601. LINDPAINTNER (Peter von). The Widow of Nain [Der Jungling von Nain, gedicht von Carl Gruneisen], oratorio. The English version by Desmond Ryan. In vocal score. folio. London, 1853. 602. LINWOOD (Mary). David's First Victory, an oratorio, written and composed by. In vocal score. folio. London [1840]. 603. LOEWE (Dr. Carl.) Die Zerstörung von Jerusalem, oratorium, von C. Nicolai. In vocal score. Op. 30. oblong folio. Leipsic. Presented to the Society by the Rev. F. J. Stainforth. 604. LOEWE (Dr. Carl.) Die Sieben Schlaefer, oratorium, gedichtet von Professor Ludwig Giesebrecht. Op. 46. In vocal score. folio. Mainz. Presented to the Society by Mr. J. A. Novello. 605. LOEWE (Dr. Carl). Die Festzeiten, Geistliches oratorium. Op. 66. In vocal score. folio. Mainz. Presented to the Society by the Rev. F. J. Stainforth. 606. MARX (Adolph Bernard). Schrift. In full score. Mose, oratorium, aus der Heiligen 607. MARX (A. B.) The same. Duval. In full score. M. Alexandre folio. Paris. 609. MEHUL (Etienne). The same. In vocal score. Portrait of the Composer. oblong folio. Brunswick. 610. MEHUL (Etienne). Joseph, ou Jacob et ses fils en Egipte. In vocal score. French and German words. Presented to the Society by the Rev. F. J. Stainforth. 611. MEHUL (Etienne). The Overture, and eight vocal pieces, from Joseph and his Brethren. In vocal score, with English text. folio. London. 612. MENDELSSOHN BARTHOLDY (Felix). Paulus, oratorium, nach worten der Heiligen Schrift. In full score. German and English text. Portrait of the Composer. folio. Bonn. On the fly-leaves are memoranda in the autographs of the composer and H. R. H. Prince Albert, the former referring to the Society's performances of this work in 1844, and the latter to that in 1845. 613. MENDELSSOHN BARTHOLDY (Felix). St. Paul, an oratorio; the words selected from the Holy Scriptures (the English version adapted by William Ball). În vocal score, with pianoforte accompaniment arranged by the composer. folio. London. 614. MENDELSSOHN BARTHOLDY (Felix). Athalia, von Racine (Musik für). In full score. French and German text. folio. Leipsic. 615. MENDELSSOHN BARTHOLDY (Felix). The Music to Racine's Athalie, with an English adaptation of the Lyrics by W. folio. London. 616. MENDELSSOHN BARTHOLDY (Felix). Elias [Elijah], ein oratorium, nach worten des Alten Testaments. In full score. German and English text. folio. Bonn. The title-page of the vocal score published in London, a copy of the English text, and a copy of the separate organ part written by the composer, are inserted. On the former is a memorandum in the composer's autograph, referring to the production of the oratorio in London, by the Sacred Harmonic Society under his direction, in April, 1847. 617. MENDELSSOHN BARTHOLDY (Felix). Elijah, an oratorio; the words selected from the Old Testament, the English version by William Bartholomew. In vocal score. Portrait of the composer. 618. MENDELSSOHN BARTHOLDY (Felix). folio. London. Recitative und Chöre aus dem unvollendeten oratorium, Christus. In full score. 619. MENDELSSOHN BARTHOLDY (Felix). folio. Leipsic. Recitatives, Trio, and Chorusses, composed for an oratorio entitled "Christus." In vocal score, with English text, by W. Bartholomew. folio. London. Presented to the Society by the publishers, Messrs. Ewer and Co. 620. MOLIQUE (Bernhard). Abraham; an oratorio. In full score, English and German text. 621. MOLIQUE (Bernhard). The same. folio. London [1860]. In vocal score. 622. NEUKOMM (The Chevalier Sigismond). the Ten Commandments, an oratorio, Scriptures, translated from the German score. folio. London, 1860. The Mount Sinai; or, taken from the Holy into English. In vocal folio. London, 623. NEUKOMM (The Chevalier Sigismond). David, an oratorio, by the Rev. John Webb, A.M. In vocal score. Presented to the Society by Mr. Bowley. folio. London, 624. NEUKOMM (The Chevalier Sigismond). The same. In vocal A new edition. folio. London [1853]. score. In this edition, the first chorus, originally composed for four choirs, is adapted by the composer for two choirs. 625. NEUKOMM (The Chevalier Sigismond). The same. A set of separate chorus parts. folio. London [1853]. Presented (with the preceding) to the Society by Mr. J. A. Novello, 626. OUSELEY (Rev. Sir Frederick Arthur Gore) Bart. Mus. Doc. The Martyrdom of S. Polycarp; a sacred oratorio, in one act, written by the Rev. E. Stokes and the Rev. E. W. Kitchin. In full score. folio. London [1855]. Composed as the exercise on taking the degree of Doctor of Music, and performed at Oxford on that occasion. 627. OVERWEG (Carl). Die Todtenfeier; oratorium, text und musik von. Opus XVIII. In vocal score. folio. Naumburg, 1854. 628. PERRY (George). The Death of Abel, an oratorio; the words from the Holy Scriptures and Gesner's Poem. In vocal folio. London. 629. PERRY (George). The Fall of Jerusalem, an oratorio; the words chiefly selected from Professor Milman's Poem. In vocal score. A portrait of the composer is inserted. score. folio. London, 1834. 