Aisthesis: Scenes from the Aesthetic Regime of ArtVerso Books, 4 jun 2013 - 304 páginas Composed in a series of scenes, Aisthesis–Rancière’s definitive statement on the aesthetic–takes its reader from Dresden in 1764 to New York in 1941. Along the way, we view the Belvedere Torso with Winckelmann, accompany Hegel to the museum and Mallarmé to the Folies-Bergère, attend a lecture by Emerson, visit exhibitions in Paris and New York, factories in Berlin, and film sets in Moscow and Hollywood. Rancière uses these sites and events—some famous, others forgotten—to ask what becomes art and what comes of it. He shows how a regime of artistic perception and interpretation was constituted and transformed by erasing the specificities of the different arts, as well as the borders that separated them from ordinary experience. This incisive study provides a history of artistic modernity far removed from the conventional postures of modernism. |
Índice
The Little Gods of the Street MunichBerlin 1828 | 21 |
3 | 39 |
Boston 1841New York 1855 | 55 |
The Gymnasts of the Impossible Paris 1879 | 75 |
The Dance of Light Paris Folies Bergere 1893 | 93 |
The Immobile Theatre Paris 189495 | 111 |
Temple House Factory | 133 |
Master of Surfaces Paris 1902 | 155 |
10 | 171 |
11 | 191 |
Hale County 1936New York 1941 | 245 |
263 | |
269 | |
Otras ediciones - Ver todo
Aisthesis: Scenes from the Aesthetic Regime of Art Jacques Ranciere No hay ninguna vista previa disponible - 2013 |
Aisthesis: Scenes from the Aesthetic Regime of Art Jacques Ranciere No hay ninguna vista previa disponible - 2019 |
Términos y frases comunes
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