CRITICAL AND COLLECTED WRITINGS, Essays and Studies. AMERICA-SONNECK (0. G.), Early Concert-Life in 1897 BACH. BRUNCK (C. van), Technische und Asthetische Analysen des Wohltemperirten Claviers, S. Bach, 188 pp., 8vo, cl., 7/6, scarce. Leipzig, 1867 RIEMANN (H.), Analysis of Bach's 48 Preludes and Fugues, 2 vols., 4/6. SAMPSON (Brook), A Digest of the Analysis of Bach's 48 Fugues, 3 vols., 8vo. 5/1905-7 VOIGT (Dr. W.), Die Kirchencantaten J. S. Bachs, 176 pp., 8vo, 5/Stuttgart, Modern BAUGHAN (E. A.), Music and Musicians, 324 pp., cl., 5/1906 BAZAILLAS (A.), Musique et Inconscience, Introduction a la Psychologie de l'Inconscient, 320 pp., 8vo, 5/Paris, 1908 BEETHOVEN.-BERLIOZ (H.), A Critical Study of B.'s 9 Symphonies, trans. Evans, 165 pp., cl., 5/6. Modern ex ELTERLEIN (E.), B.'s Pianoforte Sonatas plained for the Lovers of the Musical Art, 141 pp., cr. 8vo, cl., 4/1898 ELTERLEIN (E.), B.'s Symphonies in their Ideal Significance, Explained, 143 pp., cl., 4/6. Modern LENZ (W. de), Beethoven et ses Trois Styles, analyses des Sonates suivi de l'essai d'un Catalogue critique, chronologique et anecdotique de l'oeuvre de B., 2 vols. in 1, hf. bd., 15/-, scarce. Paris, 1855 GROVE (Geo.), B. and His 9 Symphonies, 406 pp., cl., 12/Modern MARX (A. B.), Anleitung zum Vortrag Beethovenscher Klavierwerke, Neue Auflage herausgegeben von R. Hooker, 167 pp., 8vo, cl., 4/- [1903] BRAHMS. EVANS (Edwin), Historical, Des BULOW (Hans von), Ausgewahlte Schriften, Leipzig CHOPIN KLECZYNSKI (J.), Chopin's Greater W How they should be Understood, trans. with tions by N. Janotha, ports. and facsimile, 11 cl., 5/6. M KLECZYNSKI (J.), The Greater Works of C and their Interpretation, music examples, 76 cl., 3/ CORNELIUS (C. M.), Peter Cornelius, Literar D'INDY (V.), De Bach à Beethoven, 12 pp., 8vd DOLMETSCH (A), The Interpretation of Musi the 17th and 18th Centuries, revealed by Con 1911 porary Evidence, with appendix of 22 illustr MIDGLEY (S.), Handbook to B.'s Sonatas for Violin and Pf., 68 pp., 8vo, 276. Symphonien, erlautert mit Notenbeispielen von Erlanger, Helm, Morin, Radecke, Sittard und Witting, 222 pp., cl., 4/6. Berlin NORTHCOTT (R.), B.'s Fidelio in London, 21 pp., 2/6. 1918 TEETGEN (A.), B.'s Symphonies Critically Discussed, 118 pp., cl., 3/London, 1879 ZIMMERMANN (F.), Beethoven und Klinger, Eine vergleichend-asthetische Studie, 51 pp., roy. 8vo, 4/Dresden, 1906 BERLIOZ.-A Travers Chants, Etudes Musicales, Adorations, Boutades et Critiques, 1st ed., 336 pp., 10/-, scarce Paris, 1862 Gluck and his Operas, trans. by E. Evans, 167 pp., cl., 5/Modern Les Musiciens et La Musique, 348 pp., 4/- Paris LISZT (F.), Hector Berlioz und seine Harold Symphonie, Deutsche bearbeitet von L. Ramaan, 85 pp., 8vo. cl., 4/6. Leipzig, 1881 BERINGER (0.). Fifty Years' Experience of Pfte. Teaching and Playing, illus., 72 pp., 1/6. Modern BERTRAND (G.), Les Nationalites