support of it, quoted from the poem entitled "The Bastard," a line, in which the fancied superiority of one" stamped in Nature's mint with extasy," is contrasted with a regular lawful descendant of some great and ancient family:

"No tenth transmitter of a foolish face."

But the fact is, that this poem was published some years before Johnson and Savage were acquainted.

It is remarkable, that in this biographical disquisition there appears a very strong symptom of Johnson's prejudice against players; a prejudice, which may be attributed to the following causes: first, the imperfection of his organs, which were so defective that he was not susceptible of the fine impressions which theatrical excellence produces upon the generality of mankind; secondly, the cold rejection of his tragedy; and, lastly, the brilliant success of Garrick, who had been his pupil, who had come to London at the same time with him, not in a much more prosperous state than himself, and whose talents he undoubtedly rated low, compared with his

own.

His being outstripped by his pupil in the race of immediate fame, as well as of fortune, probably made him feel some indignation, as thinking that whatever might be Garrick's merits in his art, the reward was too great when compared with what the most successful efforts of literary labour could attain. At all periods of his life Johnson used to talk contemptuously of players; but in this work he speaks of them with peculiar acrimony; for which, perhaps, there was formerly too much reason from the licentious and dissolute manners of those engaged in that profession. It is but justice to add, that in our own

time such a change has taken place, that there is no longer room for such an unfavourable distinction.

His schoolfellow and friend, Dr. Taylor, told me a pleasant anecdote of Johnson's triumphing over his pupil David Garrick. When that great actor had played some little time at Goodman's fields, Johnson and Taylor went to see him perform, and afterwards passed the evening at a tavern with him and old Giffard. Johnson, who was ever depreciating stageplayers, after censuring some mistakes in emphasis which Garrick had committed in the course of that night's acting, said, "the players, Sir, have got a kind of rant, with which they run on, without any regard either to accent or emphasis." Both Garrick and Giffard were offended at this sarcasm, and endeavoured to refute it; upon which Johnson rejoined, "Well now, I'll give you something to speak, with which you are little acquainted, and then we shall see how just my observation is. That shall be the criterion. Let me hear you repeat the ninth Commandment, "Thou shalt not bear false witness against thy neighbour." Both tried at it, said Dr. Taylor, and both mistook the emphasis, which should be upon not and false witness.' Johnson put them right, and enjoyed his victory with great glee.

His "Life of Savage" was no sooner published, than the following liberal praise was given to it, in "The Champion," a periodical paper: "This pamphlet is, without flattery to its authour, as just

3 I suspect Dr. Taylor was inaccurate in this statement. The emphasis should be equally upon shalt and not, as both concur to form the negative injunction; and false witness, like the other acts prohibited in the Decalogue, should not be marked by any peculiar emphasis, but only be distinctly enunciated.

and well written a piece as of its kind I ever saw; so that at the same time that it highly deserves, it certainly stands very little in need of this recommendation. As to the history of the unfortunate person, whose memoirs compose this work, it is certainly penned with equal accuracy and spirit, of which I am so much the better judge, as I know many of the facts mentioned to be strictly true, and very fairly related. Besides, it is not only the story of Mr. Savage, but innumerable incidents relating to other persons, and other affairs, which renders this a very amusing, and, withal, a very instructive and valuable performance. The author's observations are short, significant, and just, as his narrative is remarkably smooth, and well disposed. His reflections open to all the recesses of the human heart; and, in a word, a more just or pleasant, a more engaging or a more improving treatise, on all the excellencies and defects of human nature, is scarce to be found in our own, or, perhaps, any other language." 994

Johnson's partiality for Savage made him entertain no doubt of his story, however extraordinary and improbable. It never occurred to him to question his being the son of the Countess of Macclesfield, of whose unrelenting barbarity he so loudly complained, and the particulars of which are related in so strong and affecting a manner in Johnson's life of him. Johnson was certainly well warranted in publishing his narrative, however offensive it might be to the

4 This character of the Life of Savage was not written by Fielding as has been supposed, but most probably by Ralph, who, as appears from the minutes of the partners of The Champion,' in the possession of Mr. Reed of Staple Inn, succeeded Fielding in his share of the paper, before the date of that eulogium.

lady and her relations, because her alledged unnatural and cruel conduct to her son, and shameful avowal of guilt, were stated in a life of Savage now lying before me, which came out so early as 1727, and no attempt had been made to confute it, or to punish the authour or printer as a libeller: but for the. honour of human nature, we should be glad to find the shocking tale not true; and, from a respectable gentleman' connected with the lady's family, I have received such information and remarks, as joined to my own inquiries, will, I think, render it at least somewhat doubtful, especially when we consider that it must have originated from the person himself who went by the name of Richard Savage.

If the maxim falsum in uno, falsum in omnibus, were to be received without qualification, the credit of Savage's narrative, as conveyed to us, would be annihilated; for it contains some assertions which, beyond a question, are not true.

1. In order to induce a belief that Earl Rivers, on account of a criminal connection with whom, Lady Macclesfield is said to have been divorced from her husband, by Act of Parliament, had a peculiar anxiety about the child which she bore to him, it is alledged, that his Lordship gave him his own name, and had it duly recorded in the register of St. Andrew's, Holborn. I have carefully inspected that register, but no such entry is to be found.

2. It is stated, that "Lady Macclesfield having lived for some time upon very uneasy terms with her husband, thought a publick confession of adultery

5 The late Francis Cockayne Cust, Esq. one of his Majesty's Counsel.

6 1697.

the most obvious and expeditious method of obtaining her liberty;" and Johnson, assuming this to be true, stigmatises her with indignation, as "the wretch who had, without scruple, proclaimed herself an adulteress." But I have perused the Journals of both houses of Parliament at the period of her divorce, and there find it authentically ascertained, that so far from voluntarily submitting to the ignominious charge of adultery, she made a strenuous defence by her Counsel; the bill having been first moved 15th January, 1697, in the House of Lords, and proceeded on, (with various applications for time to bring up witnesses at a distance, &c.) at intervals, till the 3d of March, when it passed. It was brought to the Commons, by a message from the Lords, the 5th of March, procceded on the 7th, 10th, 11th, 14th, and 15th, on which day, after a full examination of witnesses on both sides, and hearing of Counsel, it was reported without amendments, passed, and carried to the Lords.

That Lady Macclesfield was convicted of the crime of which she was accused, cannot be denied; but the question now is, whether the person calling himself Richard Savage was her son.

It has been said, that when Earl Rivers was dying, and anxious to provide for all his natural children, he was informed by Lady Macclesfield that her son by him was dead. Whether, then, shall we believe that this was a malignant lie, invented by a mother to prevent her own child from receiving the bounty of his father, which was accordingly the consequence, if the person whose life Johnson wrote, was her son; or shall we not rather believe that the person who then assumed the name of Richard Savage was an