Beyond the word: reconstructing sense in the Joyce era of technology, culture, and communication
University of Toronto Press, 1995 - 328 páginas
Beyond the Word provides as implicit critique of postmodernism, redefining it as a further, radical stage of modernism. Theall argues that Joyce anticipated many of the insights of semiotics, post-structuralism, and postmodernism. Moreover, Joyce and other modern artists differed from their predecessors in exhibiting a greater sense of their place within a dynamic, multifaceted field of communication. Thus, long before the emergence of postmodernism, these radical modernists posed an implicit challenge to the traditional notion of art as a privileged sphere. Beyond the Word situates artistic expression within a broad ecology of communication alongside genres such as comics, games, ads, videos, and slogans of spontaneous protest. Within this context, Theall reconsiders the contributions of Marshall McLuhan, Harold Innis, Gregory Bateson, and Kenneth Burke to our contemporary understanding of communication, and looks at artists as disparate as Dusan Makavejev, Stanley Kubrick, Alexander Pope, Rabelais, William Gibson, Gene Roddenberry, and Wyndham Lewis.
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action activity advertising ambivalence artistic aspect assemblage associated Bateson become body Burke central century comedy comic communica communion complex concept consciousness contemporary create critical critique cultural production cyberspace dance Deleuze dialogue discussion Dr Strangelove dramatic dream Dunciad Dusan Makavejev ecology of sense Eisenstein elements emerging everyday world example exploration Felix Guattari Fellini film film-making Finnegans Wake forms function gesture Gilles Deleuze human communication Ibid images imaginary importance interaction interplay involved James Joyce Joyce's Kenneth Burke language laughter machine Makavejev Marshall McLuhan means medium memory modern modernist modes of communication montage movement munication nature oral paraliterature play poet poetic poetry polysemic popular potential provides relation relationship rhetoric role satiric semiotic sensory Sergei Eisenstein signs social society speaking strategies structure Sweet Movie symbolic synaesthesia tactility theory Thousand Plateaus tion transformation transgression Ulysses unconscious understanding verbal vision visual words writing Wyndham Lewis
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Echoes and reflections: on media ecology as a field of study
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