Gentility and the Comic Theatre of Late Stuart London

Portada
Cambridge University Press, 17 jun 2005 - 300 páginas
Where Adam delved and Eve span Who was then the gentleman? Mark Dawson's approach to this riddle is not to study the lives of those said to belong to early modern England's gentry. He suggests we remain skeptical of all answers to this question and consider what was at stake whenever it was posed. We should conceive of gentility as a mutable process of social delineation. Gentility was a matter of power and language; cultural definition and social domination. Neither consistently defined nor applied to particular social groups, gentility was about identifying society's elite. The book examines how gentility was portrayed through plays at London's theatres (1660-1725). Employing a rich assembly of sources, comedies with their cits and fops, periodicals, correspondence of theatre patrons and polemic from its detractors, Dawson revises several of social history's conclusions about the gentry and offers new interpretations to students of late Stuart drama.
 

Índice

VI
27
VII
46
VIII
72
IX
91
X
93
XI
112
XII
124
XIII
141
XVI
181
XVII
201
XVIII
203
XIX
215
XX
237
XXI
258
XXII
261
XXIII
289

XIV
143
XV
162

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Sobre el autor (2005)

Mark Dawson, who attended the University of Auckland (New Zealand), is a scholar in early modern history.

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