1644. ANTHEMS AND SERVICES. A volume containing the following. In

O praise God.

do.

Awake, awake

do.

Awake up my glory

do.

Blessed is he.

strength

The Lord is my

O be joyful.
Behold, Thou hast

Lord

do.

1646. ANTHEMS AND SERVICES. A volume, containing the Organ part

* A copy of this Anthem, in score, is contained in the Tudway Collection, Vol. II., Harleian Manuscript, No. 7388, British Museum.

Written probably about the latter end of the 17th century.

oblong folio.

Presented to the Society by Mr. E. A. Waugh.

1647. ANTHEMS AND SERVICES. A volume containing the following, in score, written in 1825, by William Gray, Chorister of St. George's Chapel, Windsor.

large folio.

Weldon.

Blessed is the people Dr. Croft.

Purcell.

(The instrumental symphonies, &c., are
wanting.)
When Israel came

M. Wise.

I was glad.

Dr. Croft.
only.)

do.

(First four movements only.)

my soul

out.

Dr. Blow.

(The instrumental parts are wanting.)

"I waited patiently," Solo Anthem.

"Thou art my king, O God," Verse Anthem
"I am well pleased,” Verse Anthem, adapted
from Carissimi by

"The Lord is king," Verse Anthem, 2 voices

folio.

Pelham Humphreys.

Dr. Aldrich.
Henry Purcell.

[Not included in Novello's collection of Purcell's Sacred Music and believed to be unpublished.]

"O Lord, I have heard Thy voice," Solo Anthem (Incomplete ?).

"The ways of Sion," Verse Anthem

"O give thanks," Full Anthem

"Gloria Patri," from the Deus misereatur in A

"O God, Thou hast cast us out," Full Anthem

"God is our hope," Full Anthem.

Mass (Kyrie and Gloria) for four voices and orchestra.

1650. ANTHEMS, with orchestral accompaniments, composed by John Blow, Mus. Doc., Orlando Gibbons, Pelham Humphreys,

and Matthew Lock. In full score.

large folio.

By Pelham Humphreys.

O praise the Lord.

O Lord my God.

Like as the hart.

Lord, teach us to number,

Lift up your heads.

O give thanks.

By Matthew Lock:

When the Son of Man.

The Lord hear thee.

The autographs of Dr. Philip Hayes and Dr. Arnold are in the volume. 1651. ANTHEMS (A collection of), mostly by composers of the latter half of the seventeenth century. In separate vocal parts, viz., Treble, Countertenor, Tenor and Bass (the Treble part wanting the first four anthems). Four Books.

small folio.

Dr. Turner. Dr. Blow. Humphreys.

Dr. Turner.

Humphreys.

do.

Dr. Blow.

M. Wise.

Dr. Blow.

do.

Purcell.

do.

God is our hope (8
voc.)

O God, Thou hast

cast.

O God, Thou art my
God.

O God, wherefore art

Thou

Bow Thine ear

The Lord hear thee.

Dr. Blow.

I call and cry.

do.

(Now known as "I was in the Spirit.")

Dr. Blow.

Byrd.

Dr. Blow.

Tallis.

CC

Praise the Lord, O

my soul
Blessed is the people
O Lord, Thou hast

1652. ANTHEMS.

A volume, entirely in the handwriting of James Marquet, Lay Vicar of Westminster Abbey, containing the following Anthems, &c.

The 100 Psalm Tune.

Chant

Ditto

In score.

Lord Mornington.

Dr. Croft.

do.

do.

Dr. Boyce.

do.

do.

Dr. Croft.

Purcell.

Written about the year 1810.

still upon God

O Lord, our Governor

do.

do.

Lord, how long wilt
Thou be angry

Dr. Nares.

quarto.

1653. ANTHEMS, &c. "Thou Lord, in the beginning," an Anthem, for five voices, by S. Webbe; "Awake, awake, put on thy strength," an Anthem, for four voices, and "Thro' all the changing scenes," a metrical version of the 34th Psalm, by William Jackson; and, "O sing praises," a duet, by Pergolesi. In score.

folio.

1654. ANTIPHONARY (A Latin), beautifully written on vellum, with illuminated capitals and borders, and paintings of the Annunciation, the Nativity, Christ appearing to Mary in the Garden, the Ascension, the Descent of the Holy Ghost, the Elevation of the Host by Angels, Jacob's Dream, the Coronation of the Virgin, the Congregation of All Saints. octavo. Presented to the Society by Mr. R. W. Haynes.

1655. ASTORGA (Emanuel, Baron de). The Hymn "Stabat Mater," for four voices, with Instruments. In full score.

oblong quarto.

1656. BACH (John Christian). Two settings of the Hymn, " Magnificat," one for two choirs with instruments (1758) and the other for solo voices and chorus with instruments (1760). In full score.

oblong folio.

1657. BAI (Tommaso). The Psalm, "Miserere mei, Deus," for two choirs. In score. oblong quarto.

This copy varies from that printed by Dr. Burney in 1771. See No. 398. 1658. BALLABENE (Gregorio). The Hymn, "Magnificat," for four choirs. In full score in the composer's autograph.

folio. 1778. 1659. BASSANI (Giovanni Battista). Motett, "Ave, verax. In vocal score. (See also No. 1648.) folio.

1660. BASSANI (Giovanni Battista). Other Motetts. See Nos. 1648 and 1676.

1661. BECKWITH (John), Mus. Doc.

66

for voices and instruments.

My soul is weary," Anthem In full score.

quarto.

Presented to the Society by the Rev. J. E. Cox, D.D.

1662. BIFFI (Antonio). "Credo in Unum Deum," for 4 voices with orchestral accompaniments. In full score. oblong quarto. 1663. BLOW (John), Mus. Doc. Te Deum and Jubilate, composed for St. Cecilia's day, 1695.

Ode for St. Cecilia's day, (“Great quire of heaven.")
Purcell (Henry). Part of the music in "The Indian

Queen."

In full score. Autograph of Dr. Croft on fly-leaf.

1664. BLOW (John), Mus. Doc. Nos. 1647, 1648, 1650,

small folio.

Various Anthems, &c., by. See 1651, and 1948.

1665. BORRI (Giovanni Battista). A Mass (Kyrie, Gloria, and Credo), for four and five voices, with accompaniments. In full score.

folio.

1666. BOYCE (William), Mus. Doc. The Morning Service [Te Deum and Jubilate] in A major, which is printed with the 12 anthems published by his widow in 1790. In score, in the composer's autograph.

1667. BOYCE (William), Mus. Doc.

voice parts and an organ part.

quarto.

The same.

Thirteen separate oblong quarto. "Blessed is he that considereth instrumental accompaniments.

quarto.

In full score.

1668. BOYCE (William), Mus. Doc.

1669. BRUNIAN. A Mass (Kyrie and Gloria), for four voices, with

accompaniments for two violins, two violas, two oboes (or flutes), two bassoons, two horns, and organ. In separate parts.

folio.