Musicales Etudices dans le drame lyrique, 364 pp., hf. bd., 5/Paris, 1872 BLACKBURN (V.), The Fringe of an Art, Appreciations in Music, 181 pp. sq. 8vo, cl., 7/6 1898 BORDES (C.), Du Sort de la Musique Religieuse en France, devant les lois actuelles, precede d'une lettre de D'Indy, 12 pp.. roy. 8vo, 4/- Paris, 1905 BOUGHTON (R.), and BUCKLEY (R. R.), MusicDrama of the Future, Uther and Igraine, Choral Drama, 93 pp., 8vo, cl., 2/6. 1909 pieces, 493 pp. text, 42 pp. music, the 2 vols., DRAMA.-WEITBRECHT (C.), Das Deutsche Dra Grundznge seiner Esthetik, 267 pp., 8vo, cl., Berlin, DUNHILL (T. F.), Chamber Music, a Treatise Students, many musical examples, 311 pp., cl., 12/6. EATON (T. D.). Musical Criticism and Biogra from the published and unpublished writings. by his Sons, 290 pp., hf. cf., 4/6, or cloth c soiled, 3/ ECORCHEVILLE (J.), Corneille et La Musique pp., 4to, 8/6. Paris, EDWARDS (H. Sutherland), Famous First Rey sentations, 253 pp., cl., 4/6. carce. 1911 1874 SEC.-HELLOUIN (F.). Gossec et la Musique rancaise a la fin du XVIII Siecle, 196 pp., 7/6, Paris, 1903 AVES (C. L.), Post-Victorian Music, with other tudies and Sketches, 369 pp., cl., 5/ETRY.-Memoires ou Essais sur la Musique par retry, Nouvelle Edition augmentee de notes et bliée par J. H. Mees, 3 vols., 969 pp., hf. cf., 15/Paris, 1829 DOW (W. H.), Studies in Modern Music, Berlioz, humann, Wagner, portraits, 335 pp., cl., 8/6. 1855 EFFER (F.), Musical Studies, a Series of Conributions, 262 pp., cl., 4/1880 hopin; Schopenhauer; Ring of the Nibelung; uch Opera; The Chances of English Opera, etc. NEKER (Jas.), Bedouins (Mary Garden, Debussy, hopin, or the Circus, Botticelli, Poe, Brahmsody, natole France, Caruso on Wheels, A Masque of Music, etc.), 271 pp., cl., 4/Modern - Mezzotints in Modern Music, Brahms, TschaiCowsky, Chopin, R. Strauss, Liszt and Wagner, 18 pp.. cl., 8/6. Nin), Pour l'Art, 64 pp., 2/6. 1918 MNODY.-HEWITT (T. B.), Paul Gerhardt as a Hymn Writer, and his Influence on English Hymndy, 169 pp., 8vo, 6/6. Yale Univ. Press, 1918 HN (0.), Gesammelte Aussatze uber Musik, 337 p.. hf. cf., 76. Leipzig, 1866 EBOULT (H. A.), Composers and Music of Belgium, 16 pp., 8vo, 2/1915 OACHIM (J Paris, 1909 ULLIEN (A.), Musiciens D'Anjourd'hui. Ouvrage orne de 12 portraits en frontispiece et de 32 autographes de compositeurs celebres, 456 pp., cl., 5/6. Paris, 1892 Musique, Melanges d'histoire et de critique musicale et dramatique, illustrations, portraits, aricatures, autographs, 462 pp., 5/6. Modern, Paris ASSNER (R.). Die Moral der Musik. Sechs Briefe des Joachim Fortunatus an Irgend Einen Musiker, Tebst Einem Vorspiel, Joachim Fortunatus Gewohnheiten und Redensarten, 210 pp., sq. 8vo, limp mor.. 6/Munchen, 1905 ASTNER (G.), Les Danses des Morts. Dissertations Recherches historiques, philosophiques, litteraires et musicales sur les divers monuments de ce genre qui existent ou qui ont existé tant en France qu'a l'Etranger. Acc. de La Danse Macabre ocale et Instrumentale, etc., thick folio, finely d. in hf. mottled cf. gilt, £2/10/6. Paris. 