Imágenes de página
PDF
ePub

was uniformly treated by her with the utmost distinction. This was also extended to Flora, who was maintained for some time at a convent of the first order, at the princess's expense, and removed from thence into her own family, where she spent nearly two years. Both brother and sister retained the deepest and most grateful sense of her kindness.

Having thus touched upon the leading principle of Flora's character, I may dismiss the rest more slightly. She was highly accomplished, and had acquired those elegant manners to be expected from one who, in early youth, had been the companion of a princess; yet she had not learned to substitute the gloss of politeness for the reality of feeling. When settled in the lonely regions of Glennaquoich, she found that her resources in French, English, and Italian literature, were likely to be few and interrupted; and, in order to fill up the vacant time, she bestowed a part of it upon the music and poetical traditions of the Highlanders, and began really to feel the pleasure in the pursuit, which her brother, whose perceptions of literary merit were more blunt, rather affected for the sake of popularity than actually experienced. Her resolution was strengthened in these researches by the extreme delight which her inquiries seemed to afford those to whom she resorted for information.

Her love of her clan, an attachment which was almost hereditary in her bosom, was, like her loyalty, a more pure passion than that of her brother. He was too thorough a politician, regarded his patriarchal influence too much as the means of accomplishing his own aggrandizement, that we should term him the model of a Highland Chieftain. Flora felt the same anxiety for cherishing and extending their patriarchal sway, but it was with the generous desire of vindicating from poverty, or at least from want and foreign oppression, those whom her brother was by birth, according to the notions of the time and country, entitled to govern. The savings of her income, for she had a small pension from the Princess Sobieski, were dedicated, not to add to the comforts of the peasantry, for that was a word which they neither knew nor apparently wished to know, but to relieve their absolute necessities, when in sickness or extreme old age. At every other period, they rather toiled to procure something which they might share with the Chief as a proof of their attachment, than expected other assistance from him save what was afforded by the rude hospitality of his castle, and the general division and subdivision of his estate among them. Flora was so much beloved by them, that when Mac-Murrough composed a song, in which he enumerated all the principal beauties of the district, and intimated her superiority by concluding, that the fairest apple hung on the highest bough,' he received, in donatives from the individuals of the clan, more seed-barley than would have sowed his Highland Parnassus, the Bard's croft, as it was called, ten times over.

From situation, as well as choice, Miss MacIvor's society was extremely limited. Her most intimate friend had been Rose Bradwardine, to whom she was much attached; and when seen

|

together they would have afforded an artist two admirable subjects for the gay and the melancholy muse. Indeed Rose was so tenderly watched by her father, and her circle of wishes was so limited, that none arose but what he was willing to gratify, and scarce any which did not come within the compass of his power. With Flora it was otherwise. While almost a girl, she had undergone the most complete change of scene, from gaiety and splendour to absolute solitude and comparative poverty; and the ideas and wishes which she chiefly fostered, respected great national events, and changes not to be brought round without both hazard and bloodshed, and therefore not to be thought of with levity. Her manner, consequently, was grave, though she readily contributed her talents to the amusement of society, and stood very high in the opinion of the old Baron, who used to sing along with her such French duets of Lindor and Cloris, etc., as were in fashion about the end of the reign of old Louis le Grand.

It was generally believed, though no one durst have hinted it to the Baron of Bradwardine, that Flora's entreaties had no small share in allaying the wrath of Fergus upon occasion of their quarrel. She took her brother on the assailable side, by dwelling first upon the Baron's age, and then representing the injury which the cause might sustain, and the damage which must arise to his own character in point of prudence, so necessary to a political agent, if he persisted in carrying it to extremity. Otherwise it is probable it would have terminated in a duel, both because the Baron had, on a former occasion, shed blood of the clan, though the matter had been timely accommodated, and on account of his high reputation for address at his weapon, which Fergus almost condescended to envy. For the same reason she had urged their reconciliation, which the Chieftain the more readily agreed to, as it favoured some ulterior projects of his own.

To this young lady, now presiding at the female empire of the tea-table, Fergus introduced Captain Waverley, whom she received with the usual forms of politeness.

