1552. PURCELL (Daniel). The Psalmes set full for the Organ or Harpsicord, as they are Plaid in Churches and Chappels in the maner given out, as also with their Interludes of great Variety. Frontispiece. oblong folio. London. 1553 PURCELL (Henry). A Collection of Ayres composed for the Theatre and upon other occasions. In separate parts, viz. Violino primo, Violino secundo, Tennor, and Bassus. small folio. London, 1697. 1554. PURCELL (Henry). Ten Sonatas in Four Parts. In separate parts, viz. Violino primo, Violino secundo, Bassus and Thorough Bass for the Harpsichord or Organ, bound together. small folio. London, 1697. See a MS. score of these Sonatas, No. 1973. 1555. PURCELL (Henry). A choice Collection of Lessons for the Harpsichord or Spinnet. The third edition, with additions and Instructions for Beginners. oblong quarto. London, n. d. 1556. PURCELL (Henry), and Dr. BLOW. A choice Collection of Lessons for the Harpsichord. See No. 1473. 1557. QUARTETTS (A collection of), for two Violins, Viola, and Violoncello. In separate parts. 4 vols. folio, containingThree Quartetts, Op. sopra leUltima Sette Parole delle Nostro Three Quartetts Mozart. Do. Haydn. Sette Sonate, composte Redentore Do. Op. 16 Do. sulla Do. Three Quartetts, Op. Croce. Op. 48 Three Quartetts, Op. 8 Graeff. 4 vols., folio, containing- Two Quartetts, Op. 51. Mozart. Haydn. Do. Do. Da. Winter. Dupohnt. 1559. QUINTETTS (A collection of), Overtures arranged as Quintetts, &c. In separate parts. 7 vols. folio, containing the parts for Flauto, Violino primo, Violino secondo, Viola primo, Viola secondo, Violoncello, and Basso. 1560. RINCK (Christopher Heinrich). Pracktische Orgel Schule. Six parts, in one vol. oblong folio. Bonn und Cologne. 1561. RINCK (Christopher Heinrich). Compositions for the organ, bound in two volumes, oblong folio. XV Kurze und Leichte Choral-Vorspiele, für die Orgel. Op. 47 Mainz. Zwolf Fugirte Nach spiele, für die Orgel. 48tes Werke Leipsic. Ditto Op. 52 Op. 53 Six Variations, pour l'Orgue. ditto XII Leichte Orgelpräludien. Op. 49 XII Kurze und Leichte Choral-Vorspiele, für die Orgel. Mainz. Mainz. 12 Adagio, für Orgel. Op. 57 Op. 56 Op. 58 Andante, mit Acht Variations, für die Orgel. Op. 70 Bonn und Cologne. XXV Drei und Vierstimmige Fughetten, für die Orgel. Op. 84. (2 books.). Andante, mit Sechs Variations und Finale, für die Orgel. Bonn. Bonn. Neun Variationen und Finale, für die Orgel. Op. 90 1562. RINCK (C. H.) Vierzig Kleine Leichte und Vermischte 1564. RINCK (C. H.) 30 Kurze und Leichte Orgelpräludien durch alle Tonarten, componirt. Op. 93. octavo. Bonn. 1565. RINCK (C. H.) 24 Leicht Orgelpräludien. Op. 95. octavo. Bonn. 1566. RINCK (C. H.) Douze Morceaux Faciles, pour l'Orgue. Oeuvre I. folio. Paris. 1567. RINCK (C. H.) XVIII Leichte Orgelstücke. Op. 106. oblong small folio. Mayence, Paris, and Antwerp. 1568. RINCK (C. H.) 48 Préludes Faciles, pour l'Orgue. Op. 116. Two books. oblong small folio. Mayence, Paris, and Antwerp. A A 1569. ROSSEAU (Frédéric). Potpourri pour deux Violoncelles. In separate parts. 1570. ROSSETOR (Philip). folio. Paris. Lessons for Consort; Made by sundry excellent Authors, and set to sixe severall instruments: Namely, the Treble Lute, Treble Violl, Base Violl, Bandora, Citterne, and the Flute. Now newly set forth by, The Cittern part only. quarto. London, 1609. Bound with other instrumental music by Adson and Morley, Canzonets by Morley and Bevin's Introduction to Music. 1571. SARTI (Giuseppe). Tre Sonate, per il Clavicembalo o Forte Piano, con accompagnemento d'un Violino. oblong folio. Vienna. 1572. SCARLATTI (Domenico). Sämmtliche Werke, für das Pianoforte. 1573. SCARLATTI (Domenico). Libro de XII Sonatas Voluntarys and para Clavicordio. folio. London. Fugues made folio. London. Bound together in a volume. ROSEINGRAVE (Thomas). on purpose for the organ or harpsichord. 1574. SCHUBERT (Franz). Ouverture zur Oper, Rosamunde. Op. 26. 1575. SCHUBERT (Franz). Zwei Sätze der unvollendeten Sinfonie in In score. H moll. In score. 1576. SCHUBERT (Franz). octavo. Vienna, 1867. octavo. Vienna, 1867. Grosses Quartett (D moll) für 2 Violinen, octavo. Leipsic. Viola und Violoncell. In score. 