1852 10 pp. of text, 20 plates representing subjects awn in connection with the Danses des Morts of 14th, 15th, 16th and 17th centuries, and 44 ates of music. Les Sirens, Essai sur les principaux Mythes relatifs a l'Incantation les Enchanteurs, la Musique Magique, le Chant de Cygne, etc. Considérés dans leurs Rapports avec l'Histoire, la Philosophie, la Litterature, et les Beaux Arts, suvi de La Reve d'Oswald ou Les Syrenes, Grand Symphonie Dramatique, 164 pp. text, 207 pp. music, thick folio, hf. bd., £2/15/Paris, 1858Orne de nombreuses Figures representant des sujets mythologiques tires des monuments antique et modernes. KULLAK (Dr. A.), Die Esthetik des Klavierspiels, 404 pp., cl., 4/Berlin, 1889 LABARTHE (G.), Le Theatre pendant les Jours du LA MARA.-Aus der Glauzzeit der Weimarer Altenburg, Bilder und Briefe aus dem Leben der Furstin Caroline Sayn-Wittgenstein, mit Abbildungen, 444 pp., cl., 8/6. Leipzig, 1906 Classisches und Romantisches aus der Tonkunst, 361 pp., cl., 4/6. 1892 Thoughts of Great Musicians, 71 pp., cl., 2/6, Modern paper cover, 1/6. LANGE (D. de), Expose d'une Theorie de la Musique, 75 pp., 8vo, 4/Paris, 1908 LASSERRE (P.), Les Idées de Nietzsche sur la Musique, 210 pp., 4/ Paris, 1907 LATHAM (M., Mus. Bac.), The Renaissance of Music, musical examples, 190 pp., 8vo, cl., 5/- 1890 Willaert and the Venetians--Palestrina-Peri and the Florentines-Monteverde and Mantua-The Chiesa Nuova, etc. LAURENCIE (L. de la), Le Gout Musical en France, 356 pp., 5/6. Paris, 1905 LAVIGNAC (A.), La Musique et Les Musiciens, contenant 94 figures et 510 exemples en musique, 592 pp., hf. bd., 5/6 (paper covers, 4/6). Paris, 1895 LIGHTWOOD (J. L.), Hymn-Tunes and their Story,. musical examples, 402 pp., 8vo, cl., 10/- [1905] LES LEGENDES DE L'ART, Musiciens. Ouvrage Illustre de 30 Gravures, 239 pp., 8vo, cl., 5/- Paris Lulli, Rameau, Tartini, Pergolese, Haydn, Mozart, etc. LISZT.-CLARK (F. H.), Liszt's Offenbarung, Schlussel zur freiheit des Individuums, 320 pp., sq. 8vo. cl., 10/6. Berlin, 1907 Des Bohemiens et de Leur Musique en Hongrie, finely printed ed., 538 pp., 8vo, cl., 15/Leipzig, 1881 LA MARA, Gesammelte Schriften von Franz. Liszt, 6 vols. in 4, thick 8vo, hf. cf., £2/10/6. Leipzig, 1880-83 Ditto, 2nd revised edn., 6 vols. in 7, 8vo, cl., £2/18/6. Leipzig Gesammelte Schriften von Franz Liszt, Herausgegeben von Julius Kapp, 4 vols. in 2, cl., 10/6. Leipzig, 1910 LOBE (J. C.), Consonanzen und Dissonanzen, Gesammelte Schriften aus alterer & neuerer Zeit.. 462 pp.. 7/6. Leipzig, 1869 LOCKE (A. W.), Music and the Romantic Movement in France. 184 pp.. cl., 4/6. 1920 LUNN (H. C.). Musings of a Musician, a Series of Popular Sketches illustrative of Musical Matters and Musical People, 1st edn., 205 pp., cl., 5/6. 