CHAPTER XXII.

HIGHLAND MINSTRELSY.

WHEN the first salutations had passed, Fergus said to his sister, 'My dear Flora, before I return to the barbarous ritual of our forefathers, I must tell you that Captain Waverley is a worshipper of the Celtic muse, not the less so perhaps that he does not understand a word of her language. I have told him you are eminent as a translator of Highland poetry, and that Mac-Murrough admires your version of his songs upon the same principle that Captain Waverley admires the original,-because he does not comprehend them. Will you have the goodness to read or recite to our guest in English, the extraordinary string of names which Mac-Murrough has tacked together in Gaelic ?-My life to a moorfowl's feather, you are provided with a

version; for I know you are in all the bard's councils, and acquainted with his songs long before he rehearses them in the hall.'

'How can you say so, Fergus? You know how little these verses can possibly interest an English stranger, even if I could translate them as you pretend.'

high among his countrymen, and you must not expect me to depreciate it.' +

But the song, Miss Mac-Ivor, seemed to awaken all those warriors, both young and old.' 'The song is little more than a catalogue of names of the Highland clans under their distinctive peculiarities, and an exhortation to them to remember and to emulate the actions of their forefathers.'

'And am I wrong in conjecturing, however extraordinary the guess appears, that there was some allusion to me in the verses which he recited?'

Not less than they interest me, lady fair. To-day your joint composition, for I insist you had a share in it, has cost me the last silver cup in the castle, and I suppose will cost me something else next time I hold cour plénière, if the muse descends on Mac-Murrough; for you know our proverb,-When the hand of the 'You have a quick observation, Captain Waverchief ceases to bestow, the breath of the bardley, which, in this instance, has not deceived is frozen in the utterance.-Well, I would it were even so there are three things that are useless to a modern Highlander, a sword which he must not draw,- -a bard to sing of deeds which he dare not imitate, and a large goat-skin purse without a louis-d'or to put into it.'

'Well, brother, since you betray my secrets, you cannot expect me to keep yours.-I assure you, Captain Waverley, that Fergus is too proud to exchange his broadsword for a maréchal's baton; that he esteems Mac-Murrough a far greater poet than Homer, and would not give up his goat-skin purse for all the louis-d'or which it could contain.'

'Well pronounced, Flora; blow for blow, as Conan said to the devil. Now do you two talk of bards and poetry, if not of purses and claymores, while I return to do the final honours to the senators of the tribe of Ivor.' So saying, he left the room.

The conversation continued between Flora and Waverley; for two well-dressed young women, whose character seemed to hover between that of companions and dependents, took no share in it. They were both pretty girls, but served only as foils to the grace and beauty of their patroness. The discourse followed the turn which the Chieftain had given it, and Waverley was equally amused and surprised with the account which the lady gave him of Celtic poetry.

'The recitation,' she said, of poems, recording the feats of heroes, the complaints of lovers, and the wars of contending tribes, forms the chief amusement of a winter fireside in the Highlands. Some of these are said to be very ancient, and if they are ever translated into any of the languages of civilized Europe, cannot fail to produce a deep and general sensation. Others are more modern, the composition of those family bards whom the chieftains of more distinguished name and power retain as the poets and historians of their tribes. These, of course, possess various degrees of merit; but much of it must evaporate in translation, or be lost on those who do not sympathise with the feelings of the poet.'

'And your bard, whose effusions seemed to produce such effect upon the company to-day, is he reckoned among the favourite poets of the mountain?'

'That is a trying question. His reputation is

* Note T. 'Conan the Jester.'

you. The Gaelic language, being uncommonly vocalic, is well adapted for sudden and extemporaneous poetry; and a bard seldom fails to augment the effects of a premeditated song, by throwing in any stanzas which may be suggested by the circumstances attending the recitation.'

'I would give my best horse to know what the Highland bard could find to say of such an unworthy Southron as myself.'

'It shall not even cost you a lock of his mane.-Una, Mavourneen! (She spoke a few words to one of the young girls in attendance, who instantly curtsied, and tripped out of the room.)—I have sent Una to learn from the bard the expressions he used, and you shall command my skill as dragoman.'

