1377. SONGS (A collection of), part in full, and part in vocal score. 1378. SONGS (A collection of), printed on single leaves, and bound together in a volume. For tenderness form'd Paesiello. folio. London. Three Cantatas and Three Songs, for a Voice and Instru ments. In score. Bound together. folio. London. 1380. STARTER (John J.) Friesche Lust-hof, Beplant met verscheyden stichtelijche Minne-Liedekens Gedichten ende Boertighe Kluchten. Den vierden Druck op niews vermeerdert ende verbetert, met verscheyden Dichten ende Liedekens, soo Geestige als Boertige. Portrait and plates. oblong octavo. Amsterdam, 1627. This work appears to have been originally published in 1621. There is an undated edition which was probably issued in that year, and there is a subsequent edition dated 1634. 1381. STERKEL (G. F.) Six vocal Italian Duets, with an accompaniment for the pianoforte. oblong folio. London. 1382. TENDUCCI (Ferdinando). Six New English Songs, composed by, and to be sung by him at Ranelagh. In vocal score. oblong folio. London. 1383. THEATER OF MUSIC (The); or, a choice Collection of the newest and best Songs at the Court and Public Theaters. Four books. small folio. London, 1685-87. and COMES AMORIS, or the Companion of Love, being a choice Collection of the newest Songs now in use. The First small folio. London, 1687. Book. 1384. THESAURUS MUSICUS: Being a Collection of the Newest Songs perform'd at Their Majesties Theatres; and at the Consorts. in Viller-Street, in York Buildings and in Charles Street, Covent Garden. Five books, bound together. small folio. London, 1693-96. 1385. THESAURUS MUSICUS, a Collection of Two, Three, and Four Part Songs, several of them never before printed. To which are added, some choice Dialogues, set to Musick by the most eminent Masters, viz., Dr. Blow, H. Purcell, Dr. Croft, Morley, Lock, Handel, Dr. Greene, D. Purcell, Eccles, Hicks, Travers, Weldon, Leveridge, Lampe, Carey, &c. Two vols. in one. folio. London. In this work, which was published about the middle of the last century, is a copy (believed to be the earliest printed) of "God save the King," which is given in two parts, in the key of G, and described as " A Loyal Song, sung at the Theatres Royal." 1386. THOMSON (George). A Collection of Original Scottish Airs for the voice, with introductory and concluding symphonies, and accompaniments for the pianoforte, violin, and violon cello, by Pleyel, Kozeluch, Haydn, and Beethoven. Edited The fourth volume contains a portrait of Robert Burns, by whom the verses adapted to many of the airs were written. 1387. THOMSON (George). A select Collection of original Welch Airs, adapted for the voice, united to characteristic English poetry, with symphonies and accompaniments for the pianoforte or harp, violin and violoncello, composed chiefly by Joseph Haydn. Plates. Three vols. in one. folio. London, 1809-17. 1388. THOMSON (W.) Orpheus Caledonius, or, a Collection of the best Scotch Songs set to musick. folio. London [1722?] See another copy in No. 1375. 1389. THOMSON (W.) Orpheus Caledonius; or, a Collection of Scots Songs, set to Musick. 2 vols. octavo. London, 1733. 1390. TRAVERS (John). Eighteen Canzonets, for two and three voices, the words chiefly by Matthew Prior. In score. folio. London. Presented to the Society by Mr. Cummins. 1391. TREASURY OF MUSICK (The), containing Ayres and Dialogues to sing to the Theorbo Lute or Basse Viol. Composed by Mr. Henry Lawes, and other excellent Masters. In three books. small folio. London, 1669. 1392. TURNBULL (John) and Patrick Buchan. The Garland of Scotia ; a musical wreath of Scottish Song, with descriptive and historical notes, adapted for the voice, flute, violin, &c. Edited by. octavo. Glasgow, 1841. 