912. PICCINNI (Nicola). Roland, opéra, mis en musique par. In full score. Autograph of the composer on title-page. Bound in 3 vols. folio. Paris [1778]. 913. PICCINNI (Nicola). Atys, tragédie lyrique; paroles de Quinault. In full score. Autograph of the composer on title-page. folio. Paris. 914. PICCINNI (Nicola). Didon, tragédie lyrique. In full score. 916. PORPORA (Nicola). Operas, viz. Ariadne. Polypheme. See No. 844. 917. PRELLEUR (Peter). The Songs and Duets in Baucis and Philemon. As they are now perform'd at the New Wells in Goodman's Fields. To which is prefix'd The Overture in Score. folio. London. In full score. 918. PUGNANI (Gaetano). Nanetta e Lubino. See No. 842. 919. PURCELL (Daniel). The Single Songs with the Dialogue in the New Opera call'd Brutus of Alba, or Augusta's Triumph. small folio. London, 1696. 920. PURCELL (Daniel) and Jeremiah CLARK. The World in the Moon. See Nos. 934 and 1368. 921. PURCELL (Henry). "Theodosius; or, The Force of Love; a tragedy, acted by their royal Highnesses' servants at the Duke's Theatre. Written by Nat. Lee. With the Musick betwixt the Acts." quarto. London, 1680. This piece is bound up with the following Plays; viz., Elvira [by Lord Digby?], 1667; The Roman Empress, by William Joyner, 1671; The Old Troop, by John Lacy, 1672; Sophonisba, by Nat. Lee, 1676; Don Carlos, by Thomas Otway, 1676; Mithridates, by Nat. Lee, 1678; The Conquest of Granada, by John Dryden (two parts, the title to the first part wanting), with the two Essays, "Of Heroique Plays," and "On the Dramatique Poetry of the last Age" (the latter wanting the last leaf), 1672; and The Loyal General, by N. Tate, 1680. 922. PURCELL (Henry). "A Fool's Preferment; or, The Three Dukes of Dunstable; a comedy, as it was acted at the Queen's Theatre, in Dorset Garden, by their Majesties' servants. Written by Mr. D'Urfey. Together with all the Songs and Notes to 'em, Excellently composed by Mr. Henry Purcell, 1688." quarto. London, 1688. 923. PURCELL (Henry). Amphitryon; or, the Two Sosias, a comedy, written by Mr. Dryden; to which is added the Musick of the Songs composed by. quarto. London, 1690. score. (Two copies.) 924. PURCELL (Henry). Amphitryon. The music only. 925. PURCELL (Henry). "The Vocal and Instrumental Musick of The Prophetess, or the History of Dioclesian." In full folio. London, 1691. 926. PURCELL (Henry). "The Songs to the New Play of Don Quixote, as they are sung at the Queen's Theatre in Dorset Garden. Part the First. Sett by the most eminent Masters of the Age [Henry Purcell and John Eccles]. All written by Mr. D'Urfey." small folio. London, 1694. The same. Part the Second. [Set by Henry Purcell, John Eccles and Colonel Pack.] small folio, London, 1694. "New Songs in the Third Part of the Comical History of Don Quixote, written by Mr. D'Urfey, and sung at the Theatre Royal. With other New Songs by Mr. D'Urfey. Being the last piece set to Musick by the late famous Mr. Henry Purcell, and by Mr. Courtiville, Mr. Akeroyde and other eminent Masters of the Age. Engraved on copper plates." small folio. London, 1696. Bound in one volume. For other copies, see No. 934. 927. PURCELL (Henry), and Dr. Arne. "The Songs, Airs, Duetts, and Choruses, in the Masque of King Arthur." Chiefly in full score. 928. PURCELL (Henry). King Arthur. See No. 46. 929. PURCELL (Henry). 930. PURCELL (Henry). and 1413. 931. PURCELL (Henry). 932. PURCELL (Henry). 933. PURCELL (Henry). folio. London. 934. PURCELL (Henry). small folio. London, 1692. "The Dialogue in the last Opera called the 'Fairy Queen.' PURCELL (Henry), and others. "The Songs to the New Play of Don Quixote.' The three parts. (The first wanting the prologue and epilogue, and the second and third the titles.) small folio. London, 1694-1696. See No. 926. PURCELL (Henry). The Songs in the Indian Queen,' as it is now composed into an Opera. (Wanting the title). London, 1695. See also No. 1368. PURCELL (Daniel). "A Masque in the Fifth Act of the 'Indian Queen,' [This is the Fifth Book of "Delicia Musica," wanting the title-page, ECCLES (John), and Godfrey Finger. The Songs in the 'Sham Several Songs, (The title wanting.) CHURCH (John), Richard Leveridge, &c. ECCLES (John). Songs in "Love's a Jest." (Wanting the PURCELL (Daniel), and Jeremiah Clark. Single Songs in the 935. REEVE (William). The Overture, Favourite Songs, and Finale to the musical entertainment of Tippoo Saib. In vocal score. folio. London [1791]. The Overture, Favourite Songs, Duets, and Chorusses in the grand pantomime ballet of Oscar and Malvina. vocal score. 