1577. SHAW (Thomas), Jun. A Concerto for the Violin. parts. 1578. SPOHR (Louis). Ouverture zur Oper, Faust. In separate folio. London. In score. octavo. Leipsic. 1579 SPOHR (Louis). Ouverture zur Oper, Jessonda. In score. octavo. Leipsic. 1580. SPOHR (Louis). Overture, Op. 12, arranged as a Septett, for two Violins, two Violas, Flute, Violoncello, and Double-Bass, by H. J. Banister. In separate parts. folio. London. SPOHR (Louis). Overture to the Opera of ‹ Abruna,' arranged as a Septett, as the foregoing. In separate parts. folio. London. 1581. STEIBELT (Daniel). Trois Sonates, pour Pianoforte ou Clavecin, dont la première est avec accompagnement de Violon oblige. Op. 4. In score. folio. London. 1582. STEIBELT (Daniel). Three Sonatas, for the Pianoforte, with an accompaniment for the Violin, ad libitum. score. Opera 35. In folio. London. 1583. STEIBELT (Daniel). Three Sonatas, for the Pianoforte. Opera 46. folio. folio. 1584. STEIBELT (Daniel). Six Sonatas, for the Pianoforte. London. Op. 60. London. 1585. STIMPSON (James). The Organist's Standard Library; being selections from the works of the great masters, and consisting principally of pieces hitherto unpublished in this country. 15 numbers. folio. London. Presented to the Society by Mr. Stimpson. 1586. SYMPHONIES, &c. (A Collection of), in separate parts. Fourteen volumes, folio, containing the parts for Violino primo (2), Violino secondo (2), Viola, Violoncello, Basso (2), Oboe primo, Oboe secondo, Corno primo, Corno secondo, Tromba primo, and Tromba secondo. 1588. TESSARINI (Carlo). Quarta. 1589. TESSARINI (Carlo). siere e Cembalo. 1590. TESSARINI (Carlo). separate parts. 1591. THEATRE MUSIC. Concerto Do. Twelve Concertos Six Extravaganza VI Sonate, a Violino e Violone, o oblong folio. Amsterdam. Op. Trattenimenti a Violino e Basso. oblong folio. Urbino (?), 1742. VI. Sonate per Violino o Flauto TraverOpera XIV. folio. London (?). Concerti a V, con Violino Obbligato. In Four books. folio. Urbino. Overtures and Act Tunes by various composers, for English plays produced at the end of the seventeenth and commencement of the eighteenth centuries. In separate parts, viz. First and Second Treble [Violins], Tenor and Bass. 4 volumes. Two Sets of Ayres oblong folio. London [circa 1700-1704]. Henry Simons. Godfrey Finger. [1701] The Virgin Prophetess, or, the Fate of Troy Godfrey Finger. [1701] The Unhappy Penitent Love makes a man The Funeral The Humours of Sir John Falstaff Tamberlain King Edward the Third She would and she would not The Twin Rivals Tunbridge Walks The Agreeable Disappointment The Inconstant The Governor of Cyprus The Fair Penitent As you find it The Humours of the Age Sir Harry Wildair Daniel Purcell. [1701] A Person of Quality. [1702] Do. [1703] William Croft. John Barrett. [1703] William Corbett. [1708?] Daniel Purcell. [1702] John Lenton. [1703] Godfrey Finger. [1701] Set of Ayres for the Consorts of the Musical Society. Henry the Fourth William Corbett. [1700] William Croft. [1704] John Barrett. [1703] John Lenton. [1704] Do. [1704] "Music performed before Her Majesty and the new King of Spain." 1592. THEATRE MUSIC. Peasable. Overtures and Act Tunes by various composers, for English plays produced at the commencement of the 18th century. The Violino secondo, Tenor and Bass parts only. [Wanting the titles.] Three vols. oblong folio. London. 1593. VERACINI (Antonio). Sonate de Camera, a due, Violino e Violone o Arcileuto, col Basso per il Cimbalo. In separate parts. Three books. Op. Terza. oblong folio. Modena, 1696. 1594. VISCONTI (Gasparo). Sonate a Violino e Violone o Cembalo. Amsterdam, 1703. Bound up with Albinoni's Sonate di'Chiesa and Marini's Sonate. 1595. VITALI (Giovanni Battista). continuo per l'organo. Opera Seconda. only. Sonate a due violini, col suo basso The organ part quarto. Bologna, 1667. 1596. WEICHSELL (Elizabeth). Six Sonatas for the Pianoforte or Harpsichord, composed in the eleventh year of her age. Opera 2nda. folio. London [1781 ?]. The composer afterwards became celebrated as Mrs. Billington, the vocalist. |