A History of Experimental Film and VideoBloomsbury Academic, 1 mar 1999 - 256 páginas Avante-garde film is in a constant state of change and redefinition. In this history, A.L. Rees tracks the movement of the avante-garde film between, on the one hand, the cinema, and, on the other hand, modern art (with its postmodern coda). He also reconstitutes the avante-garde film as an independent form of art practice with its own internal logic and aesthetic discourse. |
Índice
The canonical avantgarde | 15 |
Notes | 121 |
Britain 196698 | 138 |
Página de créditos | |
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