12. ISRAEL IN BABYLON, an oratorio, the music selected from the works composed by Mr. Handel. (The overture, songs, a march, and one chorus only.) In vocal score, oblong folio. Published by Walsh, London. Bearbeitung." In vocal score. 13 "JUDAS MACCABEUS, nach Mozart's oblong folio. Bonn and Cologne [1820]. Presented to the Society by the Rev. F. J. Stainforth. Alterations are made in some of the pieces, such as the addition of a short chorus to the air, "Father of Heaven," and the curtailment of the chorus, "Sing unto God." The authenticity of the additional accompaniments is considered doubtful, but this copy being in vocal score only, affords no opportunity for forming any opinion on the subject. 14. "MESSIAH," with the additional accompaniments of W. A. Mozart. In full score; German text. oblong folio, Leipsic. Presented to the Society by Mr. James Taylor. 15. MESSIAH. In full score, with the additional accompaniments of Mozart, and an arranged accompaniment by J. Addison. Plates. 2 vols. folio. London. In vocal score, with an arranged accompaniment by octavo. London. 16. MESSIAH. 17. MESSIAH. Presented to the Society by Mr. R. Cocks. photo-lithography from the original. 18. SAUL. In vocal score. oblong folio. London, 1868. German text. oblong folio. Leipsic. Presented to the Society by the Rev. F. J. Stainforth. 19. REDEMPTION, a sacred oratorio, selected from the works of Handel, by Samuel Arnold, Mus. Doc. In full score. folio. London. 20. APOLLO'S FEAST, or the Harmony of the Opera Stage (a collection of songs from Handel's operas). In full score. (Volumes I. to V.) 21. BASS SONGSs from all his Operas (one part only). folio. London. folio. Published by Walsh, London. 22. SONGS [400], selected from his Oratorios. In separate parts, viz. the voice parts, with a figured bass for the harpsichord, 5 vols. oblong folio; and the instrumental parts, 6 vols. folio. Together 11 vols. London. 23. A SELECTED COLLECTION of his Songs, Duetts, and Trios, in score, with a separate accompaniment for the pianoforte. 2 vols. folio. London. Presented to the Society by the Rev. F. J. Stain forth. 24. SONGS, DUETS, and TRIOS, selected from the Oratorios, &c., of Handel, and arranged from the original manuscript scores, with an accompaniment for the pianoforte, by Sir H. R. Bishop. 7 vols. folio. London. 25. TWELVE DUETS, with a Thorough-bass for the Harpsichord or Bass Violin, collected out of the Operas. To which is added, the celebrated Trio in the Opera of Alcina. folio. Published by Walsh, London. 26. THE BEAUTIES OF HANDEL, consisting of his most favourite Songs, Duets, and Trios; arranged with a separate accompaniment for the pianoforte, and figured from the MS. scores of the Author, by Jos. Corfe. Portrait of Handel. Three vols. in one. oblong folio. 27. OVERTUREN IN PARTITUR, mit Vorwort von C. F. Becker. London. Esther. Porus. Lotharius. octavo. Leipsic. Alexander. 28. FOREST MUSIC, composed by Handel during his residence in Ireland, 1741-2. Arranged for the pianoforte by John Smith, Mus. Doc. folio. Dublin. Presented to the Society by Horatio Townsend, Esq. 29. CONCERTOS for the Harpsichord or Organ. (Three sets of six each). oblong folio. London. 30. SIX CONCERTOS for the Harpsichord or Organ. folio. Published by Wright, London. Bound up with Falkener's Instructions for the Harpsichord. 31. CLAVIER SUITEN. (Printed by Arnold, under the title of "Lessons for the Harpsichord, first published in the year 1720.") oblong folio. Zurich. 32. FUGEN. (Printed by Arnold, under the title of "Six Fugues, or Voluntaries for the Organ or Harpsichord.") oblong folio. Zurich. 33. SEVEN SONATAS for Two Violins and Bass (printed in score in Arnold's Edition of Handel's Works); in separate parts. (Bound up with Boyce's 12 Sonatas.) Three books. Presented to the Society by Mr. E. Spencer. folio. London. 34. FAVOURITE MINUETS from his Operas and Oratorios, with those made for the Balls at Court, for the Harpsichord, &c. octavo. Published by Walsh, London. 35. OVERTURES, from all his Operas and Oratorios. In separate parts, viz., The String Quartet, two Oboes and Organo. 36. OVERTURES complete, from his Oratorios, and Operas, arranged by the Author for the Organ or Pianoforte. folio. London. 37. THE OVERTURES to the following Oratorios, Operas, &c., arranged for a Keyed Instrument. Alexander's Feast. folio. London. Lotharius. Giulio Cesare. Acis and Galatea. Otho. Ariadne. Messiah. Samson. Saul. Deidamia. Also the Anthem, Zadok the Priest. Presented to the Society by Mr. Bowden. 