The Good that Lives After Them: A Pattern in Shakespeare's TragediesC. Winter, 1995 - 247 páginas |
Dentro del libro
Resultados 1-3 de 18
Página 46
... described as " fiend - like " ; Cordelia at the end of her play plays the role of Christ in a scene which is " a Pietà with the roles re- versed " ; 15 the last adjective used with reference to her is " excellent . " Cordelia , when she ...
... described as " fiend - like " ; Cordelia at the end of her play plays the role of Christ in a scene which is " a Pietà with the roles re- versed " ; 15 the last adjective used with reference to her is " excellent . " Cordelia , when she ...
Página 90
... described as " battlements . " Lady Macbeth's usage of this word in reference to the house at Inverness is therefore inappropriate and symptomatic of her desire to give herself not only manly but military airs . In this context we ...
... described as " battlements . " Lady Macbeth's usage of this word in reference to the house at Inverness is therefore inappropriate and symptomatic of her desire to give herself not only manly but military airs . In this context we ...
Página 177
... described . I recognize that the mention of " time " at the end of the protasis leads naturally to a reference to eternity in the apodosis and that this somewhat softens the effect I have described . It does not , however , undo it ...
... described . I recognize that the mention of " time " at the end of the protasis leads naturally to a reference to eternity in the apodosis and that this somewhat softens the effect I have described . It does not , however , undo it ...
Índice
Hamlets Other Purpose | 12 |
King Lear and Macbeth the First Love Test | 39 |
King Lear and Macbeth the Second Love Test | 100 |
Página de créditos | |
Otras 2 secciones no se muestran.
Términos y frases comunes
abdication actions ambitious androgyny Antony and Cleopatra apparitions asserts attribute audience Banquo's ghost behavior bond character Christian cited compositional pattern contrast Cordelia courage course crimes criticize dagger daughter death desire deuteragonist discussion divine grace dramatic ennui ethical evidence evil explicitly express fact father fear Gentleman Goneril and Regan grace grief Hamlet Hecuba implies interpretation Kent kill Duncan kind of manliness King Lear kingship Lady Macbeth Laertes later Lear and Macbeth Lear's least lines love test Macduff meaninglessness means merely moral murder nature never nothingness Ophelia Othello pangs of conscience passage perhaps person phrase play play's Polonius possess primary motives protagonist purpose reaction reason reference regicide relationship religious revenge Richard III Romeo and Juliet Rosenberg sacrifice says scene secondary motives seems sense Shakespeare significance sisters Siward soliloquy someone speaks speech suggests suicide things thou tragedy tragic victims virtue wants wife witches words