Una returned in a few minutes, and repeated to her mistress a few lines in Gaelic. Flora seemed to think for a moment, and then, slightly colouring, she turned to Waverley-'It is impossible to gratify your curiosity, Captain Waverley, without exposing my own presumption. If you will give me a few moments for consideration, I will endeavour to engraft the meaning of these lines upon a rude English translation, which I have attempted, of a part of the original. The duties of the tea-table seem to be concluded, and, as the evening is delightful, Una will show you the way to one of my favourite haunts, and Cathleen and I will join you there.'

Una, having received instructions in her native language, conducted Waverley out by a passage different from that through which he had entered the apartment. At a distance he heard the hall of the chief still resounding with the clang of bagpipes and the high applause of his guests. Having gained the open air by a postern door, they walked a little way up the wild, bleak, and narrow valley in which the house was situated, following the course of the stream that winded through it. In a spot, about a quarter of a mile from the castle, two brooks, which formed the little river, had their junction. The larger of the two came down the long bare valley, which extended, apparently without any change or elevation of character, as far as the hills which formed its boundary permitted the eye to reach. But the other stream, which had its source among the mountains on the left hand of the strath, seemed to issue from a very narrow and dark opening

The Highland poet almost always was an improvisatore. Captain Burt (author of Letters from the North of Scotland) met one of them at Lovat's table.

betwixt two large rocks. These streams were different also in character. The larger was placid, and even sullen in its course, wheeling in deep eddies, or sleeping in dark blue pools; but the motions of the lesser brook were rapid and furious, issuing from between precipices, like a maniac from his confinement, all foam and uproar.

It was up the course of this last stream that Waverley, like a knight of romance, was conducted by the fair Highland damsel, his silent guide. A small path, which had been rendered easy in many places for Flora's accommodation, led him through scenery of a very different description from that which he had just quitted. Around the castle, all was cold, bare, and desolate, yet tame even in desolation; but this narrow glen, at so short a distance, seemed to open into the land of romance. The rocks assumed a thousand peculiar and varied forms. In one place a crag of huge size presented its gigantic bulk, as if to forbid the passenger's farther progress; and it was not until he approached its very base, that Waverley discerned the sudden and acute turn by which the pathway wheeled its course around this formidable obstacle. In another spot, the projecting rocks from the opposite sides of the chasm had approached so near to each other, that two pine-trees laid across, and covered with turf, formed a rustic bridge at the height of at least one hundred and fifty feet. It had no ledges, and was barely three feet in breadth.

While gazing at this pass of peril, which crossed, like a single black line, the small portion of blue sky not intercepted by the projecting rocks on either side, it was with a sensation of horror that Waverley beheld Flora and her attendant appear, like inhabitants of another region, propped, as it were, in mid air, upon this trembling structure. She stopped upon observing him below, and with an air of graceful ease, which made him shudder, waved her handkerchief to him by way of signal. He was unable, from the sense of dizziness which her situation conveyed, to return the salute; and was never more relieved than when the fair apparition passed on from the precarious eminence which she seemed to occupy with so much indifference, and disappeared on the other side.

Advancing a few yards, and passing under the bridge which he had viewed with so much terror, the path ascended rapidly from the edge of the brook, and the glen widened into a sylvan amphitheatre, waving with birch, young oaks, and hazels, with here and there a scattered yewtree. The rocks now receded, but still showed their grey and shaggy crests rising among the copse-wood. Still higher, rose eminences and peaks, some bare, some clothed with wood, some round and purple with heath, and others splintered into rocks and crags. At a short turning, the path, which had for some furlongs lost sight of the brook, suddenly placed Waverley in front of a romantic waterfall. It was not so remarkable either for great height or quantity of water, as for the beautiful accompaniments which made the spot interesting. After a broken cataract of about twenty feet, the stream was received in a

large natural basin filled to the brim with water, which, when the bubbles of the fall subsided, was so exquisitely clear, that, although it was of great depth, the eye could discern each pebble at the bottom. Eddying round this reservoir, the brook found its way over a broken part of the ledge, and formed a second fall, which seemed to seek the very abyss; then, wheeling out beneath from among the smooth dark rocks, which it had polished for ages, it wandered murmuring down the glen, forming the stream up which Waverley had just ascended.* The borders of this romantic reservoir corresponded in beauty; but it was beauty of a stern and commanding cast, as if in the act of expanding into grandeur. Mossy banks of turf were broken and interrupted by huge fragments of rock, and decorated with trees and shrubs, some of which had been planted under the direction of Flora, but so cautiously, that they added to the grace, without diminishing the romantic wildness of the scene.