630. PIERSON (Henry Hugh). Jerusalem, an oratorio, selected from the Holy Scriptures by W. Sancroft Holmes. In vocal score. folio. London, 1852. 631. REINTHALER (Carl). Jephtha und seine Tochter; oratorium nach dem Alten Testament. In full score. German and English text. folio. Leipsic. 632. REINTHALER (Carl). Jephtha and his daughter, an oratorio, the words adapted from the Bible. In vocal score. 633. REITER (Ernest). Das Neue Paradies; der Heiligen Schrift. In vocal score. text. folio. London. oratorium nach worten German and English folio. Basel. Presented to the Society by the composer. 634. RIES (Ferdinand). Die Könige in Israel, oratorium, gedichtet von Dr. W. Smets. In full score. folio. Bonn. 635. RIES (Ferdinand). The same. In vocal score. folio. Bonn. 636. RIES (Ferdinand). Der Sieg des Glaubens [The Triumph of Faith], oratorium von J. B. Rousseau. In vocal score. oblong folio. Bonn. 637. RIGHINI (Vincenzo). Gerusalemme Liberata, dramma. In vocal score. Italian and German text. oblong folio. Leipsic. Two copies, one presented to the Society by the Rev. F. J. Stainforth. 638. RIPPON (J.) The Crucifixion, a sacred oratorio. In vocal score. folio. London (?). 639. ROLLE (Johann Heinrich). Sacred Musical Dramas by. In vocal score. Bound in two vols., oblong folio, containing : Thirza und ihre Sohne. VOL. I. Mehala, die Tochter Jephta. Abraham auf Moria. VOL. II. Leipsic, 1781. Leipsic, 1784. Leipsic, 1785. David und Jonathan, eine Musikalisches Elegie. (quarto.) Der Tod Abels. Leipsic, 1773. Melida, ein Singspiel in drey Aufzugen von Sucro. Leipsic, 1785. Gedor, oder, das Erwachen zum bessern Leben. Leipsic, 1787. 640. ROLLE (Johann Heinrich). Abraham auf Moria, ein musikalisches drama. In vocal score. oblong folio. Leipsic, 1785. Presented to the Society by the Rev. F. J. Stainforth. 641. ROSSINI (Gioachino). vocal score. Mosè in Egitto, oratorio, in tre atti. In folio. Paris. Presented to the Society by the Rev. F. J. Stainforth. 642. RUSSELL (William), Mus. Bac. Job, a sacred oratorio. In vocal score, with accompaniment arranged by Samuel Wesley. Presented to the Society by Mr. J. R. Burchett. folio. London. 643. SCHNEIDER (Friedrich). Absalon, oratorium, von Adolf BruggeIn full score. folio. Dessau. mann. Presented to the Society by the Rev. F. J. Stainforth. 644. SCHNEIDER (Friedrich). Das Weltgericht, oratorium, von August Apel. In vocal score. folio. Leipsic. 645. SCHNEIDER (Friedrich). Die Sundfluth [The Deluge], oratorium, von E. von Groote. In vocal score. oblong folio. Bonn. 646. SCHNEIDER (Friedrich). The Deluge, an oratorio. Translated by Edward Taylor. A set of the separate choral parts. Presented to the Society by Professor Taylor. folio. London. 647. SCHUBACK (Jacob). Die Junger zu Emaus [The Disciples at Emaus], Erster theil. Zweyter theil. Two copies, one presented to the Society by the Rev. F. J. Stainforth. 648. SCHULZ (J. A. P.) Chöre und Gesange zur Athalie von Ra cine. In vocal score. French and German text. oblong folio. Kiel, 1786. 649. SMITH (John Christopher). Rebecca, an oratorio (the overture and songs only). In full score. (Autograph of Dr. Kitchener on title-page ;) and Paradise Lost, an oratorio (the overture and songs only). In full score. In one vol. folio. London. 650. SOWINSKI (Albert). St. Adalbert, Martyr, an oratorio. In vocal score. French text. Presented to the Society by Mr. J. A. Novello. octavo. Paris. 651. SPOHR (Louis). The Last Judgment, an oratorio, translated from the German by Edward Taylor. In vocal score, with accompaniment for the pianoforte by Ferdinand Spohr. folio. London. For the full score, see MS. music No. 1,831, 652. SPOHR (Louis). The same; newly arranged by Vincent Novello. In vocal score. oblong quarto. London. The text is different from the version by Professor Taylor usually performed. 653. SPOHR (Louis). The Crucifixion, an oratorio; the English version by Edward Taylor. In vocal score. folio. London [1836]. 654. SPOHR (Louis). Calvary, an oratorio; the English version by Edward Taylor. In vocal score. folio. London, 1852. This is the same as the preceding, the title only being altered. The composer's autograph is on the title-page. For the full score of this oratorio, see MS. music, No. 1,832. 655. SPOHR (Louis). Der Fall Babylons, oratorium in zwei abtheilungen, nach dem Englischen des Prof. Taylor von Fr. Oetker. In full score. folio. Leipsic. 656. SPOHR (Louis). The Fall of Babylon, an oratorio; the English version by Edward Taylor. In vocal score. On the title-page is a memorandum, in the autograph of the composer, in reference to the performances of this oratorio by the Sacred Harmonic Society under his direction, on the 21st July, 1843, and 9th and 16th July, 1847. 657. STADLER (Maximilian). Die Befreyung von Jerusalem, oratorium, gedichtet von Heinrich und Matthæus von Collin, in musik gesetzt von. In full score. folio. Vienna. 658. STANLEY (John), Mus. Bac. Zimri, an oratorio (the overture and songs only). In full score. folio. London. 659. SULLIVAN (Arthur Seymour). The Prodigal Son, an oratorio ; the words selected entirely from the Holy Scriptures. In folio. London [1869]. vocal score. |