Pin-Up Grrrls: Feminism, Sexuality, Popular Culture

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Duke University Press, 31 may. 2006 - 444 páginas
Subverting stereotypical images of women, a new generation of feminist artists is remaking the pin-up, much as Annie Sprinkle, Cindy Sherman, and others did in the 1970s and 1980s. As shocking as contemporary feminist pin-ups are intended to be, perhaps more surprising is that the pin-up has been appropriated by women for their own empowerment since its inception more than a century ago. Pin-Up Grrrls tells the history of the pin-up from its birth, revealing how its development is intimately connected to the history of feminism. Maria Elena Buszek documents the genre’s 150-year history with more than 100 illustrations, many never before published.

Beginning with the pin-up’s origins in mid-nineteenth-century carte-de-visite photographs of burlesque performers, Buszek explores how female sex symbols, including Adah Isaacs Menken and Lydia Thompson, fought to exert control over their own images. Buszek analyzes the evolution of the pin-up through the advent of the New Woman, the suffrage movement, fanzine photographs of early film stars, the Varga Girl illustrations that appeared in Esquire during World War II, the early years of Playboy magazine, and the recent revival of the genre in appropriations by third-wave feminist artists. A fascinating combination of art history and cultural history, Pin-Up Grrrls is the story of how women have publicly defined and represented their sexuality since the 1860s.

 

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Pin-up grrrls: feminism, sexuality, popular culture

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Weaving commentary from academia with testimony from such sources as Salt N Pepa and sex worker Annie Sprinkle, Buszek's authorial debut shows how the evolution of the pin-up is inextricably tied to ... Leer reseña completa

Índice

Representing Awarishness The Theatrical Origins of the Feminist PinUp Girl
27
New Women for the New Century Feminism and the PinUp at the Fin de Siecle
69
The Return of Theatrical Feminism EarlyTwentiethCentury PinUps on the Stage Street and Screen
115
Celebrating the Kind of Girl Who Dominates Film Fanzines and the Feminist PinUp
142
New Frontiers Sex Women and World War II
185
Pop Goes the PinUp New Roles and Readings in the Postwar Era
232
Our BodiesOurselves PinUps in the Wake of Womens Liberation
268
From Womyn to Grrrls The Postmodern Feminist PinUp
311
ConclusionCommencement
355
Notes
365
Bibliography
403
Index
437
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Sobre el autor (2006)

Maria Elena Buszek is Assistant Professor of Art History at the Kansas City Art Institute and a regular contributor to Bust magazine.

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