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Página 151
suprasegmentals and metalinguistic features ) and the performance style ( the
way in which he presents these ) . It may be objected that , if this is so , we can
never adduce the poet ' s style without introducing our own interpretation and ...
suprasegmentals and metalinguistic features ) and the performance style ( the
way in which he presents these ) . It may be objected that , if this is so , we can
never adduce the poet ' s style without introducing our own interpretation and ...
Página 166
And by collecting many recordings of performances we may find almost universal
assent in such an ascription . ... Then it becomes admittedly difficult to distinguish
the poetic style from the interpretation and the performance style , unless we ...
And by collecting many recordings of performances we may find almost universal
assent in such an ascription . ... Then it becomes admittedly difficult to distinguish
the poetic style from the interpretation and the performance style , unless we ...
Página 167
a perceptible break in the performance of a line , properly described as an
intralinear terminal juncture . ” The run - on line is defined in Shipley ' s Dictionary
as “ The carrying of the sense ( grammatical form ) in a poem past the end of a
line .
a perceptible break in the performance of a line , properly described as an
intralinear terminal juncture . ” The run - on line is defined in Shipley ' s Dictionary
as “ The carrying of the sense ( grammatical form ) in a poem past the end of a
line .
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Índice
INTRODUCTION | 1 |
PART TWO STYLE IN FOLK NARRATIVE | 25 |
PART THREE LINGUISTIC APPROACHES TO VERBAL | 55 |
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Términos y frases comunes
alliteration analysis appear approach association becomes behavior called certain characteristic commonality complete concerned course critics definition described deviations discussion distinction dominant effect elements English example expect expressive fact final function give given grammatical important indicate individual instance interest interpretation kind language learning less linguistic literary literature matter meaning measures meter metrical norm notes objective occur particular pattern performance perhaps person phonemic phrase poem poet poetic poetry position possible present probably problem pronoun question reading reference relation relative responses rhyme rhythm rules seems selection semantic sense sentence similar simply situation sonnet sort sound speak speech stress structure style stylistic subjects suggest syllables talk things tradition University utterances variation verbal verbs verse whole word writing
Referencias a este libro
Understanding Pragmatics Jef Verschueren,Jan Verschueren No hay ninguna vista previa disponible - 1999 |