The Good that Lives After Them: A Pattern in Shakespeare's TragediesC. Winter, 1995 - 247 páginas |
Dentro del libro
Resultados 1-3 de 19
Página 221
... ghost speaks no lines ( a ghost who speaks lines is obviously a true ghost ) , and he is seen only by Macbeth among those on stage ( a ghost who is seen by many is very likely a true ghost ; a ghost who is seen by only one among many is ...
... ghost speaks no lines ( a ghost who speaks lines is obviously a true ghost ) , and he is seen only by Macbeth among those on stage ( a ghost who is seen by many is very likely a true ghost ; a ghost who is seen by only one among many is ...
Página 225
... ghosts even after they are gone ; he soon recovers his composure and goes about his business , but not immediately , as does Macbeth after the departure of Banquo's ghost . It is clearly not the mere presence or appearance of the ghosts ...
... ghosts even after they are gone ; he soon recovers his composure and goes about his business , but not immediately , as does Macbeth after the departure of Banquo's ghost . It is clearly not the mere presence or appearance of the ghosts ...
Página 228
... ghost . They are not actually raised by it , for Banquo's ghost has no more interest in these issues than does Macbeth . This ghost is not a Christian ghost on a Christian mission . He does not come from heaven , hell or purgatory and ...
... ghost . They are not actually raised by it , for Banquo's ghost has no more interest in these issues than does Macbeth . This ghost is not a Christian ghost on a Christian mission . He does not come from heaven , hell or purgatory and ...
Índice
Hamlets Other Purpose | 12 |
King Lear and Macbeth the First Love Test | 39 |
King Lear and Macbeth the Second Love Test | 100 |
Página de créditos | |
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Términos y frases comunes
abdication actions ambitious androgyny Antony and Cleopatra apparitions asserts attribute audience Banquo's ghost behavior bond character Christian cited compositional pattern contrast Cordelia courage course crimes criticize dagger daughter death desire deuteragonist discussion divine grace dramatic ennui ethical evidence evil explicitly express fact father fear Gentleman Goneril and Regan grace grief Hamlet Hecuba implies interpretation Kent kill Duncan kind of manliness King Lear kingship Lady Macbeth Laertes later Lear and Macbeth Lear's least lines love test Macduff meaninglessness means merely moral murder nature never nothingness Ophelia Othello pangs of conscience passage perhaps person phrase play play's Polonius possess primary motives protagonist purpose reaction reason reference regicide relationship religious revenge Richard III Romeo and Juliet Rosenberg sacrifice says scene secondary motives seems sense Shakespeare significance sisters Siward soliloquy someone speaks speech suggests suicide things thou tragedy tragic victims virtue wants wife witches words