Here, like one of those lovely forms which decorate the landscapes of Poussin, Waverley found Flora gazing on the waterfall. Two paces further back stood Cathleen, holding a small Scottish harp, the use of which had been taught to Flora by Rory Dall, one of the last harpers of the Western Highlands. The sun, now stooping in the west, gave a rich and varied tinge to all the objects which surrounded Waverley, and seemed to add more than human brilliancy to the full expressive darkness of Flora's eye, exalted the richness and purity of her complexion, and enhanced the dignity and grace of her beautiful form. Edward thought he had never, even in his wildest dreams, imagined a figure of such exquisite and interesting loveliness. The wild beauty of the retreat, bursting upon him as if by magic, augmented the mingled feeling of delight and awe with which he approached her, like a fair enchantress of Boiardo or Ariosto, by whose nod the scenery around seemed to have been created, an Eden in the wilderness.

Flora, like every beautiful woman, was conscious of her own power, and pleased with its effects, which she could easily discern from the respectful, yet confused address of the young soldier. But, as she possessed excellent sense, she gave the romance of the scene, and other accidental circumstances, full weight in appreciating the feelings with which Waverley seemed obviously to be impressed; and, unacquainted with the fanciful and susceptible peculiarities of his character, considered his homage as the passing tribute which a woman of even inferior charms might have expected in such a situation. She therefore quietly led the way to a spot at such a distance from the cascade, that its sound should rather accompany than interrupt that of her voice and instrument, and, sitting down upon a mossy fragment of rock, she took the harp from Cathleen.

I have given you the trouble of walking to this spot, Captain Waverley, both because I thought the scenery would interest you, and because a Highland song would suffer still more from my imperfect translation, were I to intro

* Note U. 'Waterfall.'

duce it without its own wild and appropriate accompaniments. To speak in the poetical language of my country, the seat of the Celtic muse is in the mist of the secret and solitary hill, and her voice in the murmur of the mountain stream. He who wooes her must love the barren rock more than the fertile valley, and the solitude of the desert better than the festivity of the hall.'

Few could have heard this lovely woman make this declaration, with a voice where harmony was exalted by pathos, without exclaiming that the muse whom she invoked could never find a more appropriate representative. But Waverley, though the thought rushed on his mind, found no courage to utter it. Indeed, the wild feeling of romantic delight with which he heard the first few notes she drew from her instrument, amounted almost to a sense of pain. He would not for worlds have quitted his place by her side; yet he almost longed for solitude, that he might decipher and examine at leisure the complication of emotions which now agitated his bosom.

Flora had exchanged the measured and monotonous recitative of the bard for a lofty and uncommon Highland air, which had been a battle-song in former ages. A few irregular strains introduced a prelude of a wild and peculiar tone, which harmonized well with the distant waterfall, and the soft sigh of the evening breeze in the rustling leaves of an aspen which overhung the seat of the fair harpress. The following verses convey but little idea of the feelings with which, so sung and accompanied, they were heard by Waverley :

Battle Song.

There is mist on the mountain, and night on the vale,
But more dark is the sleep of the sons of the Gael.
A stranger commanded-it sunk on the land;

It has frozen each heart, and benumbed every hand!

The dirk and the target lie sordid with dust;
The bloodless claymore is but reddened with rust;
On the hill or the glen if a gun should appear,
It is only to war with the heath-cock or deer.

The deeds of our sires if our bards should rehearse,
Let a blush or a blow be the meed of their verse!
Be mute every string, and be hushed every tone,
That shall bid us remember the fame that is flown!

