If one, through Nature's bounty or his Lord's, From tail to mouth, they feed and they carouse: F. This filthy simile, this beastly line, Quite turns my stomach.-P. So does flattery mine: But hear me further :-Japhet, 'tis agreed, Writ not, and Chartres scarce could write or read, This part of the simile was doubtless intended to point to the parsimony of the Court. 2 He now diverges into a fresh argument. Hitherto he has been excusing himself for the preponderance of blame over praise in his verse; but apart from all personal feeling, he continues, the true inspiring motive of my satire is "the strong antipathy of good to bad " (ver. 198). 175 180 185 190 195 Epistle to Lord Bathurst.-POPE. See Moral Essays, iii. 86 and note. Pope evidently derived his knowledge of Japhet Crook's history from a pamphlet called The Unparalleled Im postor, published in 1731. In this many of Japhet's letters are printed, and they go far to confirm Pope's statement that he could not write. The following, enclosing to Hawkins, his dupe, one of his forged deeds, exhibits the extent of his literature: "Worthy Sir: Inclosed in the Bage is the Grant from the Crown with the other Writeinges be pleased to Take them home with you and at your own Laziour Peruse them Ask you what provocation I have had? The strong antipathy of good to bad. When truth or virtue an affront endures, The affront is mine, my friend, and should be yours. 200 Mine, as a foe professed to false pretence, Mine, as a friend to every worthy mind; And mine as man, who feel for all mankind.' F. You're strangely proud. P. So proud, I am no slave: O sacred weapon! left for Truth's defence, Sole dread of folly, vice, and insolence! The Muse may give thee, but the gods must guide: and If it may be your Pleasuer to be Consernd or to serve Me int I shall make the Tittell as good and firm as any on earth and all that I have Afirmed of it is truth. Your Most obledged obeidant Humbell Servant Till He's I Crook &c." 1 From Terence : Homo sum: 205 210 215 Leur cœur, qui se connoit, et qui fuit la S'il se moque de Dieu, craint Tartuffe et 3 He probably means Westminster Hall, the local habitation of the Law and Justice. 4 The good Eusebius, in his Evan humani nihil a me alienum puto. gelical Preparation, draws a long POPE. 2 This seems fabricated from the materials of Boileau, Discours au Roi, v. 99: En vain d'un lâche orgueil leur esprit revêtu So couvre du manteau d'une austère vertu : parallel between the ox and the Christian priesthood. Hence the dignified clergy, out of mere humility, have ever since called their thrones by the name of stalls. To which a great prelate of Winchester, one W. Edinton, modestly alluding, has Ye tinsel insects! whom a Court maintains, When black Ambition stains a public cause, Not so, when diademed with rays divine, 920 925 230 rendered his name immortal by this ecclesiastical aphorism, who would otherwise have been forgotten: "Canterbury is the higher rack, but Winchester is the better manger." By which, however, it appears that he was not one of those here condemned who slumber in their stalls. -SCRIBLERUS. 1 Weak and slight sophistry against virtue and honour. Thin colours over vice, as unable to hide the light of truth, as cobwebs to shade the sun. -POPE. 2 After ver. 227 in the MS. Where's now the star that lighted Charles to rise? With that which followed Julius to the Angels that watched the Royal Oak so well, Hence, lying miracles! reduced so low; (a) The horse on which William III. was riding when he met with the accident that caused his death. 3 The case of Cromwell in the Civil War of England, and (ver. 229) of Louis XIV. in his conquest of the Low Countries.-POPE. 4 Alluding to Waller's Panegyric on the Protector, of which Johnson says: "Such a series of verses had rarely appeared before in the English language. Of the lines some are grand, some are graceful, and all are musical. There is now and then a feeble verse, or a trifling thought; but its great fault is the choice of a hero." 5 See his Ode on Namur, where (to use his own words, "Il a fait un astre de la plume blanche que le Roi porte ordinairement à son chapeau, et qui est en effet une espèce de comète, fatale à nos ennemis."