Cathedral contains seven of the vocal parts, viz.: the First Contratenor, Tenor and Bassus Decani, and the two Contratenors, Tenor, and Bassus Cantoris. Beyond these and two or three single parts in different hands, no other copies are known to exist, the statement in Mr. Botfield's "Notes on the Cathedral Libraries," of the existence of copies at Westminster Abbey and Berlin, proving, on inquiry, to be unfounded. It is noticeable that although an organ part is essential to perfect the work (several of the compositions included in it being incapable of performance without that instrument), no such part has ever been seen, and it is doubted whether it was published. Several odd manuscript parts of Services and Anthems by various composers are bound up at the ends of some of the parts in the Society's set, for a description of which see No. 1643. For the manuscript collections used by Barnard in the compilation of the work, see No. 1642. 29. BASSANI (Giovanni Battista). Messe concertate à 4 e 5 voci, con Violini e Ripieni; Opera Decima Octava; et Messa per li Defonti, concertata, à quatro voci, con Viole e Ripieni; Opera Vigesima. In separate parts, bound in one volume. small folio. Bologna, n. d. 93. BASSANI (Giovanni Battista). Resi Armonici in Motetti, a voce sola con violini; Opera Ottava. folio. Amsterdam, n. d. Motetti, a voce sola, con doi violini, ad libitum; Opera folio. London, n. d. The above three sets of Motetts (which are bound together) are in separate parts, viz.: the Voice part, Violino primo, Violino secondo, and Basso. 94. BASSANI (Giovanni Battista). Harmonia Festiva, being the Eighth Opera of Divine Motetts, for a single voice, with proper symphonies, wherein are the celebrated Motetts of Quid Arma, quid Bella, and Allegri Amores. In vocal score; and Harmonia Festiva, being the Thirteenth Opera of Divine Presented to the Society by the Rev. F. J. Stainforth. 95. BASSANO (Christopher). Bound with Alcock's Anthems, No. 52. In score. folio. London. 96. BATTISHILL (Jonathan). Six Anthems and Ten Chants. In score. Portrait of the composer. folio. London, 1804. 97. BATTISHILL (Jonathan). See also Nos. 207 and 394. 98. BECKWITH (John), Mus. Doc. The first verse of every Psalm of David, with an ancient or modern Chant in score, adapted as much as possible to the sentiment of each Psalm, by. Bound with Bellamy's Te Deum and Anthems. folio. London, 1808. See No. 104. 99. BEDFORD (Rev. Arthur), M.A. The Excellency of Divine Music : a Sermon. To which is added a specimen of easy, grave [Psalm] Tunes, instead of those used in our profane and wanton ballads. octavo. London [1734] Bound with Smith and Prelleur's Harmonious Companion. See No. 479. 100. BEETHOVEN (Ludwig Van). Mass in C. In vocal score, with arranged accompaniment by Vincent Novello. folio. London. 101. BEETHOVEN (Ludwig Van). Missa in D. In full score. folio. Mainz, 1827. Presented to the Society by Mr. Vincent Novello. 102. BEETHOVEN (Ludwig Van). The same. pianoforte arrangement by In vocal score, with C. H. Rinck. oblong folio. Mayence et Paris. 103. BEETHOVEN (Ludwig Van). The same. In vocal score, with arranged accompaniment by Vincent Novello. folio. London. Presented to the Society by Mr. Vincent Novello. 104. BELLAMY (Richard) Mus. Bac. Te Deum, for a full orchestra also a set of Anthems composed by. In full score. folio. Bound with Beckwith's Chants. See No. 98. London, 1788. 105. BENEDETTI (Pietro). Antifone della Beata Vergine terminative dell' officio divino per tutti tre i tempi dell' anno à solo, à due e à tre voci, con violini e senza. In separate parts, bound in quarto. Venice, 1716. ; 106. BENNETT (Sir William Sterndale), Mus. Doc. and Otto Goldschmidt. The Chorale Book for England: a collection of 108. BERLIOZ (Hector). Te Deum à trois chœurs avec orchestra et orgue concertants. Oeuvre 22. In full score. folio. Paris, 1855. 109. BERNIER (Nicolas), Motetts une, deux a trois voix, avec symphonie et sans symphonie, au nombre de vingt six. In full folio. Paris, 1703. score. 110. BERTONI (Ferdinando). Il Miserere, concertato a quattro voci. In full score. oblong folio. Venice, 1802. Presented to the Society by the Rev. F. J. Stainforth. D 111. BEST (W. T.) Morning and Evening Service. Presented to the Society by Mr. A. Durlacher. In score. 112. BEXFIELD (W. R.), Mus. Doc. Church Anthems. Portrait of the composer. folio. London. 113. BINFIELD (John Bilson). The Choral Service of the Church, consisting of Chants, Services, and Anthems, harmonized for four voices; selected from the works of eminent composers. octavo. London, 1846. The Order of Daily Service, with the musical notation as used in the Cathedral Church of the Holy Trinity, Winchester. Edited by. octavo. 114. BISHOP (Sir Henry Rowley), Cathedral Chants. London, 1846. folio. Manchester. 115. BISHOP (John) and Warren (Joseph). Repertorium Musicæ Antiquæ ; a miscellaneous collection of classical compositions by the greatest masters of Italy, Germany, &c. Edited by. In score Parts I. and II. (all published) containing compositions by Orazio Benevoli, Andreas Pevernage, Jacobus Gallus (Handl) and Alessandro Scarlatti. folio. London, 1848. Presented to the Society by Mr. Joseph Warren. 