But the dark hours of night and of slumber are past;
The morn on our mountains is dawning at last;
Glenaladale's peaks are illumed with the rays,
And the streams of Glenfinnan* leap bright in the blaze.

O high-minded Murray!t-the exiled-the dear!-
In the blush of the dawning the STANDARD uprear!
Wide, wide on the winds of the north let it fly,
Like the sun's latest flash when the tempest is nigh!

Ye sons of the strong, when that dawning shall break,
Need the harp of the aged remind you to wake?
That dawn never beamed on your forefathers' eye,
But it roused each high chieftain to vanquish or die.

* The young and daring adventurer, Charles Edward, landed at Glenaladale, in Moidart, and displayed his standard in the valley of Glenfinnan, mustering around it the Mac-Donalds, the Camerons, and other less numerous clans, whom he had prevailed on to join him. There is a monument erected on the spot, with a Latin inscription by the late Dr. Gregory.

†The Marquis of Tullibardine's elder brother, who, long exiled, returned to Scotland with Charles Edward in 1745.

[ocr errors][merged small][merged small]

Let the clan of grey Fingon, whose offspring has given
Such heroes to earth, and such martyrs to heaven,
Unite with the race of renowned Rorri More,
To launch the long galley, and stretch to the oar

How Mac-Shimei will joy when their chief shall display

The yew-crested bonnet o'er tresses of grey!
How the race of wronged Alpine and murdered Glencoe
Shall shout for revenge when they pour on the foe!

Ye sons of brown Dermid, who slew the wild boar,

Resume the pure faith of the great Callum-More!
Mac-Neil of the Islands, and Moy of the Lake,
For honour, for freedom, for vengeance awake!

Here a large greyhound, bounding up the glen, jumped upon Flora, and interrupted her music by his importunate caresses. At a distant whistle, he turned, and shot down the path again with the rapidity of an arrow. 'That is Fergus's faithful attendant, Captain Waverley, and that was his signal. He likes no poetry but what is humorous, and comes in good time to interrupt my long catalogue of the tribes, whom one of your saucy English poets calls

Our bootless host of high-born beggars, Mac-Leans, Mac-Kenzies, and Mac-Gregors.' Waverley expressed his regret at the interrup

tion.

"O you cannot guess how much you have lost! The bard, as in duty bound, has addressed three long stanzas to Vich Ian Vohr of the Banners, enumerating all his great properties, and not forgetting his being a cheerer of the harper and bard, a giver of bounteous gifts." Besides, you should have heard a practical admonition to the fair-haired son of the stranger, who lives in the land where the grass is always green-the rider on the shining pampered steed, whose hue is like the raven, and whose neigh is like the scream of the eagle for battle. This valiant horseman is affectionately conjured to remember that his ancestors were distinguished by their loyalty, as well as by their courage.-All this you have lost; but since your curiosity is not satisfied, I judge, from the distant sound of my brother's whistle, I may have time to sing the concluding stanzas before he comes to laugh at my translation.'

Awake on your hills, on your islands awake, Brave sons of the mountain, the frith and the lake! 'Tis the bugle-but not for the chase is the call; 'Tis the pibroch's shrill summons-but not to the hall. 'Tis the summons of heroes for conquest or death, When the banners are blazing on mountain and heath: They call to the dirk, the claymore, and the targe, To the march and the muster, the line and the charge.

Be the brand of each Chieftain like Fin's in his ire! May the blood through his veins flow like currents of fire!

Burst the base foreign yoke as your sires did of yore, Or die like your sires, and endure it no more!

CHAPTER XXIII.

WAVERLEY CONTINUES AT GLENNAQUOICH.

As Flora concluded her song, Fergus stood before them. 'I knew I should find you here, even without the assistance of my friend Bran. A simple and unsublimed taste now, like my own, would prefer a jet d'eau at Versailles to this cascade with all its accompaniments of rock and roar; but this is Flora's Parnassus, Captain Waverley, and that fountain her Helicon. It would be greatly for the benefit of my cellar if she could teach her coadjutor, Mac-Murrough, the value of its influence: he has just drunk a pint of usquebaugh to correct, he said, the coldness of the claret-Let me try its virtues.' He sipped a little water in the hollow of his hand, and immediately commenced, with a theatrical air,—

O Lady of the desert, hail!

