The Art of Melody

aesthetic form art form ascending Associated Music Publishers balance basic beginning Breitkopf and Hartel cadence cadential characteristic chord climactic climax complete composer contrast create criteria descending Dewey Dickinson dissonance dynamic Edmund Gurney effect elements emotional emphasis energy equilibrium Ernst Toch expression feeling final function harmonic Hugo Riemann Ibid intensity interval cycles interval tension Joseph Schillinger larger intervals listener material measure melodic movement melodic perception melody memory ment motion motivic unfoldment muscular Music New York musical expression musical idea occurs organization over-all Pattern of Music permission to quote pitch pleasure psychological Psychology of Beauty punctuation and articulation qualities realization relationship Renaissance Music repetition repose resolution result rhythm rhythmic pattern Rudolph Reti Schillinger Schillinger System sequence sion span specious present static stepwise progression structural succession symmetry temporal tendency tends tension and relaxation terval theme tion Toch tonal tones tonic unified unit unity variation variety Willi Apel