mentions all the others. Scores of the ballets, of the compositions by Orazio Vecchi, and most of the canons, &c. in this edition will be found in MS. No. 1879. 1073. GHIZZOLO (Giovanni). Madrigali et Arie per sonare et cantare nel Chitarrone, Liuto, o Clavicembalo, a una et due voci, col Gioco della Cieca, et una Mascherata de Pescatori. Libro Primo. small folio. Venice, 1609. 1074. GIBBONS (Orlando), Mus. Doc. See Nos. 46 and 1081. 1075. GWILT (Joseph). A Collection of Madrigals and Motetts, chiefly for four equal voices, by the most eminent composers of the sixteenth and seventeenth centuries. Edited by. In score. quarto. London, 1815. 1076. HELICONE (II). Madrigali di diversi excellentissimi Musici, a cinque voci. In separate parts, bound together. oblong quarto. Antwerp, 1616. 1077. HOLBORNE (Antony and William). The Cittharn Schoole, By Antony Holborne, Gentleman and Servant to her most excellent Maiestie. Hereunto are added six short Aers, Neapolitan like to three voyces without the Instrument : done by his brother William Holborne. quarto. London, 1597. This volume (which unfortunately wants the last leaf of the preface} is believed to be unique. 1078. KAPSBERGER (Giovanni Girolamo). Libro Primo di Villanelle à 1, 2 et 3 uoci accommodate per qual si vogliæ strumento con l'intavolatura de Chitarone et alfabeto per la Chitarra Spagnola. In score. folio. Rome, 1610. See No. 1082. 1079. LASSUS (Orlando di). 1080. LICHFILD (Henry). The First Set of Madrigals of 5 Parts; apt both for Viols and Voyces. Newly composed by. The Cantus and Altus parts only (the former wanting the last leaf). quarto. London, 1614. 1081. MADRIGALS (A Collection of), in separate parts. WARD (John). The First Set of English Madrigals to 3, 4, 5, and 6 parts, apt both for Viols and Voyces. With a Mourning Song in memory of Prince Henry. Newly composed by. London, 1613. The First Set of English BATESON (Thomas), Mus. Bac. Newly composed by Art of Musicke and Organist of the Cathedral Church of Christ in the Citie of London, 1604. Reprinted in score by the Musical Antiquarian Society. See No. 46. BATESON (Thomas), Mus. Bac. The Second Set of Madrigales to 3, 4, 5, and 6 Parts; apt for Viols and Voyces. Newly composed by Thomas Bateson, Bachelor of Musicke, Organist and Master of the Children of the Cathedral Church of the Blessed Trinitie, Dublin, in the Realme of Ireland. London, 1618. ESTE (Michael), Mus. Bac. The Third Set of Bookes, Wherein are Pastorals, Anthemes, Neapolitanes, Fancies, and Madrigales to 5 and 6 parts, Apt both for Viols and Voyces. Newly composed by. London, 1610. ESTE (Michael), Mus. Bac. The Fourth Set of Bookes, Wherein are Anthemes for Versus and Chorus, Madrigales, and Songs of other kindes, To 4, 5, and 6 Parts; Apt for Viols and Voyces. Newly composed by. London, 1618. ESTE (Michael), Mus. Bac. The Fift Set of Bookes, Wherein are Songs full of Spirit and delight, So composed in 3 Parts, that they are as apt for Vyols as Voyces. Newly Published by. London, 1618. For Este's first, second, sixth and seventh sets, see Nos. 1064, 1065, 193, and 1497. GIBBONS (Orlando), Mus. Doc. The First Set of Madrigals and Mottets of 5 Parts; apt for Viols and Voyces. Newly composed by. London, 1612. Reprinted in score by the Musical Antiquarian Society, (see No. 46). A manuscript score in the collection of MS. music (No. 1880). MORLEY (Thomas), Mus. Bac. Canzonets, or Little Short Songs to Foure Voyces; Celected out of the best and approued Italian Authors. By. London, 1597. A manuscript score in the collection of MS. music (No. 1880). MORLEY (Thomas), Mus. Bac. Madrigals to Foure Voices. Published by. Now Newly Imprinted with some Songs added by the Author. This set was first published in 1594. London, 1600. MORLEY (Thomas), Mus. Bac. Canzonets, or Little Short Songs to Three Voyces. Now Newly Imprinted with some Songs added by the Author. London, 1606. This set was first published in 1593; a manuscript score is in the collection of MS. music (No. 1884), and an odd bass part of the first edition in Printed Music (No. 1092). The First Booke of MORLEY (Thomas), Mus. Bac. Canzonets to Two Voyces, [containing also nine Fantasies for viols.] London, 1595. A manuscript score of the canzonets is in the MS. volume, No. 1939. WEELKES (Thomas), Mus. Bac. Ayeres, or Phantasticke Spirites for three voices, Made and newly published by. London, 1608. Six volumes, containing the Cantus, Altus, Tenor, Quintus, Sextus, and Bassus parts, bound in vellum, with a ring affixed to each so as to admit of their being fastened to the shelves. quarto. 