1938. MADRIGALS and Motetts, in separate parts. 10 books. quarto.

1939. MADRIGALS, Glees, and other compositions, in score.

Twelve Canzonets for 2 voices (from the set printed in
separate parts in 1595, see No. 1081)
Seven Canzonets for 3 voices (from the set printed in
separate parts in 1593 and 1606, see Nos. 1081
and 1096

Nine Madrigals for 4 voices (from the first set, printed
in separate parts in 1594, see No. 1081)

"Now country sports," Madrigal, 4 voc.

66 Thyrsis, sleepest thou,"

do.

"O sacrum convivium," Motett, 3 voc.

"Tell my Strephon," Glee, 4 voc.

"Far from hallow'd grot," (Isis) Elegy, 4 voc.

Morley.

do.

quarto.

do.

Weelkes.

Bennet.

L. di Vittoria.

"Make room for the great God of Wine," (Dioclesian)
"The Gods of Wit and Wine," Glee, 4 voc.
"Where'er you tread," Glee, 3 voc.

"The Music in Rowe's tragedy," "The Fair Penitent"

(See also No. 1862.)

"Glorious Apollo," Glee, 3 voices. (A printed copy,
with the autographs of Drs. Arnold and Callcott,
as President and Secretary of the Glee Club
The Black Sanctus, or Monk's Hymn to Saunte Satan
In the autograph of Dr. Howard, with autograph memorandum
by Dr. Bever.

"It blew a hard storm," Catch, 3 voc.
"Qui diligit Filium [Mariam]," Motett, 5 voc.
"Duo et Chœur du Prologue du Titon et l'Aurore
Scene de Dardanus.

Chœur de Castor et Pollux

"Benedictus Dominus Deus," Motett, 2 voc.

Purcell.

Webbe.

S. Long.
Eccles.

Webbe.

7. Harrington.

Steffani. Mondonville.

Rameau.

do. Stradella.

1940. MADRIGALS, Glees, Part Songs, Masses, Motetts, Anthems,

Hymns, &c. In separate parts. 4 vols.

Printed copies of Dr. Cooke's chorus for 4 voices, "Amen," in score, are inserted in the Cantus and Medius Secundus parts.

Presented to the Society by Mr. A. Durlacher.

Transfige dulcissime Jesu (2 voices).
O sacrum convivium (3 do.)

Respice in me (do.)

Exaudi Domine vocem meam (do.)
Miserere mei (do.)

quarto.

Peccavi super numerum (do.)
Laboravi in gemitu meo (3 voices).
Caro mea vere est cibus (2 do.)
Ad Dominum contribularer (do.)
Ego sum panis vivus (do.)
Transeunte Domino (do.)
Benedictus Deus (do.)

By Palestrina.

Elegerunt Apostoli Stephanum.

Justus ut Palma.

Anima nostra.

Posuisti, Domine.

Deus enim firmavit.

Inveni David.

(Duplicates of these six Motetts are contained in MS., No. 1942.)

Sicut erat (3 voices).

Manus Tuæ, Domine (5 do.)

Presented to the Society by John Lucius Dampier, Esq.

1942. MOTETTS, Madrigals, and other compositions. In score.

Deus enim firmavit.

Inveni David.

Reges Tarsis et Insulæ.

The whole of the foregoing are scored
from the "Offertoria totius Anni." Dupli-
cates of the first seven are contained in
MS. No. 1765, and of the next five, and
also of the sixth, in MS. No. 1941.

Se gia l'amai crudele (Madrigal, 4
voices).

Mentre lungite (Canzona, 4 voices),
Bononcini.

How long wilt Thou forget me,
Lord? (Air) Handel.

Pastorella che trà le Selve (Air).
You who at Hymen's sacred altar
(a Wedding Ode, or Cantata),
Dr. Croft.

"O give thanks," Anthem for 4
voices, with instrumental accom-
paniments, “Made by Dr. Croft,
Novembr ye 5th, 1719.
(Printed in Croft's Anthems.)

Presented to the Society by John Lucius Dampier, Esq.

1943. MOTETTS, Madrigals, and Chansons, for two, three, four, and

five voices. In score.

"Tu mi piagasti," Madrigal, 5 voices
"Ne timeas, Maria," Motett, 5 voces, for the
Annunciation

“Christus resurgens,” Motett, 5 voices, for Easter
"Riva fontane," Madrigal, 5 voices .
"Misit me vivens Pater," Motett, 5 voices, for
Corpus Christi

"O vos omnes," Motett, 5 voices, for Passion
Week

"Donna la bella mano," Madrigal, 5 voices
"Cantate Domino," Motett, 5 voices

"Laudent Nomen" (Second Part)

do.

1944. MOTETTS and other compositions, in the autograph of Dr. Arne.

In score.

'Graces to "La Dove"

Twelve Motetts (nine from the "Offertoria totius
Anni," see No. 352, and three from the "Motet-
torum quinque vocibus, Liber Quintus," see No. 406)
Canzonet, 3 voices, "Cease mine eyes"

Minuet

Examples of Harmony.

The Battle Scene in the Duke of Buckingham's comedy
of "The Rehearsal "

small quarto.

Arne.

Palestrina.
Morley.
Geminiani.

Arne.

1945. MOTETTS, &c., by various composers, in the handwriting of

Charles Wesley. In score.

oblong folio.

"The Actes of the Apostles, translated into English Metre and set to music by Dr. Christopher Tye." Scored from the original part books printed at London in 1553.

The Psalm, "Laudate pueri," composed for a soprano solo with chorus and instrumental accompaniments by Giovanni Buononcini. (See also No. 1671).

The 100 Psalm Tune, in four parts. From a German copy ascribed to Luther.

The same, as usually performed in England.

Psalm tune by Martin Luther. (A variation of that usually called Luther's Hymn.")

Anthem, "Thou art my king, O God," composed by Charles Wesley.

Glee, "Mildly beamed the queen of night," composed by Charles Wesley.

1946. PEVERNAGE (Andreas). The Angelic Hymn, "Gloria in excelsis Deo," for nine voices. In separate parts: "copied from a print of the Angels (9 in number) appearing to the Shepherds on the birth of Our Saviour, each Angel holding in his hand a small label on which was wrote his part."

oblong quarto.

Printed in score, with a description of the print, in Bishop and Warren's "Repertorium Musicæ Antiquæ." See No. 115.

1947. RONER (Andrew). Melopeia Sacra. Printed at London about 1721. See No. 723, and

BLOW (John), Mus. Doc. "O sing unto God," Anthem for three voices. In the composer's autograph. small folio. 1948. TAYLOR (Edward). The musical Illustrations to the several courses of Lectures written and delivered by him at Gresham College and elsewhere. In vocal score, 24 volumes, and separate parts, mostly in the autograph of Professor Taylor. folio and oblong quarto. Purcell's King Arthur. Milton's Comus.

English Church Music. Four
Series.

English Dramatic Music. Eight
Series.

English Vocal Harmony. Two
Series.