1846 Ditto, new edn.. 204 pp., cl., 4/1854 Ditto. ditto, 6/6. Presentation copy to "A. H. Littleton," with autograph letter from the author. MARA, Musikalische Studienkopfe von La Mara, vols. 1-4, neatly bound in hf. cf., 8/- Leipzig, N.D. MACKINLAY (M. Sterling), Antoinette Sterling and other Celebrities, Stories and Impressions of Artistic Circles, 16 portraits and various facsimiles.. 339 pp., 8vo, cl., 6/1906 CRITICAL WRITINGS (continued) 1919 MARCUS (H.), Musikasthetische Probleme auf vergleichend-asthetischer Grundlage nebst Bemerkungen uber die grossen Figuren in der Musikgeschichte, 132 pp., cl., 3/Berlin, 1906 MARMONTEL (A.), Elements d'Esthetique Musicale et Considerations sur le Beau dans les Arts, 441 pp., 6/Paris, 1884 MARSOP (P.), Studienblatter eines Musikers, 475 pp., 5/Leipzig, 1903 MASON (D. G.), The Romantic Composers, portraits and musical examples, 353 pp., cl., 14/MENDELSSOHN.-HATHAWAY (J. W. G.), An Analysis of Mendelssohn's Organ Works, a Study of their Structural Features for the use of Students, portrait, facsimile and music examples, cl., 5/Modern MIRACLE PLAY IN ENGLAND, An Account of the Early Religious Drama, by S. W. Clarke, 94 pp., el., 6/6, scarce. Modern MOUSSET (P.), Les Procedes du Langue Musical, leur theorie et leur application pratique, 150 pp., 8vo, 5/Bruxelles, 1909 MOZART.-MERIAN (H.), Mozart's MeisteropernFigaro, Don Juan, Zauberflote, Historisch, textlich und musikalisch, 223 pp., cl., 4/ Berlin POLE (Wm.), The Story of Mozart's Requiem, with facsimile, 91 pp., 8vo, 2/1879 TOBIN (J. R.), Mozart and the Sonata Form, 156 pp., cl., 4/Modern WALDERSEE (P. Graf.), Die Gesammtausgabe der Werke Mozart's, 8vo, 1/6. Leipzig, 1879 Don Giovanni, a Commentary, by Chas. Gounod, trans. by Clark and Hutchinson, 144 pp., cl., 4/6. 1895 MUSIC IN PARIS.--LESALLE (A. de), La Musique Pendant Le Siege de Paris, Impressions du moment et souvenirs anecdotiques, 130 pp., 8vo, 4/6, scarce. Paris, 1872 MUSIC-STUDY IN GERMANY, from the Home Correspondence of Amy Fay, 328 pp., cl., 4/6. 1897 MUSIQUE ET MUSICIENS AN 17th SIECLE, Correspondance et Euvre Musicales de Constantin Huygens, publiees par W. J. A. Jonckblost et J. P. N. Land, facsimiles, etc., and 39 Airs, etc., special subscriber's copy, with Dr. Cummings's book-plate, 4to, cl., £2/2/Leyde, 1882 BAUMANN (E.), Das goldene Zeitalter der Tonkunst in Venedig, 48 pp., 8vo, 3/- Berlin, 1876 1905 Deutsche Tondichter von Sebastian Bach, bis auf die Gegenwart, 377 pp., cl., 4/6. Berlin, 1879 WAYLOR (E. W.), An Elizabethan Virginal Book, being a Critical Essay on the Contents of a Manuscript in the Fitzwilliam Museum at Cambridge, illustrated, 220 pp., cl., 15/-, scarce. WEHRLICH (C. G.), Die Gesangkunst, Physiologisch, Psychologisch, Asthetisch, und Pedagogisch dargestellt, 500 pp., 8vo, cl., 5/- Leipzig, 1853 NESICHT (R.), Das goldene Zeitalter der Klaviersonate, 61 pp., 2/Bonn NEWMAN (Ernest), A Musical Motley (Essays and Criticisms), 326 pp.. cl., 7/6. 