116. BLAKE (Daniel). The Litany of our Lord and Saviour Jesus Christ (in English), adapted to be sung in the Afternoon SerIvice of the Catholic Church. 117. BOCCHERINI (Luigi). folio, London. Stabat Mater. In full score. folio. Paris. Presented to the Society by Mr. J. A. Novello. 118. BOMPORTI (Francesco Antonio). Motetti a canto solo, con violini, per ogni solenitá. In separate parts bound in one volume. quarto. Venice, 1701. 119. BOMTEMPO (J. D.). Messe di Requiem; consacré à la Mémoire In full score, with a subjoined arrangement for de Camöes. 121. BOND (Capel). Six Anthems, in score. folio. Paris. folio. London. J. Stainforth. 122. BOND (Hugh). Hymns and Anthems. See No. 207. 123. BOWDLER (Cyril) Modern Hymn Tunes, composed and arranged by. small quarto. London, [1866]. 124. BOYCE (William), Mus. Doc. Cathedral Music, being a collection in score of the most valuable and useful compositions for that service by the several English masters of the last 200 years, selected and revised by. 3 vols. folio. London, 1760-78. The portrait and memoir of Dr. Boyce, originally published in the second edition, are inserted in the first volume. 125. BOYCE (William), Mus. Doc. The same. (wanting the portrait). 3 vols. Second Edition folio. London, 1788. 126. BOYCE (William), Mus. Doc. The same, in separate vocal parts, viz., Treble, 'Alto, Tenor, and Bass, and a separate part for the organ, arranged by Vincent Novello. Two sets, five parts each. A portrait of V. Novello is prefixed to the organ part. folio. London. 127. BOYCE (William), Mus. Doc. The same. A new edition, with an appendix to each volume, containing additional services and anthems, a life of Dr. Boyce, memoirs of the composers, and an accompaniment for the organ by Joseph Warren. Portrait of Dr. Boyce. 3 vols. bound in 6. folio. London, 1849. 128. BOYCE (William), Mus. Doc. Fifteen Anthems, together with a Te Deum and Jubilate, in score. folio. 129. BOYCE (William), Mus. Doc. London, 1780. A collection of [12] Anthems, folio. London, 1790. and a short Service in score. 130. BOYCE (William), Mus. Doc. Anthems, "Lord, Thou hast been our refuge," and "Blessed is he that considereth the poor," and Duet, "Here shall soft charity." In full score. folio. (London, 1802); and Cathedral Music, composed by John Stephens, Doctor in Music. In one volume. folio. London, 1805. 131. BOYCE (William), Mus. Doc. Services and Anthems, edited by Vincent Novello. 4 vols. folio. London, 1846-49. This collection contains forty-six anthems and five services, besides other pieces, being nearly the whole of the known Church compositions of this author. An arrangement for the organ, by the editor, is printed under the score; but the vocal score only is given of those anthems for which Dr. Boyce wrote instrumental accompaniments. The fourth volume contains a reprint, with notes, of the Memoirs of Dr. Boyce, originally published in the second edition of his collection of Cathedral Music. 132. BOYCE (William), Mus. Doc. Anthem "Lord, Thou hast been folio. London. our refuge." In vocal score. 133. BROSSARD (Sebastian de). Prodromus Musicalis, ou Elévations et Motets à voix seule, avec une basse-continue. Livre Premier. Seconde édition. folio. Paris, 1702. Elévations et Motetts à II et III voix, et à voix seule, deux Dessus de Violon, ou deux Flutes, avec la Basse-Continue. folio. Paris, 1698. 134 BUONONCINI (Giovanni). "When Saul was King over us." Anthem performed at the Funeral of John, first Duke of Marlborough. In full score. folio. London. Presented to the Society by Mr. M. S. Forristall. 135. BUONONCINI (Giovanni). The same. Another copy. Bound with Anthems by Worgan and Battishill, and a Service by Alcock. Presented to the Society by Mr. J. A. Novello. 136. BUTTS (Thomas). Harmonia Sacra, or a Collection of Psalm and Hymn tunes in two, three, and four parts, collected from the most celebrated Masters, with an Introduction to Psalmody, and several new tunes. oblong folio. 137. BYRD (William). A Mass for Five Voices. In score. London. Edited by E. F. Rimbault. Published by the Musical Antiquarian 138. BYRD (William). Book I. of Cantiones Sacræ, for five voices, Presented to the Society (with the preceding) by the Rev. F. J. Stainforth. 139. BYRD (William). See also Tallis, No. 494. 140. CALL (Thomas). The Tunes and Hymns as they are used at the Magdalen Chapel; properly set for the Organ, Harpsichord, and Guitar. quarto. London, n. d. Bound in a volume with several Word Books of Oratorios and other poems, presented to the Society by Mr. E. R. Wallis. 141. CAMIDGE (John), Mus. Doc. Cathedral Music composed by. folio. London, [1828] In score. 142. CAMPRA (Andre). Motets, à I, II, et III voix, avec la bassecontinue. In full score. Three books in 1 vol. folio. Paris, 1710-11, 143. CAPES (J. M.) Mass for four voices, in vocal score. and 1703. folio. London. 144. CATHEDRAL MAGAZINE (The), or Divine Harmony; being a Collection of the most valuable and useful Anthems in score. quarto. London. 3 vols. 145. CAUSTUN (Thomas). Venite exultemus and Communion Service. In score. Edited by Rev. John Jebb, D.D. octavo. London, 1862. Presented to the Society by the Rev. Dr. Jebb. 146. CHERUBINI (L.) Messe [in F] à trois voix et chœurs, avec accompagnemens. In full score. folio. Paris. Two copies, one presented to the Society by Mr. Vincent Novello. |