746. ARNE (Thomas Augustine), Mus. Doc. The masque of Alfred. [The overture and songs only, wanting Rule Britannia.] In full score. folio. London.

.....

Britannia, a masque [the overture and songs only]. In
vocal score.
folio. London.
The Music in the Judgment of Paris, consisting of all the
songs, duettos and trio, with the overture, in score
added the celebrated ode in honour of
Rule Britannia, and Sawney and Jenny,
Opera Sesta. In
folio.

To which . . . are
Great Britain, call'd
a favourite dialogue in the Scotch style.
full score.

Bound in one volume.

747. ARNE (Thomas Augustine), Mus. Doc.

Elfrida (see No. 813).

The Fairy Prince (see No. 814).
The Guardian Outwitted (see No.
815).

748. ARNOLD (Samuel), Mus. Doc.

Auld Robin Gray (see No. 812).
Bannian Day (see No. 812).
Cambro Britons (see No. 815).
Castle of Andalusia (see No. 812).
Enchanted Wood (see No. 813).
Gretna Green (see Nos. 812 and
813).

Inkle and Yarico (see No. 812).
Italian Monk (see No. 815).

London.

English Operas, viz. :—
The Ladies' Frolick (see No. 812).
May Day (see No. 812).
Tom Thumb (see No. 737).

English Operas, viz. :—

Peeping Tom of Coventry (see No.
812).

Mountaineers (see No. 812).
Shipwreck (see No. 812).
Siege of Curzola (see No. 812).
Summer Amusement (see No. 812).
Surrender of Calais (see No. 812).
Two to one (see No. 813).

749. ATTWOOD (Thomas). A collection of Musical Pieces composed

751. ATTWOOD (Thomas) and MOOREHEAD (John). Musical Pieces,

composed by, viz. :

Il Bondocani (see No. 815).

The Dominion of Fancy (see No. 815).

752. AUBER (Daniel Francois Esprit). Die Stumme von Portici (La Muette di Portici) oper. [Known in England as Masaniello.] In vocal score. French and German text.

753. AUBER (D. F. E.) Fra Diavolo, a comic opera.

English text.

In vocal score.

folio. London [1831].

Presented to the Society by Mr. A. Durlacher.

754. BACH (John Christian). La Clemenza di Scipione, opera. In full score. folio. London. 755. BALFE (Michael William). The Rose of Castille, an opera by A. Harris and E. Falconer. In vocal score. Autograph of folio. London [1858].

the composer on title.

Presented to the Society by Mr. A. Durlacher.

756. BALLAD OPERAS (A collection of). basses, are prefixed to each song.

VOL. I.

The tunes only, without Bound in two volumes. octavo. London, v. y.

The Beggar's Opera, written by John Gay, 1771.
The overture by Dr. Pepusch, in score, is prefixed.
Damon and Phillida [by Colley Cibber], 1765.
The Mock Doctor [by Henry Fielding], 1771.
The Lottery [by Henry Fielding], 1761.

The Intriguing Chambermaid, by Henry Fielding, 1761.
The Village Opera, written by Charles Johnson, 1729.
Sylvia, or the Country Burial [by George Lillo], 1731.

The Wedding, written by Essex Hawker. Curious frontispiece, 1734-
The overture, by Dr. Pepusch, in score, prefixed.

VOL. II.

The Fashionable Lady, or Harlequin's Opera, written by J. Ralph, 1730.
The Devil to pay, written by Charles Coffey, 1728.

The Merry Cobler, by the same, 1735.

The Highland Fair, written by Joseph Mitchell, 1731.

The Boarding School, by Charles Coffey, 1733.

The Chambermaid, by Edward Phillips, 1730.

The Quaker's Opera, by Thomas Walker, 1728.
Galligantus. [No Musical Notes.] 1758.

757. BALLAD OPERAS.

Walker, 1728.

The Quaker's Opera. Written by Thomas

The Fashionable Lady, or Harlequin's Opera. Written by J. Ralph, 1730.

The Chambermaid. Written by Edward Phillips, 1730. The Devil to Pay. Written by Charles Coffey, 1732. octavo. London, v. y.

Bound in one volume.

758. BALLAD OPERAS. The Beggar's Opera. Written by John Gay,

1728.

(The tunes engraved on copper are placed at the end of the piece.) The Village Opera. Written by Charles Johnson, 1729. Achilles. Written by John Gay, 1733.

