Encrypted Messages in Alban Berg's MusicSiglind Bruhn Psychology Press, 1998 - 307 páginas The 12 new essays in this volume explore the relationship between text and music in Alban Berg's works. The book examines the biographical issues that made such expressive choices attractive to the composer, and explores ways in which works not involving explicit verbal texts create signification, allusion, and reference. |
Índice
John Covach | 5 |
Wolfgang Gratzer | 26 |
Gottfried Scholz | 45 |
David Schroeder | 67 |
Robert Falck | 91 |
Magnar Breivik | 109 |
Christoph Khittl | 137 |
Siglind Bruhn | 157 |
Arved Ashby | 191 |
Erika Reiman | 229 |
Mark DeVoto | 243 |
Karen Pegley | 249 |
Heather Platt | 279 |
The Contributors | 305 |
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Términos y frases comunes
Adorno aesthetic Alban Berg Alma Mahler Altenberg-Lieder Alwa Alwa's row appears Arnold Schoenberg artistic bars bass beginning Berg's music Chamber Concerto character chord chromatic clarinet composer composition context contrast counter-subject Countess dance death double bass Douglas Jarman dramatic Eternal Return EXAMPLE femme fatale figure final George Perle Geschwitz Hanna Fuchs-Robettin harmonic Hypnos idea instruments Jung Karl Kraus lesbian letter Lulu Lyric Suite Mahler Marie's measures melodic Modernist Mombert motif movement Musik narrative notes occult opera orchestra palindrome passacaglia passage Perle Peter Altenberg phrase piano piece pitch play poem reference Reigen relationship retrograde rhythm rhythmic Rondo scene Schlafen Schnitzler's Schoenberg Schön Schön's row score second song Séraphita sing sleep Sonata song cycle soul Spiegelmensch structure suggests symbolic tempo Thamal thematic theme third song tion tonal trans transformation twelve-tone University Vienna Violin vocal line voice Webern Wedekind Werfel whole-tone words Wozzeck
Referencias a este libro
The Muse as Eros: Music, Erotic Fantasy and the Male Creativity in the ... Stephen C. Downes No hay ninguna vista previa disponible - 2006 |