1082. MADRIGALS, &c. (A Collection of), in separate parts. voci. SPONTONE (Bartolomeo), Il Primo Libro di Madrigali, a quattro voci. Venice, 1558. ANIMUCCIA (Giovanni), Il Primo Libro delle Laudi. Rome, 1563. ROMANO (Alessandro), Le Vergine, a quattro voci, con la gionta di alcuni Madrigali. Venice, 1562. CONFORTI (Gio: Battista), Il Primo Libro di Ricercari, a quattro voci. PADOVANO (Annibale), Il Primo Libro di Ricercari, a quattro voci. Rome, 1558. Venice, 1556. Antwerp, 1624. PECCI (Tomaso), Canzonette, a tre voci. TIBURTINO (Giuliano), Musica Diversa, a tre voci, novamente composta cioe, Motetti, Messe, Madrigali. Four vols., oblong quarto. 1083. MARENZIO (Luca). Il Primo Libro de Madrigali, a sei voci. Venice, 1549. quarto. ditto. quarto. Venice, 1600. ditto. quarto. Venice, 1594. Venice, 1584. ditto. quarto. Venice, 1593. ditto. quarto. Venice, 1595. ditto. quarto. Venice, 1595. Il Primo Libro de Madrigali Spirituali, a cinque voci. Six volumes, containing the Canto, Alto, Tenor, Quinto, quarto. Venice, 1588. Sesto, and Basso parts. 1084. MARENZIO (Luca), Madrigali Spirituali, a cinque voci, Novamente ristampata. In separate parts, bound together. oblong quarto. Antwerp, 1610. 1085. MARENZIO (Luca), Il Primo Libro de Madrigali, a cinque voci. In separate parts, bound together. quarto. Venice, 1586. 1086. MARENZIO (Luca), Il Secondo Libro de Madrigali, a cinque voci, novamente ristampata. In separate parts. The Tenor and Bass parts each wanting a leaf. oblong quarto. The Quinto part, Venice, 1605; the others, Venice, 1583. 1087. MARENZIO (Luca). Madrigali a quattro voci. Novamente ristampati. In separate parts, bound in one volume. 1088. MAZZOCCHI (Domenico). title in MS. quarto. Venice, 1592. Madrigali a 5 voci. In score. The 1089. MORLEY (Thomas), Mus. Bac. oblong quarto. Rome, 1638. The First Booke of Ballets to Five Voyces. In separate parts, bound together. quarto. London, 1595. Reprinted in score by the Musical Antiquarian Society (see No. 46). A manuscript score is in the collection of MS. music (No. 1884). 1090. MORLEY (Thomas), Mus. Bac. See No. 1081. 1091. MORLEY (Thomas), Mus. Bac. Canzonets to Four Voyces. See No. 1081. See Nos. 1081 and 1092. of Oriana, to 5 and 6 voyces, composed by divers several authors. Newly published by. In separate parts, bound quarto. London, 1601. Triumphs of Oriana. In Large paper. folio. London. One of the wrappers in which the work was issued, and on which the prospectus of the plan, &c. of publication is printed, is bound up with the volume. 1093. MORLEY (Thomas), Mus. Bac. Small paper. 1094. MORLEY (Thomas), Mus. Bac. Edited by William Shore. 2do, Alto, Tenor, and Bass. 1095. MORLEY (Thomas), Mus. Bac. The same, another copy. The same. In separate parts. Five parts, viz.: Canto mo and In portfolio. octavo. London. The Canzonets and Madrigals, for three and four voices, of, arranged in the regular order of score, and collated with peculiar care from a manuscript in the Bodleian Library, and several others of established authenticity, by W. W. Holland, A.M., and W. Cooke, A.B., Oxon. 1096. MORLEY (Thomas), Mus. Bac. oblong folio. London. Canzonets or Little Short Songs to Three Voyces. Newly published by. The Bassus quarto. London, 1593. The Altus part (wanting title). part only. The same. quarto. London, 1606. Bound with Rossetor's Consort Lessons, Morley's Lessons for Consort, Adson's Courtly Masquing Ayres, and Bevin's Introduction to Music. 1097. PADOVANO (Annibale). See No. 1082. 1098. PECCI (Tomaso). See No. 1082. 1099. PEVERNAGE (Andreas). Chansons tant Spirituelles que Prophanes, a cincq parties. In separate parts, in a case. 1100. PEVERNAGE (Andrea). oblong quarto. Antwerp, 1606. Harmonia Celeste di diversi excellentissimi musici a IV, V, VI et VIII voci. Raccolta per, Nella quale si contengono i piu excellenti Madrigali che hoggidi si cantino. Novamente ristampate. The tenor part only. oblong quarto. Antwerp, 1614. Originally printed at Antwerp in 1583. 1101. PHILIPPI (Pietro), Inglese. Melodia Olympica de diversi Eccellentissimi Musici a IV, V, VI et VIII Voci. Raccolta da, Nella quale si contengono i piu Eccellenti Madrigali che hoggidi si cantino. Novamente ristampata. The Tenor and Bass parts only. oblong quarto. The Tenor, Antwerp, 1611; The Bass, Antwerp, 1591. 1102. ROMANO (Alessandro). See No. 1082. 1103. SALZILLI (Crescentio). See No. 352. 1104. SPONTONE (Bartolomeo). See No. 1082. 1105. TAYLOR (Edward). The Vocal Schools of Italy in the Sixteenth Century. Madrigals, Full Anthems, Motetts, and Villanellas, composed by eminent masters of the Schools of Rome, Venice, Lombardy, and Florence, during that period, and hitherto unpublished in this country. Adapted to English Words by. In score. folio. London, 1839. Presented to the Society by Professor Taylor. 1106. TIBURTINO (Giuliano). See No. 1082. 1107. TOMKINS (Thomas). Songs of 3, 4, 5 and separate parts bound together. quarto, |