1920 1914 Musical Studies. 319 pp., cl., 5/NIETZSCHE (F.), Also Sprach Zarathustra, ein Buch fur Alle und Keinen, 476 pp., 8vo. 5/Leipzig, 1896 PARRY (C. H. H.), Evolution of the Art of Music. 342 pp.. cl., 7/6. 1920 Studies of Great Composers. 376 pp., nicely bound in hf. green cf. gilt, 15/-, or cl., 6/Modern Style in Musical Art, an Inaugural Lecture delivered at Oxford, 24 pp.. 8vo. 1/1900 PASQUE (E.). Aus der Welt der Tone, Erlebnisse eines Madchen-Quartetts im Haidehause. Onkel Reinhold's Erzahlungen aus dem Bereich der Oper, des Volkslieds, des Kunstlerthums und des Tanzes. Illus.. 472 pp., cl., 6/6. PEDRELL (F.), La Festa d'Elche Leipzig, 1878 ou le Drame Lyrique Liturgique Espagnol, 51 pp., 3/ 1906 PELLICCIA (V.), Guido Aretino, ossia stituzione di Canto Fermo et Fratto, sui lavori dei piu antichi e recenti autori 8vo, 7/6. Na PILO (M.), Psychologie der Musik, Deuts gabe von C. D. Pflaun, 222 pp., 8vo,_cl., Leip PLUTARCH ON MUSIC, Original and Translation, page by page, 115 pp., cr. 12/6, scarce. Chisw Another copy, with some errors in the translation corrected in neat handwriting PLUTARQUE, De La Musique, Edition Cri Explicative par H. Weil et T. Reinach, 8vo, 15/Pa POCHHAMMER (A.), Einfuhrung in die Mu pp., 2/POLE (Wm.), The Philosophy of Music, Svo, cl., 6/6. S Has 21 chapters dealing with Sound, So Musical Instruments, History of the Musical Ancient Modes, Modern Tonality, Melody, H and Counterpoint, etc. POUGIN (A.), Monsigny, et son temps. L Comique et la Comedie-Italienne, les aute compositeurs, les chanteurs, 36 illus. d'ap estampes originales, 249 pp., 8vo, 7/6. Par RELLSTAB (L.), Musikalische Beurtheilunge pp., bds., 2/Leipzig REYMOND (H.), Physiologie de l'Harmonie, 18 8vo, 5/Lausanne, ROEDER (M.), Aus dem Tagebuch eines War den Kapellmeisters, Musikalische, Humoreske Deutwurdigseiten, 137 pp., 3/- Leipzig Place of Sciend Buissoniere, Note Modern, RUNCIMAN (J. F.), Old Scores and New Rea Berlin Portraits et Souvenirs (Berlioz, Liszt, Go etc.), 246 pp., 8/6, scarce. Modern, SAMMLUNG MUSIKALISCHER VORTRAGE, ausgegeben von Paul Graf Waldersee, 5 vols.. 2,000 pp., 8vo, cl., £2/18/6. Leipzig, 18 Contains valuable papers on music by em authorities. SCHILLING (G.), Der Pianist oder die Kunst Clavierspiels, in ihrem Gesammtumsange t etisch-praktisch, 396 pp., 8vo, 3/-, used copy Osterode, SCHUMANN (R.), Music and Musicans, 2 vols., t cl., 16/6 (or vol. 1, 6/-). R. Schumann's Symphonien u. A. erlautert Notenbeispielen von H. Botstiber. etc., 134 cl., 4/Be SCHRATTENHO..Z (J.). Robert Schumann Schriftsteller Spruche aus seinen Schriften Musik und Musiker, 84 pp., 8vo, cl., 4/6. Leipzig, SCHURE (Ed.). Le Drame Musical. 