535. BARTHOLOMEW (Ann S. Mounsey). The Nativity; a pastoral oratorio, the words written and compiled by W. Bartholomew. In vocal score. folio. London [1855]. 536. BEETHOVEN (Ludwig van.) Christus am Oelberge, oratorium. In full score. folio. Leipsic. Der Tod Jesu, Kantate, in Musik gesetzt von C. H. Graun. In full score. In one vol. folio. Leipsic. 537. BEETHOVEN (L. V.) Christ at the Mount of Olives, an oratorio. Newly adapted to English words. In vocal score, with an accompaniment for the organ or pianoforte by Joseph Warren. folio. London. 538. BEETHOVEN (L. V.) The Mount of Olives, an oratorio. With English text by W. Bartholomew. In vocal score, with an arranged accompaniment by Sir H. R. Bishop. folio. London. Presented to the Society by Mr. Bartholomew. 539. BEETHOVEN (L. V.) The Mount of Olives, an oratorio. The English version by Thomas Oliphant. In vocal score, with an accompaniment for the pianoforte by I. Moscheles. folio. London. 540. BEETHOVEN (L. V.) The Mount of Olives, an oratorio. A set of separate chorus parts (the text of Sir George Smart's edition). folio. London. 541. BEETHOVEN (L. V.) The same. A set of separate chorus parts. New edition. folio. London. Presented to the Society by Messrs. Addison and Beale. 542. BENEDICT (Sir Julius). St. Peter, an oratorio. The words selected from the Holy Scriptures. In vocal score. octavo. London [1870]. Two copies, one presented to the Society by Mr. William Henry Husk, the other by Mr. A. Durlacher. 543. BEXFIELD (W. R.) Mus. Doc. 544. BOYCE (William), Mus. Doc. Solomon, a serenata. taken from the Canticles. Presented to the Society by Mr. 545. CHIPP (Edmund Thomas), Mus. Doc. words selected from the Old Testament. In vocal score. octavo. London. 546. CLARKE WHITFELD (John), Mus. Doc. The Crucifixion and Israel Restored, an oratorio, selected from the Holy Scriptures. In vocal score. folio. London, 1852. In score, folio. London, 1743. Peters. Job, an oratorio. The the Resurrection, an oratorio. In vocal score. folio. London. 547. COSTA (Sir Michael). Eli, an oratorio. The words selected and written by William Bartholomew. In full score. folio. London [1857]. 548. COSTA (Sir Michael). The same. In vocal score. folio. oratorio. London [1856]. 549. COSTA (Sir Michael). Naaman, an Written by William Bartholomew. In full score. folio. London [1865]. 550. COSTA (Sir Michael). The same. In vocal score. 551. CROTCH (William), Mus. Doc. Palestine, an words selected from Rev. Reginald Heber. London [1865]. oratorio. The In vocal score. folio. London. Second edition. folio. London, 1839. 552. CROTCH (William), Mus. Doc. The same. Presented to the Society by Messrs. Addison and Beale. 553. CROTCH (William), Mus. Doc. The same. A set of separate chorus parts. Presented to the Society by Mr. Daniel Hill. octavo. London. 554. CUDMORE (Richard). The Martyr of Antioch, an oratorio. The words selected from the poem by the Rev. H. H. Milman. In vocal score. 555. CUSINS (W. G.) Gideon, an oratorio. folio. London. The words selected from the Bible by the Rev. F. H. Cusins, M.A. In vocal score. octavo. London [1871]. Two copies, one presented to the Society by Mr. A. Durlacher, the other by Messrs. Lamborn Cock and Co. 556. ELLERTON (John Lodge). Paradise Lost, words selected from the works of Milton. folio. In vocal score. Presented to the Society by the composer. 557. ELVEY (Sir George J.) Mus. Doc. The Resurrection and Ascension, a sacred oratorio. In vocal score. folio. London. Presented to the Society by the composer. 558. FAWCETT (John), Sen. Paradise, an oratorio. The words selected and composed by the Rev. Joseph Fletcher. In folio. London [1853]. vocal score. Presented to the Society by Mr. Joseph Hart. 559. GARDINER (William). Judah, a sacred oratorio, in score. Written, composed, and adapted to the works of Haydn, Mozart, and Beethoven, by. folio. London. 560. GILBERT (W. B.) St. John, an oratorio. 561. GLOVER (William). Jerusalem, an oratorio. In vocal score. folio. London. 562. GLOVER (William). Emmanuel, an oratorio. In vocal score. folio. London. Ruth, a sacred pastoral. The words selected from the Bible. Op. 20. In vocal score. 563. GOLDSCHMIDT (Otto). London [1867]. 564. GRAUN (Carl Heinrich). Der Tod Jesu, kantate. In full score. folio. Leipsic. Presented to the Society by the Rev. F. J. Stainforth. 565. GRAUN (C. H.) The same. In vocal score. oblong folio. Leipsic. Presented to the Society by Mr. H. Giffin. 566. GREATHEED (Rev. Samuel Stephenson), M.A. Enoch's Prophecy, an oratorio; the words from James Montgomery's poem, "The World before the Flood." In vocal score. folio. London [1854]. Presented to the Society by the composer. 567. HART (Charles). Omnipotence, an oratorio. Omnipotence, an oratorio. In vocal score. folio. London. 