Shelley and the Sublime: An Interpretation of the Major Poems
CUP Archive, 1984 - 195 páginas
This book presents a major reassessment of Shelley's poetry. Whereas other criticism has stressed the philosophical and political concerns of his poetry in isolation, Angela Leighton argues that Shelley's philosophy and politics are presented as problems of poetic utterance and are this inseparable from his aesthetics. The author begins by tracing the origins of Shelley's poetic theory in eighteenth-century ideas of the sublime. She then discusses the effect of such a theory on the language of seven of Shelley's most important poems including 'Hymn to Intellectual Beauty', Prometheus Unbound, 'Ode to the West Wind', 'To a Skylark' and Adonais. In these poems the task of political change is expressed as the prerogative of the inspired poet, who desires to reunite the fallen language of poetry with the original impulse of inspiration that it supplants. This significant contribution to Shelley studies will interest all serious students of English Romantic poetry and aesthetics.
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action Adonais aesthetic answer argument Asia association Beauty becomes bird breath characteristic claims communication composition concerned contains creativity dead death Defence Demogorgon describes desire dream earlier Earth effect eighteenth century empirical empty enthusiasm eternity event expression fact failure feeling figure finds force gives heart hope human Hymn ideas imagination infinite inspiration Intellectual interpretation kind knowledge landscape language leaves Letters light lines living Locke loss lyricism meaning merely metaphor mind Mont Blanc nature object once opposition original passage perception poem poet poet's poetic poetry political Power presence Press Prometheus Prometheus Unbound question reason relation religious remains represents result revolutionary rhetorical Rousseau scene scepticism seeks seems sense shape Shelley Shelley's sight sleep song space speak speech spirit stanza strange sublime theory things thou thought tradition Triumph universe vision voice waking wind writes
Embodying Revolution: The Figure of the Poet in Shelley
Vista de fragmentos - 1989
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Shelley Among Others: The Play of the Intertext and the Idea of Language
Vista previa restringida - 2002