1. La Musi et la Poesie dans leur Developpement Historiq 2, Richard Wagner son Euvre et son Idée, 2 vo 5/6. Paris, SEIDL (Dr. A.), Vom Musikalisch-Erhabenen, Beitrag zur Esthetik der Tonkunst, 275 pp., 3/6. Leipzig, SHAKESPEARE.-COWLING (G. H.). Music on Shakespearian Stage, illustrated, 116 pp., cl., NAYLOR (E. W.). Shakespeare and Music, w illustrations from the music of the 16th and 1 centuries, 225 pn., sq. 8vo, cl., 4/ A List of all the Songs and Passages in Shal peare which have been set to Music, compiled Greenhill. Harrison and Furnivall, the words. old spelling from quartos and first folio, ed. Furnivall and Stone. 112 pp., sm. 4to, 10/-, scar Pub. for New Shakspere Socy., 1 [WEBB (Daniel)], Observations on the Correspond- Berlin, 1908 THE MODERN ORCHESTRA. ID-TEACHER'S GUIDE AND BANDSMAN'S AD- ALIOZ (H.), The Art of the Conductor, trans. by roadhouse, 41 diagrams, etc., 63 pp., cl., 3/ - Instrumentation, roy. 8vo, cl., 15/- Ditto, another copy, cl., 10/ Modern ARKE (Hamilton), a Manual of Orchestration, with an Appendix by Geo. Oakey, 124 pp., 2/6. Modern OGER (T. R.), Notes on Conductors and Conductng, cr. 8vo, cl., 3/6. Modern 1908 LY (W. H.), The Concert-Goer, a Handbook of he Orchestra and Orchestral Music, illus., 96 pp., , 3/ 1900 TZGERALD (J.), Modern Instrumentation, for String, Military and Brass Bands, 45 pp., cl., 3/Modern GO (E.), Dans les Propylées de l'Instrumentaion, 273 pp., 8vo, 4/6. DLER (F. G.), A Handbook of Orchestration, usical illus. and 4 compass charts, 134 pp., cl.. /6. RSYTH (C.), Orchestration, 517 pp., 8vo, cl., 25/1914 The best and most up-to-date work on the subject. BIFFITHS (Lieut. S. C.), The Military Band, How Form, Train and Arrange for Reed and Brass 1921 Bands, many musical illus., 67 pp., 4to, cl., 7/6. Modern Chapters on Various Instruments, Arranging from Scores, Training of Bands, Art of Conducting, etc. KLING (H.), Populare Instrumentationslehre oder Die Kunst des Instrumentierens, mit genauer Beschreibung der Eigentumlichkeiten aller Instrumente, 143 pp. text, 147 pp. music, 8vo, cl., 21/Hannover MOOR (E.), The "Modern" Orchestra, 15 pp., 8vo, 1/6. [1920] RICCI (V.), L'Orchestrazione, Nella sua essenza nella sua evaluzione e nella sua tecnica, Manuale ad uso degli allievi di composizione e dei cultori delle discipline musicali, 515 pp., cl., 12/6. Milano, 1920 RIEMANN (Dr.), Catechism of Musical Instruments, 104 pp., limp cl., 3/Modern Catechism of Orchestration, 115 pp., cl., 3/- RIMSKY-KORSAKOW.-Principes WEINGARTNER (F.), On Conducting, trans. by Er- Edition in French, 276 pp., 8vo, hf. cf., 12/6. MUSICAL APPRECIATION. ANTCLIFFE (H.), Living Music, Popular Introd. to the Methods of Modern Music, 101 pp., 8vo, cl., 3/ Modern How to Enjoy Music, 165 pp., cl., 4/6. 1921 Short Studies in the Nature of Music, 245 pp., cl., 4/6. 