That lov'st the harping of the Gael,
Through fair and fertile regions borne,
Where never yet grew grass or corn.

But English poetry will never succeed under the influence of a Highland Helicon.-Allons courage!

O vous, qui buvez, à tasse pleine,
A cette heureuse fontaine,
Où on ne voit, sur le rivage,
Que quelques vilains troupeaux,
Suivis de nymphes de village,

Qui les escortent sans sabots

A truce, dear Fergus! spare us those most tedious and insipid persons of all Arcadia. Do not, for heaven's sake, bring down Corridon and Lindor upon us.

'Nay, if you cannot relish la houlette et le chalumeau, have with you in heroic strains.' 'Dear Fergus, you have certainly partaken of the inspiration of Mac-Murrough's cup rather than of mine.'

'I disclaim it, ma belle demoiselle, although I protest it would be the more congenial of the two. Which of your crack-brained Italian romancers is it that says,

Io d'Elicona niente
Mi curo, in fe di Dio, che'l bere d'acque
(Bea chi ber ne vuol) sempre me spiacque ! *

But if you prefer the Gaelic, Captain Waverley, here is little Cathleen shall sing you Drimmindhu.-Come, Cathleen, astore (i.e., my dear), begin; no apologies to the Ceankinné.'

Cathleen sung with much liveliness a little Gaelic song, the burlesque elegy of a countryman on the loss of his cow, the comic tones of which, though he did not understand the language, made Waverley laugh more than once.+

[blocks in formation]

Cathleen laughed, blushed, and sheltered herself behind her companion.

In the progress of their return to the castle, the Chieftain warmly pressed Waverley to remain for a week or two, in order to see a grand hunting party, in which he and some other Highland gentlemen proposed to join. The charms of melody and beauty were too strongly impressed in Edward's breast to permit his declining an invitation so pleasing. It was agreed, therefore, that he should write a note to the Baron of Bradwardine, expressing his intention to stay a fortnight at Glennaquoich, and requesting him to forward by the bearer (a gilly of the Chieftain's) any letters which might have arrived for him.

This turned the discourse upon the Baron, whom Fergus highly extolled as a gentleman and soldier. His character was touched with yet more discrimination by Flora, who observed that he was the very model of the old Scottish cavalier, with all his excellences and peculiarities. It is a character, Captain Waverley, which is fast disappearing; for its best point was a self-respect, which was never lost sight of till now. But in the present time the gentlemen whose principles do not permit them to pay court to the existing government are neglected and degraded, and many conduct themselves accordingly; and, like some of the persons you have seen at Tully-Veolan, adopt habits and companions inconsistent with their birth and breeding. The ruthless proscription of party seems to degrade the victims whom it brands, however unjustly. But let us hope that a brighter day is approaching, when a Scottish country-gentleman may be a scholar without the pedantry of our friend the Baron; a sportsman without the low habits of Mr. Falconer; and a judicious improver of his property, without becoming a boorish two-legged steer like Killancureit.'

Thus did Flora prophesy a revolution, which time indeed has produced, but in a manner very different from what she had in her mind.

The amiable Rose was next mentioned, with the warmest encomium on her person, manners, and mind. That man,' said Flora, 'will find an inestimable treasure in the affections of Rose Bradwardine who shall be so fortunate as to become their object. Her very soul is in home, and in the discharge of all those quiet virtues of which home is the centre. Her husband will be to her what her father now is the object of all her care, solicitude, and affection. She will see nothing, and connect herself with nothing, but by him and through him. If he is a man of sense and virtue, she will sympathise in his sorrows, divert his fatigue, and share his pleasures. If she becomes the property of a churlish or negligent husband, she will suit his taste also, for she will not long survive his unkindness. And, alas, how great is the chance that some such unworthy lot may be that of my poor friend!-0 that I were a queen this moment, and could command the most amiable and worthy youth of my kingdom to accept happiness with the hand of Rose Bradwardine !'

'I wish you would command her to accept mine en attendant,' said Fergus, laughing.

« AnteriorContinuar »