A Companion to Film TheoryToby Miller, Robert Stam John Wiley & Sons, 15 abr 2008 - 440 páginas This volume of specially commissioned work by experts in the field of film studies provides a comprehensive overview of the field. Its international and interdisciplinary approach will have a broad appeal to those interested in this multifaceted subject.
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Índice
1 | |
9 | |
3 Genre | 25 |
4 Enunciation and Narration | 45 |
5 Film Editing | 64 |
6 Film Semiotics | 84 |
7 Cognitivism | 105 |
8 Psychoanalytic Film Theory | 123 |
12 Culture Industries | 202 |
13 The Political Economy of Film | 221 |
14 The Work of Theory in the Age of Digital Transformation | 234 |
15 Cultural Exchange | 262 |
16 Shooting Back From Ethnographic Film to Indigenous Production Ethnography of Media | 295 |
17 Psychos Bad Timing The Sensual Obsessions of Film Theory | 323 |
18 Historical Allegory | 333 |
19 Every Picture Tells a Story José Guadalupe Posadas Protocinematic Graphic Art | 363 |
9 Spectatorship and Subjectivity | 146 |
10 Laura Mulvey Meets Catherine Tramell Meets the SheMan CounterHistory Reclamation and Incongruity in Lesbian Gay and Queer Film and Med... | 165 |
11 Is There Class in this Text? The Repression of Class in Film and Cultural Studies | 182 |
20 Historical Poetics Narrative and Interpretation | 387 |
413 | |
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aesthetic allegory American analysis Anthropology apparatus theory argued articulation audiences auteurism Bakhtin Bordwell Bordwell's British Film Institute Citizen Kane classical codes cognitive cognitivism cognitivist communication concepts construction contemporary context critique cultural exchange cultural studies culture industries David Bordwell ÐÐ digital media discourse documentary dominant economic editing essay Ethnography example fantasy feminist film theory fiction film industry film semiotics film studies film theory filmic filmmakers Frankfurt School gender genre global historical poetics Hollywood film identify identity ideological imagination interpretation language lesbian linguistic London Marxist mass media meaning Metz modern montage narrative narrator political economy popular Posada position production psychoanalytic psychoanalytic film theory queer reading relation representation Routledge screen semiotics sense sexual shot significance social society specific spectator story structure style technologies television textual theorists tion tradition understanding University Press viewers visual Visual Anthropology York