1920 BANISTER (H. C.), Lectures on Musical Analysis, with music examples, 376 pp., cr. 8vo, cl., 5/- 1887 One of this eminent teacher and professor's most instructive works, written, as he says, "that you may intelligently enjoy the music that you practice or listen to, by understanding its structure.' Musical Art and Study, 63 pp., cl., 2/1888 BARTHOLOMEW (M.), and LAWRENCE (R.), Music for Everybody, Organisation and Leadership of Community Music Activities, 120 pp., cl., 4/- [1920] BAZAILLAS (A.), Musique et Inconscience, Introduction a la Psychologie de L'Inconscient, 320 pp., 8vo, 5/Paris, 1908 BOUASSE (H.), Bases Physiques de la Musique, 109 pp., cr. 8vo. cl., 3/6. [1906 j COLLES (H. C.), The Growth of Music. Pt. 1, From the Troubadours to J. S. Bach; Pt. 2, Age of the Sonata, from Bach to Beethoven; Pt. 3, Ideals of the 19th Century, all cl., 3/6 per vol. COX (G. H.), Thoughts on Music, Psychology and Christianity, 8vo, 2/Modern CURWEN (Mrs. J. S.), Psychology Applied to Music Teaching, 304 pp, cl., 15/Modern DANION (L.), La Musique et l'Oreille. Bases rationelles de la Musique. Le faux pas de l'Art nouveau ou Musique dite de l'Avenir, 429 pp., cl., 5/Paris, 1907 DICKINSON (Edward), Art of Listening to and Appreciating Good Music, or the Education of a Music Lover. 293 pp., cl., 7/6. 1910 D'OLIVET (F.), La Musique. Expliquée comme science et comme art et considérée dans ses rapports analogiques avec les mysteres religieux la mythologie ancienne et l'histoire de la terre, euvre posthume, publiée par les soins de R. Philipon, 93 pp., 8vo, cl., 5/ 1919-20 Paris EDWARDS (J. H.), God and Music, 319 pp., cl.. 3/6. 1904 ELSON (A.), Music Club Programmes from All Nations, giving an Historic Outline of each National School of Music, illus., 185 pp., cl., 8/- [1907] EYLAU (W. and C.), The Profession of Teaching Music, 154 pp., . sq. 8vo, bds., 4/- Leipzig, 1906 STATHAM (H.), Form and Design in Music, a Brief Outline of the Esthetic Conditions of the Art, addressed to General Readers, music examples, 114 pp., 8vo, el (5/-), 2/3 1893 FULLER-MAITLAND (J. A.), The Musician's Pilgrimage, a Study in Artistic Development, 152 pp.. cr. 8vo. cl., 5/ 1899 GLYN (M. H.). Analysis of the Evolution of Musical Form, 331 pp., 8vo, cl., 7/6. 1909 The Rhythmic Conception of Music, 191 pp., cr. 8vo, cl., 3/1907 GODDARD (J.), Musical Development, or Remarks on the Spirit of the Principal Musical Forms, 146 pp.. 8vo, cl., 2/6. GOHLER (Dr. G.), Uber musikalische Kultur, 48 pp., cr. 8vo, 21Leipzig, 1908 GOSLING (H. F.), Music and its Aspects, Essays on Music and its Relations to Nature, Humanity, Science and History, etc., 237 pp., cl.. 3/- Modern GRAVES (C. L.), Diversions of a Music-Lover, cl.. 3/9. 1904 HADDEN (J. C.), Master Musicians. a Book for Players. Singers and Listeners, portraits, 254 pp.. cl., 4/6. HAND (Dr. F.). Esthetics of Musical Art, vol. 1 (all translated). 