of his knowledge which gave him correctness of description, sentiment, and observation, and clearness, force, and eloquence of language. Collins had only reached his age of twenty-six when his Odes were published: what inconceivable power would the maturity of age have given him? It is lamentable that he had no familiar friend and companion from that period capable of apprehending and remembering his conversations. In his lucid intervals he must have said many wise, many learned, and many brilliant things; perhaps his very disease, in its vacillation between light and darkness, may have struck out many unexpected and surprising beauties, which common attendants were utterly incapable of appreciating. The flushes of the mind under the unnatural impulses of malady are sometimes inimitably splendid. His reason, at times, was sound, for his reason was fervid to the last. But it is said that his shrieks sometimes resounded through the cathedral cloisters of Chichester till the horror of those who heard him was insupportable. All these speculations may appear tedious to those whose curiosity is confined to facts: but new facts regarding Collins are not to be had: and what are facts unless they are accompanied by reflections, conclusions, and sentiments? The use of facts is to teach us to think, to judge, and to feel and facts, regarding men of genius, are valuable in enabling us to contemplate how far the gifts of high intellect contribute to our happiness, or afford guides for the rest of mankind; in what respects they have the possessors upon an equality with the herd of the people; and where they expose them to temptations from which others are free. For these purposes the ill fated Collins is a melancholy illustration: the Muse had touched the lips of his infancy, and infused her spirit into him; she had given him a piercing understanding, and an amiable disposition and temper; she enabled him to come forth with poetry of the first class, in the earliest bloom of youth; and to deserve, if not to win, the envied laurel, which millions have reached at in vain! What seeming glories and blessings were these! Yet to how few was so much misery dispensed as to this once envied being! May we not hope that his spirit now has its mighty reward? Let it not be denied that there is high virtue in the culture of the mind, when directed to pure and elevated objects, and accustoming itself to travel in lofty paths! The mind cannot attain the necessary refinement, nor have its sight cleared of the film of earthly grossness, unless the heart throws off the dregs of coarser feeling, and keeps its wings afloat on a lighter and airier atmosphere. It may be said, that there have been bad men who have been great poets: but this position remains to be proved. The dissolute men who have written verses have not been great poets. Were Dante, Petrarch, Tasso, Spenser, Shakespeare, Dryden, Pope, Thomson, Burns, bad men? We know that Milton's character was great and holy, whatever were his politics and who could be more virtuous than Gray, Beattie, Cowper, and Kirke White? And have we not virtuous poets among the living,men whose native splendour and intellectual culture have almost purified them into spirits? Let us never cease to meditate on the dejected inspiration, which could pour forth such strains as these: : "With eyes upraised, as one inspired, In notes by distance made more sweet, Bubbling tunnels join'd the sound; Through glades and glooms the mingled measures stole, Round a holy calm diffusing, Love of peace and lonely musing, In hollow murmurs died away." There are those who will think the praises thus bestowed upon Collins extravagant. It is now |