568. HÄSER (A. F.) The Triumph of Faith; or, the First Crusade, A. D. 1097; an oratorio. The words translated from the German of Gustavus Moltke by William Ball. In vocal score. folio. London. 569. HAYDN (Joseph). Die Worte des Erlæsers am Kreuze. In full score. German and Italian text. oblong folio. Leipsic. Presented to the Society by Mr. Vincent Novello. 570. HAYDN (Joseph). The same. In vocal score. Italian text. German and oblong folio. Passione, or Seven Last Words. Leipsic. In vocal 571. HAYDN (Joseph). score; with organ accompaniment by Vincent Novello. Italian text. folio. London. 572. HAYDN (Joseph). The same. A set of separate chorus parts, with English words, adapted by Henry Hudson, M.D. octavo. London. 573. HAYDN (Joseph). Die Schoepfung [The Creation], an oratorio. In full score. German and English text. 574. HAYDN (Joseph). The Creation, an oratorio. English text. Vienna, 1800. In full score. London, 1859. 575. HAYDN (Joseph). The Creation, an oratorio [in vocal score], compressed from the score by Muzio Clementi, and adapted to an improved translation by Samuel Webbe, Jun. folio. London. Presented to the Society by the Rev. F. J. Stainforth. 576. HAYDN (Joseph). The same. In vocal score, with arranged accompaniment by John Bishop. octavo. London, 1853. Presented to the Society by Mr. R. Cocks. 577. HAYDN (Joseph). Die Jahreszeiten [The Seasons], nach Thomson. In full score. German and French text. Two folio. Leipsic. vols. Presented to the Society by Mr. Vincent Novello. 578. HAYDN (Joseph). The Seasons, the words chiefly adapted from the Seasons of Thomson, by Edward Taylor, Gresham Professor of Music. In vocal score, with accompaniment for Pianoforte by W. H. Kearns. 579. HAYDN (Joseph). The Seasons. Four parts. folio. London. In vocal score. octavo. London [1857]. Presented to the Society by Mr. J. A. Novello. 580. HEINZE (G. A.) Die Auferstehung, oratorium, dichtung von Henriette Heinze. Op. 42. In vocal score. folio. Amsterdam [1863]. Presented to the Society by the composer. 581. HILES (Henry). The Patriarchs, an oratorio; the words selected chiefly from the Old Testament and the music composed by. In vocal score. folio. London [1866]. 582. HILLER (Ferdinand), Mus. Doc. Die Zerstörung Jerusalem, oratorium, nach der Heiligen Schrift, von Dr. Steinheim. In folio. Leipsic. 583. HILLER (Ferdinand), Mus. Doc. The same. In vocal score. full score. folio. Leipsic. 584. HILLER (Ferdinand), Mus. Doc. Saul, oratorium, gedichtet von Moritz Hartmann. In full score. folio. Leipsic [1859]. In vocal score. folio. 585. HILLER (Ferdinand), Mus. Doc. The same. Leipsic [1859]. 586. HORN (Charles Edward). Daniel's Prediction; or, the Vision of Belshazzar; an oratorio, compiled and partly written by Charles H. Purday. In vocal score. 587. HORSLEY (Charles Edward). David, a sacred oratorio; the words selected from the Holy Scriptures. folio. London. folio. London. 588. HORSLEY (Charles Edward). Joseph, a sacred oratorio; the words selected from the Holy Scriptures. In vocal score. Presented to the Society by Mr. John Black. folio. London. 589. HORSLEY (Charles Edward). Gideon, a sacred lyrical oratorio; the words by the Rev. Archer Gurney. In vocal score. quarto. London, 1860. 590. JACKSON (William), of Masham. Isaiah, an oratorio; the words chiefly selected from the Scriptures. In vocal score. folio. London. 591. JOMELLI (Nicolo). La Passione di Nostro Signore Giesu Cristo, an oratorio by Metastasio. In full score. folio. London. Two copies, one presented to the Society by the Rev. F. J. Stainforth. 592. KING (M. P.) The Intercession, an oratorio; the words selected from Milton's "Paradise Lost." In full score. folio. London, 1817. Presented to the Society by Messrs. Coventry and Hollier. 593. KING (M. P.) The same. Another copy, wanting the title, and with the first four and last three pages supplied in MS. Presented to the Society by Mr. J. J. Hayman. 594. KLEIN (Bernard). Jeptha, oratorium. In vocal score. oblong folio. Berlin. 595. KLEIN (Bernard). David, oratorium, von C. G. Körner. In oblong folio. Leipsic. Presented to the Society by the Rev. F. J. Stainforth. vocal score. 596. LAKE (George). Daniel, an oratorio. In vocal score. folio. London, 1852. 597. LESLIE (Henry). Immanuel, an oratorio; the words selected from the Holy Scriptures. In vocal score. folio. London [1854]. 598. LESLIE (Henry). Judith, a Biblical cantata, the words selected from the Holy Scriptures by Henry F. Chorley. In vocal folio. London [1858]. score. 599. LE SUEUR (Jean François). Oratorio de Debbora. Latin text. folio. Paris. In full score. Presented to the Society by the Rev. F. J. Stainforth. 600. LE SUEUR (J. F.) Deux Oratorios de la Passion. Latin text. In full score. folio. Paris. Deuxième Messe Solennelle [including an offertory and another motett]. In full score; in one vol. folio. Paris. Presented to the Society by the Rev. F. J. Stainforth. K |