187 pp.. 8vo. cl., 4/1880 HANSLICK (Dr. E.), The Beautiful in Music, a Contribution to the Revisal of Musical Esthetics, 7th ed., enlarged, 174 pp., cl.. 8/ 1909 1891 Bom Musikalisch-Schonen, Beitrag zur Revision der Esthetik der Tonkunst, 118 pp., 8vo, cl., 3/Leipzig, 1858 HENDERSON (W. J.), How Music Developed cal and Explanatory Account of the GI Modern Music, 413 pp., cl., 5/-. What is Good Music?, Suggestions to desiring to Cultivate a Taste in Musical pp., cl., 5/ HENRY (Leigh), Music, What it Means and Understand it, a Handbook of Musical A tion for Children, 2/6. KOBBE (G.), How to Appreciate Music, 256 7/6, scarce. KREHBIEL (H. E.), How to Listen to Mu pp., cl., 5/ Music and Manners in the Classical Perio Pergolese to Beethoven, with music examp pp., cl. (6/-), 3/6 MACPHERSON (S.), Melody and Harmony, a tise for the Teacher and the Student, 297 p 4to, 12/6. Music and its Appreciation, or the Found of True Listening, 166 pp., 8vo, cl., 5/MATHEWS (W. S. B.), How to Understand a Concise Course in Musical Intelligence and with Pronouncing Dictionary and Condense cyclopædia of Musical Terms, Instruments, posers and Important Works, 300 pp., 8vo, cl. MC EWEN (J. B.), Foundations of Musical Esth or the Elements of Music, musical illustra 124 pp., cl., 2/6. M The Thought in Music, an Enquiry int Principles of Musical Rhythm, Fhrasing an pression, 233 pp., 8vo, cl., 4/6. MEANINGS OF MUSIC, by F. Traill. 92 pp.. cl. Boston, U.S.A. MILLS (E.), The Study of Music as a Means of cation, with other Addresses, 73 pp., cl., 2/9. MONTAGU-NATHAN (M.), The Orchestra and to Listen to It, musical illus., 128 pp., cl., NEWLANDSMITH (E.), The Temple of Art, a for the Higher Realisation of the Artistic tion, 151 pp., sq. 8vo, cl., 3/- Paignton, ON LISTENING TO MUSIC, by E. Markham numerous musical illus., 159 pp., cl., 4/6. Mo PATTERSON (A. W.), Chats with Music Lovers pp., cl., 3/Mo How to Listen to an Orchestra, illus., 207 cl., 4/6. Chapters: What we See from the Audience; eral Impression of the Sound-Picture; Bow-str String; Wood-wind Colouring; Humour in the Ba Trombone Family; Barbarism and Rhythm; M arch among Instruments; Differences bet "Bands"; Sketch of Orchestra from Primi Times, etc. [19 POLLITT (A. W., D.Mus., Lecturer in Music, versity of Liverpool), The Enjoyment of Mu with musical illus., cl., 6/PRESCOTT (0.), About Music and What it is M of, a Book for Amateurs, 276 pp., 2/6. RAYMOND (G. L.), Rhythm and Harmony in Poet and Music, together with Music as a Represen tive Art, Two Essays in Comparative Esthet 344 pp., 8vo, cl., 7/6. New York, SCHMITT (H.), Natural Laws of Musical Expressi trans. by F. A. van Santford, 47 pp., sq. 8vo, li cl., 2/[18 SCHOLES (Percy A.), An Introduction to Brit Music, 127 pp., cl., 2/6. [19 Everyman and His Music, Simple Papers Varied Subjects, 174 pp., cl., 2/6. Mod Listener's Guide to Music, with a Conce Goer's Glossary, 106 pp., bds., 3/6. Book of the Great Musicians, a Course in preciation for Young Readers, 124 pp., cl., 1 |