The Devil to Pay. Written by Charles Coffey, 1732.

Bound in one volume.

octavo. London, v.

y.

759. BALLAD OPERAS. Love in a Riddle.

Cibber, 1729.

Written by Colley

The Fashionable Lady, or Harlequin's Opera. Written by J. Ralph, 1730. octavo. London, v. y.

Presented to the Society by Mr. A. Durlacher.

760. BALLAD OPERA. Momus turn'd Fabulist, or Vulcan's Wedding. octavo. London, 1729.

761. BALLAD OPERAS. The Lover's Opera. By William Rufus Chetwood, 1730.

The Generous Freemason [by the same]. 1731.
The Stock Jobbers [a comedy by the same]. 1720.
South Sea [a farce by the same]. 1720.

Bound in one volume.

octavo. London, v. y.

762. BALLAD OPERA. The Highland Fair, or the Union of the Clans; written by Mr. Mitchell. [The music wholly consists of Scotch songs.] Frontispiece by Hogarth. London, 1731. Sylvia, or the Country Burial [by George octavo, London, 1731.

763. BALLAD OPERA.

Lillo.]

764. BALLAD OPERA. The Devil of a Duke, or Trapolin's Vagaries [by R. Drury]. The tunes, engraved, are placed at the end of the piece. octavo. London, 1732.

765. BALLAD OPERA. The Coffee-house. Written by the Rev. James Miller. Frontispiece representing Dick's Coffee-house, Temple Bar. octavo. London, 1737.

766. BALLAD OPERA. " Song in the Opera of Flora, with the Humorous Scenes of Hob, designed by ye celebrated Mr. Gravelot

and engrav'd by G. Bickham, Jun. The Musick proper for ye Violin, German and Common Flute, Harpsichord, or Spinet, with a New Base, & thoro' Base to each Song." (Printed on single leaves, with an engraving on each.)

Two copies, one presented to the Society by Mr. R. W. Haynes.

folio.

Written by
London.

767. BARNETT (John). The Mountain Sylph, an opera. T. J. Thackeray. In vocal score.

See No. 812.

768. BARTHELEMON (F. H.) The Election.
769. BATES (William). English Operas, viz. :-

The Jovial Crew (see No. 815).
The Ladies' Frolick (see No. 812).
Pharnaces (see No. 812).

The Theatrical Candidates (see No. 812).

770. BEETHOVEN (Ludwig Van). Overture and music to the drama of King Stephen of Hungary. In vocal score. English text. folio. London.

Music to the drama of The Ruins of Athens. In vocal score. English text. In one volume. folio. London.

score.

771. BEETHOVEN (Ludwig Van). The Overture, entr'actes, and other music composed for Goethe's tragedy of Egmont. In full octavo Leipsic. 772. BEETHOVEN (Ludwig Van). Fidelio, an opera. The English version by Thomas Oliphant. In vocal score, with an accompaniment for the pianoforte by Charles Lucas.

773. BEETHOVEN (Ludwig Van). Fidelio, an opera.

German and English text.

774. BELLINI (Vincenzo). Norma, an opera.

folio.

London.

In vocal score.

quarto. London.

In vocal score.

oblong folio. Milan.

775. BENEDICT (Sir Julius). The Lily of Killarney, a romantic opera, by Dion Boucicault and John Oxenford. In vocal score. folio. London [1862].

776. BERTON (Henri). Overture, Airs, et Duos de Roger de Sicile, ou Le Roi Troubadour. In vocal score.

French and German text.

Paris.

777. BERTON (Henri). Le Grand Deuil; opera. In vocal score. oblong folio. Leipsic. 778. BISHOP (Sir Henry Rowley). A collection of Operas and other Musical Pieces, Songs, Duets, &c., composed and adapted by. In vocal score. Bound in twenty volumes.

Notes, in the composer's autograph, of the dates of publication, &c., are

on several of the title-pages.

779. BISHOP (Sir Henry Rowley). The Miller and his Men; a melo

drama by Isaac Pocock, composed by.

In vocal score. folio. London [1813].

Presented to the Society by Mr. E. Spencer.

780. BISHOP (Sir Henry Rowley). Native Land; or, Return from Slavery; an opera, composed by, with selections from Zingarelli, Boieldieu, and Rossini. In vocal score.

folio. London [1824].