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Open-souled in noon-day sun, so you lie and slumber;
Nothing evil having done, nothing can encumber.

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And God knows, who sees us twain, child at childish leisure,

I am all as tired of pain, as you are of pleasure.

Very soon, too, by His grace, gently wrapt around mc,
I shall show as calm a face-I shall sleep as soundly-
Differing in this, that you clasp your playthings sleeping,
While my hand must drop the few given to my keeping,—
Differing in this, that I, sleeping, must be colder,

And, in waking presently, brighter to beholder,—
Differing in this beside,―(Sleeper, have you heard me?
Do
you move, and open wide your great eyes toward me?)
That while I you draw withal from this slumber solely,
Me, from mine, an angel shall, trumpet-tongued and holy!

This is from the pen of one of the most gifted personages of modern times, MRS. E. BARRETT BROWNING, whose writings have been as warmly welcomed in our country as in England. Her life was one of prolonged bodily suffering, but her rare genius triumphed over all bodily infirmity. It was from her couch of pain that she sent forth those vigorous and beautiful productions that have crowned her as "the world's greatest poetess."

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After her marriage with the poet Browning, Florence became their home; it was here she died. Among the many favourite poems of this eminent poetess, is that on Sleep: here are two or three of its beautiful stanzas :

Of all the thoughts of God that are
Borne inward, unto souls afar,

Along the Psalmist's music deep—

Now, tell me if that any is,
For gift or grace, surpassing this-
"He giveth His beloved sleep?"

What would we give to our beloved?
The hero's heart, to be unmoved—

The poet's star-tuned harp, to sweep—
The Senate's shout, to patriot vows-

The monarch's Crown, to light the brows?—
"He giveth His beloved sleep."

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"Sleep soft, beloved"-we sometimes say,
But have no tune to charm away

Sad dreams that through the eyelids creep;
But never doleful dream again

Shall break the happy slumber, when
"He giveth His beloved sleep."

His dew drops mutely on the hill;

His cloud above it saileth still,

Though on its slope men toil and reap!

More softly than the dew is shed,

Or cloud is floated overhead,

"He giveth His beloved sleep."

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How prophetic of her own history were the closing lines:

And friends, dear friends, when it shall be
That this low breath is gone from me,

And round my bier ye come to weep;

Let one, most loving of ye all,
Say, "Not a tear must o'er her fall,—
'He giveth His beloved sleep!" "

Her fine poem on Cowper is one of the happiest illustrations of her power of pathos: witness these stanzas:

Like a sick child, that knoweth not his mother while she blesses, And drops upon his burning brow the coolness of her kisses ;

That turns his fevered eyes around-" My mother! where's my

mother ?"

As if such tender words and looks could come from any other!

The fever gone, with leaps of heart he sees her bending o'er him; Her face all pale from watchful love, the unweary love she bore him!

Thus woke the poet from the dream his life's long fever gave him,
Beneath those deep, pathetic eyes, which closed in death to save him.

Thus! oh, not thus! no type of earth could image that awaking,
Wherein he scarcely heard the chant of seraphs round him breaking;
Or felt the new, immortal throb of soul from body parted ;
But felt those eyes alone, and knew "My Saviour! not deserted!"

Wordsworth and Rogers much admired this stanza, in a poem on Life, by MRS. Barbauld:—

Life! we've been long together,

Through pleasant and through ́ cloudy weather;
'Tis hard to part when friends are dear ;

Perhaps 'twill cost a sigh, a tear;

Then steal away, give little warning,

Choose thine own time,

Say not good-night, but in some brighter clime

Bid me good-morning.

Her beautiful lines, on the Death of the Virtuous, were signally illustrated by her own tranquil decease :

Sweet is the scene when Virtue dies! when sinks a righteous soul to rest!

How softly beam the closing eyes, how gently heaves the expiring

breast!

So fades a summer cloud away, so sinks the gale when storms are

o'er,—

So gently shuts the eye of day, so dies the wave along the shore. Triumphant smiles the victor brow, fanned by some angel's purple

wing;

Where is, O Grave! thy victory now? and where, insidious Death, thy sting?

Here are LOVER's beautiful lines, founded upon the Irish conceit, that when a child smiles in its sleep it is talking with the angels:

A baby was sleeping, its mother was weeping,

For her husband was far on the wild raging sea;

And the tempest was swelling round the fisherman's dwelling,
And she cried, "Dermot, darling, oh, come back to me!”

Her beads while she numbered, the baby still slumbered,
And smiled in her face as she bended her knee;
"Oh, blest be that warning, my child, thy sleep adorning,
For I know that the angels are whispering with thee !

"And while they are keeping bright watch o'er thy sleeping,
Oh, pray to them softly, my baby, with me;

And say thou wouldst rather they'd watch o'er thy father,
For I know that the angels are whispering with thee !"

The dawn of the morning saw Dermot returning,

And the wife wept for joy her babe's father to see:

And closely caressing her child with a blessing,

Said, "I knew that the angels were whispering with thee!"

Our own poet PEABODY's description of The Backwoodsman is very graphic and picturesque :

The silent wilderness for me! where never sound is heard,
Save the rustling of the squirrel's foot, and the flitting wing of bird,
Or its low and interrupted note, or the deer's quick, crackling tread,
And the swaying of the forest boughs, as the wind moves overhead.

Alone (how glorious to be free!), my good dog at my side,
My rifle hanging on my arm, I range the forests wide.

And now the regal buffalo across the plains I chase—

Now track the mountain stream, to find the beaver's lurking-place.

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My palace, built by God's own hand, the world's fresh prime hath

seen,

While stretch its living halls away, pillared and roofed with green.
My music is the wind, that now pours loud its swelling bars,
Now lulls in dying cadences; my festal lamps are stars.

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And in these solitary haunts, while slumbers every tree
In night and silence, God himself seems nearer unto me.
I feel His presence in these shades, like the embracing air,
And as my eyelids close in sleep, my heart is hushed in prayer.

STERLING, the friend of Carlyle, who placed a high estimate on his genius, has not left us a large poetic legacy; but here is one of poems, full of music and cheerful philosophy :—

his

Earth, of man the bounteous mother, feeds him still with corn and

wine;

He who best would aid a brother, shares with him these gifts divine. Many a power within her bosom, noiseless, hidden, works beneath; Hence are seed, and leaf and blossom, golden ear and clustered wreath.

These to swell with strength and beauty is the royal task of man; Man's a king; his throne is duty, since his work on earth began. Bud and harvest, bloom and vintage-these, like man, are fruits of

earth;

Stamped in clay, a heavenly mintage, all from dust receive their

birth.

Barn and mill, and wine-vat's treasures, earthly goods for earthly

lives,

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