The Good that Lives After Them: A Pattern in Shakespeare's TragediesC. Winter, 1995 - 247 páginas |
Dentro del libro
Resultados 1-3 de 25
Página 20
... believe " ( 252 ) , that in the closet scene he reveals his knowledge of his father's murder to Gertrude who in turn might reveal it to Claudius , that he goes off willingly to England with Rosencrantz and Guildenstern whom he does not ...
... believe " ( 252 ) , that in the closet scene he reveals his knowledge of his father's murder to Gertrude who in turn might reveal it to Claudius , that he goes off willingly to England with Rosencrantz and Guildenstern whom he does not ...
Página 152
... believe that Shakespeare , even within the morality play style and framework , has managed to provide an intelligible and realistic motivation for the actions of the protagonist . The distinction between motives and esse , in any case ...
... believe that Shakespeare , even within the morality play style and framework , has managed to provide an intelligible and realistic motivation for the actions of the protagonist . The distinction between motives and esse , in any case ...
Página 166
... believe that the later indiscriminate killing should not be attributed simply or even primarily to this degeneration of his character . The excessively violent actions which he performs at the play's start closely resemble those of ...
... believe that the later indiscriminate killing should not be attributed simply or even primarily to this degeneration of his character . The excessively violent actions which he performs at the play's start closely resemble those of ...
Índice
Hamlets Other Purpose | 12 |
King Lear and Macbeth the First Love Test | 39 |
King Lear and Macbeth the Second Love Test | 100 |
Página de créditos | |
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Términos y frases comunes
abdication actions ambitious androgyny Antony and Cleopatra apparitions asserts attribute audience Banquo's ghost behavior bond character Christian cited compositional pattern contrast Cordelia courage course crimes criticize dagger daughter death desire deuteragonist discussion divine grace dramatic ennui ethical evidence evil explicitly express fact father fear Gentleman Goneril and Regan grace grief Hamlet Hecuba implies interpretation Kent kill Duncan kind of manliness King Lear kingship Lady Macbeth Laertes later Lear and Macbeth Lear's least lines love test Macduff meaninglessness means merely moral murder nature never nothingness Ophelia Othello pangs of conscience passage perhaps person phrase play play's Polonius possess primary motives protagonist purpose reaction reason reference regicide relationship religious revenge Richard III Romeo and Juliet Rosenberg sacrifice says scene secondary motives seems sense Shakespeare significance sisters Siward soliloquy someone speaks speech suggests suicide things thou tragedy tragic victims virtue wants wife witches words