1393. TYROLESE MELODIES (Twenty-four), as sung by the Tyrolese Family, Rainer; arranged for one or four voices, with an accompaniment for the pianoforte, by I. Moscheles. German and English text. Two vols. folio. London, 1828. Presented to the Society by Mr. A. Durlacher. 1394. UNIVERSAL HARMONY, or the Gentleman and Ladies' Social Companion; consisting of English and Scots Songs, Cantatas, &c. By the best Masters. quarto. 1395. VITALI (Filippo). Musiche a una e due voci. London, 1745. Libro Secondo. folio. Rome, 1618. 1396. WAITE (H. R.) Carmina Colligensia: a complete Collection of the Songs of the American Colleges, with Pianoforte accompaniment. To which is added a Compendium of [American] College History. Collected and edited by. Boston [U. S.] n. d. octavo. 1397. WALMISLEY (Thomas Forbes). Six Canzonets. folio. London. 1398. WELDON (John). Mr. Weldon's Third Book of Songs, Begin ning with Single Songs, Perform'd at the Consort in York Buildings and at ye Theatre, as also Symphony Songs for Violins and Flutes, never before Publish'd. Carefully corrected by ye author. In full score. small folio. Published by Walsh, London. A Collection of New Songs, Accompagni'd with Violins and Flutes, with a Thorow-Bass to each Song for ye Organ or Harpsichord. In full score. small folio. Published by Walsh, London. These two books differ in the titles only; in all other respects the contents are identical. 1399. WENSLEY (Frances Foster). Four Songs. folio. London. Presented to the Society by Mr. A. T. Roffe. 1400. WHITTAKER (John). The celebrated Odes of Anacreon, arranged from the Greek, as English Songs for the Social Circles, by Charles Dibdin the Younger. In vocal score. folio. London. Presented to the Society by Mr. A. Durlacher. 1400* WYNNE (John). Ten English Songs set to Musick by. In folio. London, 1754. For Wynne's Twelve English Songs (see No. 1371). score. 1401. YOUNG (Anthony). Collection of Songs. See No. 1332. A MISCELLANEOUS SECULAR MUSIC. 1402. ESOP'S Fables (A selection of), versified and set to music. quarto. London. 1403. AYRTON (William). The Musical Library; a Collection of Vocal Music, consisting of Songs, Duets, Glees, Madrigals, &c., by various composers, in vocal score, with pianoforte accompaniments; and of Instrumental Music adapted for the Pianoforte. Eight volumes, bound in four. Edited by W. A. London, 1834-37. 1404. BECKER (Carl Ferdinand). Die Hausmusik in Deutschland in dem 16, 17 und 18 Jahrhunderte. Materialen zu einer Geschichte derselben nebst einer Reihe Vocal-und Instrumental Compositionen von H. Isaac, L. Senfl, L. Lemlin, W. Heintz, H. L. Hasler, J. H. Schein, H. Albert und a zur nähern Erläuterung. quarto. Leipsic, 1840. 1405. BILLINGTON (Thomas). Te Deum, Jubilate, Magnificat, and Nunc Dimittis, set to music for three voices, with Instructions to the Performers; appended to which is Byrd's "Non nobis, Domine," with Latin and English words. folio. London. Pope's Elegy to the Memory of an Unfortunate Lady. London. Pope's Eloisa to Abelard. [This is partly adapted to music by Handel, Haydn, Vanhall, Jomelli, &c.] Shenstone's Pastorals, consisting of Twenty-four Ballads. Prior's Garland. Petrarch's Laura. Laura's Wedding Day. also folio. London. folio. London. folio. London. folio. London. folio. London; Eight Anthems, composed by Philip Hayes, Mus. Doc. folio. Oxford; and Costellow's Instructive Sonatas for the Improvement of Juvenile Performers. Nos. 1, 2, 3 and 4. folio. London. The whole in score, and bound together in a volume. Presented to the Society by Mr. Snoxell. 1406. CAROSO (Fabritio). Nobiltà di Dame. Libro, altro volta, Caualiere, e Dame. Aggiontoui il Basso, & il Soprano della 1407. CROTCH (William), Mus. Doc. 1408. GARDINER (William), Melodies from the Music of Nature. [See No. 2141.] octavo. London, 1847. |