Principles of Art History Writing

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Penn State Press, 1991 - 249 páginas
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Índice

Preservation as Interpretation
13
Piero della Francesca Modern Interpretation of Renaissance Artworks
27
Caravaggio The Construction of an Artistic Personality
49
Allegory in Flemish Art Comparative Interpretations of Jan van Eyck and Robert Campin
81
The History of Art History
99
Ekphrasis and Interpretation The Creation of Modern Art History
101
Winckelmann and Pater Two Styles of ArtHistorical Writing
121
Davids Oath of the Horatii The Search for Sources of an EighteenthCentury Masterpiece
139
Toward a Revisionist Art History
157
Where Is the Painting? The Place of the Spectator in Art History Writing
159
When Is the Painting? The Temporal Place of the Spectator in Art History Writing
179
Manet Modernist Art Postmodernist Artwriting
201
Matisse The End of Classical Art History and the Fictions of Early Modernism
219
Conclusion
237
Index
245
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