criss and their departures from the group; the new band members and Eric Carr’s untimely death; the enormous love and affection he has for the people who put him there in the first place—the KISS Army and the ever-loyal KISS fans around the world; his love life, including stories about his relationships with Cher and Diana Ross and with Shannon Tweed, Playmate of the Year, mother of his son and daughter, and his companion of eighteen years; and much more. Full of dozens of photographs, many never-before-seen pictures from Gene’s private collection, KISS and Make-Up is a surprising, intimate look at the man behind the mask. For the first time Gene reveals all the facets of his complex personality—son, rock star, actor, record producer, businessman, ladies’ man, devoted father, and now author. |
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... head. My mother moved faster than I had ever seen her move. She chased down this kid and picked him up off the ground by his hand and smacked him so hard that he was swinging like a sack of potatoes. This kid was crying, but she couldn ...
... head. My mother moved faster than I had ever seen her move. She chased down this kid and picked him up off the ground by his hand and smacked him so hard that he was swinging like a sack of potatoes. This kid was crying, but she couldn ...
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... head with it. At first, Mom was swinging it with one hand, and then she had it two-handed, as if she were playing baseball, and she was bringing it down on the woman's head, hard, the way you do with a sledgehammer over a spike. This ...
... head with it. At first, Mom was swinging it with one hand, and then she had it two-handed, as if she were playing baseball, and she was bringing it down on the woman's head, hard, the way you do with a sledgehammer over a spike. This ...
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... head.” The sergeant asked her why, and she told the story and explained her thinking: whether her son was right or wrong, she said, no one was allowed to lay a hand on him. And then she got carried away, because it was emotional in the ...
... head.” The sergeant asked her why, and she told the story and explained her thinking: whether her son was right or wrong, she said, no one was allowed to lay a hand on him. And then she got carried away, because it was emotional in the ...
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... head off. I saw the body of the chicken running around while the head was in the man's hand. It was the most hideous.
... head off. I saw the body of the chicken running around while the head was in the man's hand. It was the most hideous.
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... head was connected, with the wings and all that. You'd think this would be a trauma that would pass, but until my mid-thirties, if I was going to eat chicken, it would have to be amorphous and not look like a chicken. With all this, it ...
... head was connected, with the wings and all that. You'd think this would be a trauma that would pass, but until my mid-thirties, if I was going to eat chicken, it would have to be amorphous and not look like a chicken. With all this, it ...
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