 | John Drakakis, Terence Hawkes - 1985 - 324 páginas
...the other two regimes, as it escapes the representational strictures imposed upon visual perception: In our relation to things, in so far as this relation...degree eluded in it that is what we call the gaze. (Lacan 1979: 73) In Hamlet, there are a number of places where this effect may be located. The play... | |
 | E. Ann Kaplan - 1990 - 266 páginas
...in his later work. For it is that which escapes the vision of a consciousness allegedly in control: In our relation to things, in so far as this relation...some degree eluded in it — that is what we call the gaze.16 The apparatus, as the exemplary model of cinematic representation, is incapable of theorizing... | |
 | Mary Ann Doane - 1991 - 324 páginas
...in his later work. For it is that which escapes the vision of a consciousness allegedly in control: In our relation to things, in so far as this relation...some degree eluded in it — that is what we call the gaze.17 The apparatus, as the exemplary model of cinematic representation, is incapable of theorizing... | |
 | Reinhold Grimm, Jost Hermand - 1994 - 156 páginas
...we gaze as beings who are looked at. When our vision changes into a gaze we lose our independence. "In our relation to things, in so far as this relation...constituted by the way of vision, and ordered in the figure of representation, something slips, passes, is transmitted, from stage to stage, and is always... | |
 | Michael Kreyling - 1995 - 146 páginas
...because this field always represents loss or lack or absence. "In our relation to things," writes Lacan, "in so far as this relation is constituted by the...stage, and is always to some degree eluded in it." That something is itself, says Lacan, "what we call the gaze" (FFC 73). Just as the subject cannot have... | |
 | Frederick A. De Armas - 1996 - 308 páginas
...is the gaze that is outside—I am looked at, that is to say, I am a picture." He explains further: "[I]n our relation to things, in so far as this relation...stage to stage, and is always to some degree eluded in it—that is what we call the gaze." As Lacan's appropriation of the theatrical metaphor demonstrates,... | |
 | Shirley Nelson Garner, Madelon Sprengnether - 1996 - 346 páginas
...demand that they adhere to the customs and laws which govern that society. Jacques Lacan has argued that "in our relation to things, in so far as this relation...by the way of vision, and ordered in the figures of rep"The Moor of Venice" * resentation, something slips, passes, is transmitted from stage, to stage,... | |
 | Willy Apollon, Richard Feldstein - 1996 - 384 páginas
...with the gaze standing for the subjective position within the objective "visual apparatus," the eye: in our relation to things, in so far as this relation is constituted by way of vision . . . something slips, passes, is transmitted, from stage to stage, and is always to... | |
 | Margaret Russett - 1997 - 318 páginas
...vice-versa. "Family resemblance" is the effect of a certain staging of commodity fetishism, in which "something slips, passes, is transmitted, from stage to stage, and is always to some degree eluded." 62 "Casting a preparatory glance at the bottom of this article . . . methinks I hear you exclaim, Reader,... | |
 | Jacques Lacan - 1998 - 308 páginas
...gaze — this is for us the split in which the drive is manifested at the level of the scopic field. 3 In our relation to things, in so far as this relation...degree eluded in it — that is what we call the gaze. You can be made aware of this in more than one way. Let me describe it, at its extreme point, by one... | |
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In our relation to things, in so far as this relation is constituted by the way of vision, and ordered in the figures of representation, something slips, passes, is transmitted, from stage to stage, and is always to some degree eluded in it — that is... 
