Handbook of Music and Emotion: Theory, Research, ApplicationsPatrik N. Juslin, John Sloboda OUP Oxford, 17 mar 2011 - 992 páginas Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book 'Music and Emotion' (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since publication of that book, empirical research in this area has blossomed, and the successor to 'Music and Emotion' reflects the considerable activity in this area. The Handbook of Music and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth. The first section offers multi-disciplinary perspectives on musical emotions from philosophy, musicology, psychology, neurobiology, anthropology, and sociology. The second section features methodologically-oriented chapters on the measurement of emotions via different channels (e.g., self report, psychophysiology, neuroimaging). Sections three and four address how emotion enters into different aspects of musical behavior, both the making of music and its consumption. Section five covers developmental, personality, and social factors. Section six describes the most important applications involving the relationship between music and emotion. In a final commentary, the editors comment on the history of the field, summarize the current state of affairs, as well as propose future directions for the field. The only book of its kind, The Handbook of Music and Emotion will fascinate music psychologists, musicologists, music educators, philosophers, and others with an interest in music and emotion (e.g., in marketing, health, engineering, film, and the game industry). It will be a valuable resource for established researchers in the field, a developmental aid for early-career researchers and postgraduate research students, and a compendium to assist students at various levels. In addition, as with its predecessor, it will also attract interest from practising musicians and lay readers fascinated by music and emotion. |
Índice
ISABELLE PERETZ | |
anthropological | |
perspectives from music | |
Selfreport measures and models | |
Continuous selfreport methods | |
Experimental aesthetics and liking for music | |
Strong experiences with music | |
Musical expectancy and thrills | |
How does music evoke emotions? Exploring | |
Perspectives on music and affect in the early years | |
Preference personality and emotion | |
The influence of affect on music choice | |
Politics mediation social context and public | |
Indirect perceptual cognitive and behavioural | |
DONALD A HODGES | |
Functional neuroimaging | |
The role of structure in the musical expression | |
Emotion and motivation in the lives of performers | |
The role of negative emotions in performance anxiety | |
Expression and communication of emotion in music | |
the role of emotions | |
Crosscultural similarities and differences | |
the role of affect | |
Music therapy | |
Music health and wellbeing | |
Music as a source of emotion in film | |
Music and marketing | |
The past present and future of music and emotion | |
Otras ediciones - Ver todo
Handbook of Music and Emotion: Theory, Research, Applications Patrik N. Juslin,John Sloboda Vista previa restringida - 2011 |
Handbook of Music and Emotion: Theory, Research, Applications Patrik N. Juslin,John Sloboda Vista previa restringida - 2011 |
Handbook of Music and Emotion: Theory, Research, Applications Patrik N. Juslin,John A. Sloboda Vista previa restringida - 2010 |
Términos y frases comunes
acoustic activity aesthetic affect amygdala analysis anxiety disorders approach arousal associated basic emotions behaviour brain Cambridge Chapter classical Cognition & Emotion cognitive communication complex composers context correlates cortex cues cultural DeNora dissonance effects of music emotion in music emotional expression emotional responses everyday evoke example experimental fear feeling fMRI functional functional neuroimaging Gabrielsson Handbook happy Hargreaves hippocampus induced interaction judgements Juslin Koelsch Konečni Krumhansl Laukka listener’s listening to music meaning measures melodic originality mood music and emotion Music Education music listening Music Perception music performance anxiety music psychology Music Therapy Musicae Scientiae musical emotions musical expression musicians musicology neural one’s orbitofrontal cortex Oxford University Press parahippocampal gyrus participants perceived emotion Peretz physiological positive Psychology of Music psychophysiological referred responses to music role sadness Scherer Schubert Science self-report Simonton Sloboda social phobia specific stimuli tempo tension theory valence Västfjäll vocal Zatorre Zentner