38. A VOLUME, containing the following compositions. folio. London. Eight Grand Choruses from the Messiah, adapted for Keyed Instruments. ditto Eight Choruses from "Judas Maccabæus," "Angels ever bright and fair” (Air in “Theodora "). ditto. ditto. In full score. ditto. 39. SOLOS for a German Flute, a Hoboy, or Violin, with a ThoroughBass for the Harpsichord or Bass Violin; being all choice pieces composed by Mr. Handel, curiously fitted to the German Flute. Two volumes (each containing seven parts) in one. folio. Published by Walsh, London. 40. SONATAS, or Chamber Aires for a German Flute, Violin, or Harpsichord; being the most celebrated Songs and Aires collected out of all the late Operas composed by Mr. Handel. Vol. V., Part I. folio. London. Presented to the Society by Miss Dowling. 41. THE HANDEL ALBUM, containing Oratorio and Opera Airs, arranged for the pianoforte by William Hutchins Callcott. Portrait of Handel and other plates. folio. London [1859]. Presented to the Society by Mr. Christopher Lonsdale. PUBLICATIONS OF VARIOUS SOCIETIES. 42. ACH SOCIETY OF LEIPSIC. The Works of John Sebastian Bach, published by this Society from its establishment in 1851 to the end of 1869. In full score. 19 vols. folio. Leipsic, 1851-69. 1. Kirchencantaten, No. 1-10. This volume contains a portrait of the Composer and a fac-simile of his handwriting. 2. Kirchencantaten, No. 11-20. 3. Clavierwerke. Erster Band. 4. Passionsmusik nach dem Evangelisten Matthäus. 5. Kirchencantaten, No. 21-30. 5. (2da pars.) Weihnachts Oratorium nach den Evangelisten Lucas und Matthäus. 6. Messe in H moll. 6. (2da pars.) Messe in H moll. Zweite Halfte. Neue Redaktion. 7. Kirchentantaten, No. 31-40. 8. 4 Messen, in F dur, A dur, G moll, und G dur. 9. Kammermusik. Erster Band. 10. Kirchencantaten, No. 41-50. 11. Magnificat und vier Sanctus. 11. (2da pars.) Kammermusik fur Gesang. Erster Band. 12. Passionsmusik nach dem Evangelisten Johannes. 12. (2da pars.) Kirchencantaten, No. 51-60. 13. Trauungs Cantaten. 13. (2da pars.) Clavierwerke. Zweiten Band. 13. (3tia pars.) Trauer Ode auf des Starken Christian Eberhardine, Königin von Polen. 14. Das Wohltemperirte Clavier. 17. Kammermusik. Zweiter Band. 18. Kirchencantaten, No. 71-80. (Concerte fur Clavier, &c.) 19. Kammermusik. Dritter Band. (Sechs Concerte.) 43. HANDEL SOCIETY. See Handel's Works, No. 4. 44. HANDEL SOCIETY (German). See Handel's Works, No. 5. 45. MOTETT SOCIETY. Collection of Ancient Church Music, consisting of Selections from the Works of Composers of the 16th and 17th Centuries; such pieces as are by foreign composers being adapted to English words. 3 vols. folio. London, 1842. 46. MUSICAL ANTIQUARIAN SOCIETY. The works published by this Society, from its establishment in 1840 to its dissolution in 1847. In score. London, 1840-47. Bound in 6 vols. folio. VOLUME I. Dido and Æneas, a tragic opera, composed by Henry Purcell. Edited by G. A. Macfarren. C Bonduca, a tragedy, with music composed by Henry Purcell. Edited, and King Arthur, an opera, composed by Henry Purcell. Edited by Edward Ode, composed for the anniversary of St. Cecilia's Day, 1692, by Henry VOLUME II. The Works of John Wilbye, consisting of Two Sets of Madrigals, and VOLUME III. A Mass for five voices, composed by William Byrd. Edited, and preceded Book I. of Cantiones Sacræ, for five voices, composed by William Byrd. A Collection of Anthems for voices and instruments, by Composers of the VOLUME IV. The First Set of Madrigals, composed by Thomas Bateson. Edited by Edward F. Rimbault. The First Set of Ballets, for five voices, composed by Thomas Morley. The First Set of Madrigals, composed by Thomas Weelkes. Edited by VOLUME V. Madrigals and Motets, for five voices, composed by Orlando Gibbons. Fantasies, in three parts, composed for viols, by Orlando Gibbons. Edited Parthenia, or the first Musick ever Printed for the Virginals, composed by F. Rimbault. Edited by Edward Madrigals for four voices, composed by John Bennet. Edited by Edward VOLUME VI. Ayres, or Fa Las, for three voices, composed by John Hilton. Edited by The First Set of Songs, in four parts, composed by John Dowland. Edited Edward F. Rimbault. This volume also contains the Reports of the Proceedings at the Annual Meetings of the Society, Lists of the Members, &c. Fac-similes of the title-pages, dedications, &c., of the original editions of such works as had previously been printed, accompany the several publi cations. THE SAME. Another copy. 19 books. 47. ACCOMPANIMENTS for the Pianoforte or Organ, to the following works published by the Musical Antiquarian Society, com |