-POPE. following is the stanza alluded to: Contemplez dans la tempête The Her priestess Muse forbids the good to die, * Far other stars than and * wear,' And may descend to Mordington from Stair;' Or beam, good Digby, from a heart like thine,)" 1 Imitated from Milton's Comus, ver. 13. Yet some there be that by due steps aspire To lay their just hands on that golden key That opes the palace of eternity. -WAKEFIELD. It is 2 The chief herald-at-arms. the custom at the funeral of great peers to cast into the grave the broken staves and ensigns of honour. -POPE. For Anstis see Imitation of Horace, Book i. Ep. 6, 82. That is, Kent and Grafton. The next line wants explanation. I have some notion Lord Mordington kept a gaming-house.-BENNET. Dr. Bennet's conjecture as to the asterisks is not the correct one. Pope would not have scrupled to designate Kent and Grafton. I was therefore fully certain that the blanks should be filled up with "George" and "Frederick," and this conjecture I found confirmed by Lord Marchmont, who wrote these names in the margin of his copy.CROKER. What Dr. Bennet says about Mordington, is confirmed by a passage in Paul Whitehead's Satire of Honour. It is there said that: Vice levels all, however high or low, Thy gamblers Bridewell, and St. James's bites, The rooks of Mordington's, and sharks a White's. Mordington's low, gaming house is 235 240 contrasted with the fashionable gambling club at White's. Mr. Carruthers says that Mordington was a Scotch Lord of the blood of the Douglases, and that he died 11th June, 1741. 4 John Dalrymple, Earl of Stair, Knight of the Thistle, served in all the wars under the Duke of Marlborough; and afterwards an ambassador to France. -POPE. Lord Stair, born in 1673, died in 1747, was at this time prominent among the Opposition. He had been selected as their spokesman in protesting to the Queen against Walpole's Excise Scheme. Lord Hervey, who disparages everybody, says, "He was reckoned a man of integrity and honour."- Memoirs, vol. i. p. 104. 5 Dr. John Hough, Bishop of Worcester; and the Lord Digby. The one an assertor of the Church of England, in opposition to the false measures of King James II. The other as firmly attached to the cause of that King. Both acting out of principle and equally men of honour and virtue.-POPE. Hough was first brought into prominent notice by his election as President of Magdalen, in opposition to the commands of James II. He was born 1653, and died on the 8th of May, 1743, having been successively Bishop of Oxford, Bishop of Lichfield, and Bishop of Worcester. Pope's Let Flattery sickening see the incense rise, Yes, the last pen for Freedom let me draw, When Truth stands trembling on the edge of law;' Here, last of Britons! let your names be read; Are none, none living ? let me praise the dead, And for that cause which made your fathers shine, Fall by the votes of their degenerate line. F. Alas! alas! pray end what you began, And write next winter more Essays on Man.' commendation of him is evidently prompted solely by genuine respect. Edward, Lord Digby, died 30th Nov., 1737. He was one of the Lords of the Bedchamber to the Prince of Wales, a circumstance which had no doubt something to do with Pope's compliment. That is, "When Truth is in danger of being cut by the edge of legal resentment, sharply whetted against the satirist, who has the boldness to assert her cause.' Compare ver. 212. But I am not sure whether I understand the passage, and shall be glad to see my interpretation superseded by a better.-WAKEField. The image seems rather to represent Truth or Satire trembling on the brink of the Law, knowing that an incautious step would plunge her into the gulf. See note on ver. 2, and First Versification of Donne, ver. 129. 2 This was the last poem of the 245 250 255 kind printed by our author with a resolution to publish no more; but to enter thus, in the most plain and solemn manner he could, a sort of PROTEST against that insuperable corruption and depravity of manners, which he had been so unhappy as to live to see. Could he have hoped to have amended any, he had continued those attacks; but bad men were grown so shameless and so powerful that Ridicule was become as unsafe as it was ineffectual. The Poem raised him, as he knew it would, some enemies; but he had reason to be satisfied with the approbation of good men, and the testimony of his own conscience.-POPE. In the MS. "Quit, quit these themes, and write Essays on Man." His friend advises him to leave personal satire, and to write on Man in the abstract, as he had done in the Essay on Man. |