936. REEVE (William). English Operas, viz. The Blind Girl (see No. 815). Orpheus and Eurydice (see No. 813). folio. In London [1791]. Out of Place (see No. 816). 937. RIGHINI (Vincenzo). Armida, dramma. and German text. In vocal score. Italian oblong folio. Leipsic. 938. ROOKE (William Michael). Amilie, or the Love Test; an opera the principal vocalists engaged in the early representations 939. ROSSINI (Gioachino). L'Inganno Fortunato, opera semi seria. In vocal score. folio. Paris [1812]. 940. ROSSINI (G.). L'Italiana in Algieri, opera comica. In vocal score. Italian and German text. oblong folio. Mainz [1813]. Sigismondo, opera seria. 941. ROSSINI (G.) In vocal score. folio. Paris [1814]. 942. ROSSINI (G.) Il Turco in Italia, opera buffa. folio. In vocal score. In 943. ROSSINI (G.) Elizabetta, Regina d'Inghilterra, opera. In vocal score. Italian and German text. oblong folio. Leipsic [1815]. 944. ROSSINI (G.) Otello, osia L'Africano in Venezia, opera. vocal score. Italian and German text. Tancredi, melodramma eroico. In vocal score. Italian and German text. In one volume. oblong folio. Il Barbière di Siviglia, an opera. 945. ROSSINI (G.) French text. 946. ROSSINI (G.) The same. In vocal score. 947. ROSSINI (G.) La Gazza Ladra, opera. folio. Leipsic [1816]. Leipsic [1813]. Paris [1816]. Italian text. folio. Paris [1816]. In vocal score. folio. Paris [1817]. In vocal score. 948. ROSSINI (G.) Armida, opera semi seria. 952. ROSSINI (G.) Maometto II., grand opera seria. In vocal score. oblong folio. Milan [1820]. 953. ROSSINI (G.) Matilde di Sabran, osia, Corradino, opera semi vocal score. folio. Paris [1821]. Zelmira, opera seria. In vocal score. seria. In 954. ROSSINI (G.) 955. ROSSINI (G.) Semiramide, opera. oblong folio. Vienna [1822]. In vocal score. Two vols. folio. Paris [1823]. 956. ROSSINI (G.) Semiramide, melodramma tragico. In vocal score. Two volumes. oblong folio. Vienna [1823]. 957. ROSSINI (G.) Moise, opera [Altered from the in Egitto, see No. 641]. In full score. 958. ROSSINI (G.) Guillaume Tell, opera en quatre de M.M. Jouy et Hypolite Bis. In full score. oratorio, Mose Paris [1827]. actes, paroles Two volumes. See also Manuscripts, No. 1868. folio. Paris [1829]. N. B. The dates above affixed to Rossini's operas are those of their production. 959. ROUSSEAU (Jean Jacques). Le Devin du Village. Intermède. In full score. folio. Paris [1753 ?] 960. RUSH (George). English Operas, viz. 961. SACCHINI (Antonio). 962. SACCHINI (Antonio). Edipe à Colone, opera. 963. SACCHINI (Antonio). In full score. folio. Paris. In full score. folio. Paris. La Colonie, opéra comique, imité de l'Italien, et parodié sur la musique de Sigr. Sacchini. In full score. 964. SACCHINI (Antonio). Italian Operas, viz. Perseo (see No. 842). folio. Paris. Le Vicende della Sorte (see No. 831). In 965. SALIERI (Antonio). La Grotto di Trofonio; opera comica. full score. Two volumes. folio. Vienna [1785]. 966. SANDERSON (James). Black Beard. See No. 815. 969. SHIELD (William). English Operas, viz.: The Choleric Fathers (see No. 814). Two faces under a hood (see No. 815). In full 970. SMITH (John Christopher). The Fairies, an opera. folio. London [1755]. score. Presented to the Society by Mr. Joseph Surman. 971. SMITH (John Christopher). score. The Tempest, an opera. In full folio. London [1756]. 972. SMITH (John Christopher). The Enchanter, a musical entertainment. (Written by David Garrick.) In full score. P folio. London [1760]. |